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Cobra
COBRA or Cobra, often stylized as CoBrA, was a European avant-garde art group active from 1948 to 1951. The name was coined in 1948 by Christian Dotremont from the initials of the members' home countries' capital cities: Copenhagen (Co), Brussels (Br), Amsterdam (A). History During the time of occupation of World War II, the Netherlands had been disconnected from the art world beyond its borders. CoBrA was formed shortly thereafter. This international movement of artists who worked experimentally evolved from the criticisms of Western society and a common desire to break away from existing art movements, including the "detested" naturalism and the "sterile" abstraction. Experimentation was the symbol of an unfettered freedom, which, according to Constant, was ultimately embodied by children and the expressions of children. CoBrA was formed by Karel Appel, Constant, Corneille, Christian Dotremont, Asger Jorn, and Joseph Noiret on 8 November 1948 in the Café Notre-Dame, Pari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonja Ferlov Mancoba
Sonja Ferlov Mancoba (1 November 1911 – 17 December 1984) was a Danish avant-garde sculptor. Biography She attended the École des Beaux-Arts in Paris and was affiliated with the CoBrA group, along with her husband, South African artist Ernest Mancoba. Ferlov Mancoba was trained as a painter. She studied under Bizzie Høyer from 1930 to 1932 and at the Royal Danish Academy of Fine Arts from 1933 to 1935. She debuted at the annual Artists' Autumn Salon (Kunstnernes Efterårsudstilling) in 1935 with two plaster sculptures, ''Bird with Young'' and ''Two Living Beings''. From the mid-1930s she was involved with the artists' group and art journal '' Linien'' (The Line, 1934–39), which was the first conduit of French Surrealism to Denmark. During this time she was influenced by and an influence on the "abstract-Surrealist" artists and Linien co-founders Ejler Bille, Vilhelm Bjerke-Petersen, and Richard Mortensen. Her early sculptural assemblages of branches and organic materials ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Cornelis Van Beverloo
Corneille – Guillaume Cornelis van Beverloo (3 July 1922 – 5 September 2010), better known under his pseudonym Corneille, was a Dutch artist. Corneille was born in Liège, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art. He was active within the group from the beginning, not only painting but also publishing poetry in the ''Cobra magazine''. He was a cofounder of the '. Corneille was inspired by the drawings of children, and believed in the importance of approaching children with art that connects with their experience. When he heard during a Cobra Museum visit in the nineties that there was an “Art Lending for Children” he talked with the founder Roby Bellemans and asked him to send ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Noiret
Joseph Noiret (28 February 1927 – 17 January 2012) was a Belgian painter, writer and poet. He was also the founder of COBRA (avant-garde movement) and Review Phantomas, and director of La Cambre long. Biography Early life Noiret was born on 28 February 1927 in Belgium. At the young age, as a student he wrote poems from 1944. He was communist militant and at age 20, joined the "Surrealism revolutionary", the adventure of the ephemeral. He met Christian Dotremont, and in November 1948, in Paris during a conference he met with several international revolutionary groups. He died on 17 January 2012 after suffering long illness. He was the father of choreographer Michèle Noiret and historian Serge Noiret. Career Noiret is considered important figure in the field of art and culture of Belgium. He was the last of six founders of the Cobra movement to be alive. He also established the cult magazine "Phantomas" in 1953. He was the director of the long school La Cambre L'École n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joan Miró
Joan Miró i Ferrà ( , ; ; 20 April 1893 – 25 December 1983) was a Catalan Spanish painter, sculptor and Ceramic art, ceramist. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró in Mallorca, Fundació Pilar i Joan Miró, was established in his adoptive city of Palma de Mallorca, Palma in 1981. Earning international acclaim, his work has been interpreted as Surrealism but with a personal style, sometimes also veering into Fauvism and Expressionism. He was notable for his interest in the unconscious or the subconscious mind, reflected in his re-creation of the childlike. His difficult-to-classify works also had a manifestation of Catalonia, Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and declared an "assassination of painting" in favour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealist
Surrealism is an art movement, art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas. Its intention was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, photography, Theatre of Cruelty, theatre, Surrealist cinema, filmmaking, Surrealist music, music, Surreal humour, comedy and other media as well. Works of Surrealism feature the element of surprise, unexpected juxtapositions and ''Non sequitur (literary device), non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatic behavior, automatism" Breton speaks of in the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstraction
Abstraction is a process where general rules and concepts are derived from the use and classifying of specific examples, literal (reality, real or Abstract and concrete, concrete) signifiers, first principles, or other methods. "An abstraction" is the outcome of this process — a concept that acts as a common noun for all subordinate concepts and connects any related concepts as a ''group'', ''field'', or ''category''.Suzanne K. Langer (1953), ''Feeling and Form: A Theory of Art Developed from Philosophy in a New Key'', p. 90: "Sculpture, Sculptural form is a powerful abstraction from actual objects and the three-dimensional space which we construe ... through sensory system, touch and sight." Conceptual abstractions may be made by filtering the information content of a concept or an observable phenomenon, selecting only those aspects which are relevant for a particular purpose. For example, abstracting a leather soccer ball to the more general idea of a ball selects only the in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Graffiti
Graffiti (singular ''graffiti'', or ''graffito'' only in graffiti archeology) is writing or drawings made on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written "monikers" to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire. Modern graffiti is a controversial subject. In most countries, marking or painting property without permission is considered vandalism. Modern graffiti began in the New York City subway system and Philadelphia in the early 1970s and later spread to the rest of the United States and throughout the world. Etymology "Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word ''graffiato'' ("scratched"). In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek —''gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Expressionists
Abstract expressionism in the United States emerged as a distinct art movement in the aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralism, Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates (critic), Robert Coates. Key figures in the New York School (art), New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis (artist), Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos, and Lee Krasner among others. The movement was not limited to painting but included influential collagists and sculptors, such as David Smith (sculptor), David Smith, Louise Nevelson, and others. Abstract expressionism was notably influenced by the spontaneous and subconscious creation met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tachisme
__NOTOC__ Tachisme (alternative spelling: Tachism, derived from the French word ''tache'', stain; ) is a French style of Abstract art, abstract painting popular in the 1940s and 1950s. The term is said to have been first used with regards to the movement in 1951.Ian Chilvers (2004''The Oxford Dictionary of Art'' Oxford University Press It is often considered to be the European response and equivalent to abstract expressionism, although there are stylistic differences (American abstract expressionism tended to be more "aggressively raw" than tachisme). It was part of a larger postwar movement known as Informalism, Art Informel (or ''Informel''), which abandoned geometric abstraction in favour of a more intuitive form of expression, similar to action painting. Another name for Tachism is Abstraction lyrique (related to American Lyrical Abstraction). COBRA (avant-garde movement), COBRA is also related to Tachisme, as is Japan's Gutai group. After World War II the term School of Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Action Painting
Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist. Background The style was widespread from the 1940s until the early 1960s, and is closely associated with abstract expressionism (some critics have used the terms "action painting" and " abstract expressionism" interchangeably). A comparison is often drawn between the American action painting and the French tachisme. The New York School of American Abstract Expressionism (1940s-50s) is also seen as closely linked to the movement. The term was coined by the American critic Harold Rosenberg in 1952, in his essay "The American Action Painters", and signaled a major shift in the aesthetic perspective of New York School painters and critics. Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
