Clérissy Faience Factories
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Clérissy Faience Factories
The Clérissy faience factories or ateliers Clérissy were the main pottery factories making Moustiers faience, operated by members of the Clérissy family in Moustiers-Sainte-Marie in the Alpes-de-Haute-Provence, in Marseille, France, and later Varages and elsewhere. Family members continued to produce faïence in different locations until 1733. Moustiers Faience, the French term for tin-glazed pottery, takes its name from Faenza, Italy, which became a center of manufacture and export in the fifteenth and sixteenth centuries. The first faïence works in Moustiers was founded around 1679 by Pierre Clérissy (born around 1651), who came from a long line of local potters. From 1702 he was assisted by his son Antoine. Until 1715, Pierre and Antoine Clérissy were the only family making faïence in Moustiers. The painters and decorators François, Gaspard and Jean-Baptiste Viry, father and sons, worked in their factory. Between 1679 and around 1730 the Clérissy factory in Moust ...
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Marseille
Marseille (; ; see #Name, below) is a city in southern France, the Prefectures in France, prefecture of the Departments of France, department of Bouches-du-Rhône and of the Provence-Alpes-Côte d'Azur Regions of France, region. Situated in the Provence region, it is located on the coast of the Mediterranean Sea, near the mouth of the Rhône river. Marseille is the List of communes in France with over 20,000 inhabitants, second-most populous city proper in France, after Paris, with 873,076 inhabitants in 2021. Marseille with its suburbs and exurbs create the Aix-Marseille-Provence Metropolis, with a population of 1,911,311 at the 2021 census. Founded by Greek settlers from Phocaea, Marseille is the oldest city in France, as well as one of Europe's List of oldest continuously inhabited cities, oldest continuously inhabited settlements. It was known to the ancient Greeks as ''Massalia'' and to ancient Romans, Romans as ''Massilia''. Marseille has been a trading port since ancient ...
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Frans Floris
Frans Floris, Frans Floris the Elder or Frans Floris de Vriendt (17 April 15191 October 1570) was a Flemish painter, draughtsman, print artist and tapestry designer. He is mainly known for his history paintings, allegorical scenes and portraits.Frans Floris
at the Netherlands Institute for Art History
He played an important role in the movement in Northern Renaissance painting referred to as . The Romanists had typically travelled to Italy to study the works of leading Italian

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1677 Establishments In France
Events January–March * January 1 – Jean Racine's tragedy ''Phèdre'' is first performed, in Paris. * January 21 – The first medical publication in America (a pamphlet on smallpox) is produced in Boston. * February 15 – Four members of the English House of Lords embarrass King Charles II at the opening of the latest session of the "Cavalier Parliament" by proclaiming that the session is not legitimate because it had not met in more than a year. The Duke of Buckingham, backed by Lord Shaftesbury, Lord Salisbury and Baron Wharton, makes an unsuccessful motion to end the session. When the four Lords refuse to apologize, they are arrested and imprisoned in the Tower of London. * February 26 ** The first arrests are made in the case that will develop into the "Affair of the Poisons" in France, as Magdelaine de La Grange and her accused accomplice, Father Nail, are detained on suspicion of poisoning her lover, a Messr. Faurie. While in prison in the Ba ...
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Manufacturing Companies Based In Marseille
Manufacturing is the creation or production of goods with the help of equipment, labor, machines, tools, and chemical or biological processing or formulation. It is the essence of the secondary sector of the economy. The term may refer to a range of human activity, from handicraft to high-tech, but it is most commonly applied to industrial design, in which raw materials from the primary sector are transformed into finished goods on a large scale. Such goods may be sold to other manufacturers for the production of other more complex products (such as aircraft, household appliances, furniture, sports equipment or automobiles), or distributed via the tertiary industry to end users and consumers (usually through wholesalers, who in turn sell to retailers, who then sell them to individual customers). Manufacturing engineering is the field of engineering that designs and optimizes the manufacturing process, or the steps through which raw materials are transformed into a final prod ...
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Defunct Manufacturing Companies Of France
Defunct may refer to: * ''Defunct'' (video game), 2014 * Zombie process or defunct process, in Unix-like operating systems See also * * :Former entities * End-of-life product * Obsolescence Obsolescence is the process of becoming antiquated, out of date, old-fashioned, no longer in general use, or no longer useful, or the condition of being in such a state. When used in a biological sense, it means imperfect or rudimentary when comp ...
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Ceramics Manufacturers Of France
A ceramic is any of the various hard, brittle, heat-resistant, and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain, and brick. The earliest ceramics made by humans were fired clay bricks used for building house walls and other structures. Other pottery objects such as pots, vessels, vases and figurines were made from clay, either by itself or mixed with other materials like silica, hardened by sintering in fire. Later, ceramics were glazed and fired to create smooth, colored surfaces, decreasing porosity through the use of glassy, amorphous ceramic coatings on top of the crystalline ceramic substrates. Ceramics now include domestic, industrial, and building products, as well as a wide range of materials developed for use in advanced ceramic engineering, such as semiconductors. The word ''ceramic'' comes from the Ancient Greek word (), meaning "of ...
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Musée De La Faïence De Marseille
The Musée de la Faïence de Marseille was a museum in southern Marseille, France, dedicated to faience, a type of pottery. It opened to the public in June 1995, in Château Pastré at 157, Avenue de Montredon 13008 Marseille. It closed on 31 December 2012, to allow for the transfer of its collections to the new faience museum at Château Borély, the Museum of the Decorative Arts, Fashion and Ceramics, as part of preparations for Marseille becoming the European Capital of Culture in 2013. The museum was housed in the 19th century, building named after its former owner Eugène Pastré (1806–1868). The château is at the end of a long avenue in the ''Campagne Pastré'' park, owned by the city of Marseille. Château Eugène Pastré and his wife Céline de Beaulincourt-Marles wanted to build a house suitable for the celebrations and social gatherings they gave. Around 1860, they assigned construction of the building to the Parisian architect Jean-Charles Danjoy (1806–1862) ...
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Nicolas Poussin
Nicolas Poussin (, , ; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors. He returned to Paris for a brief period to serve as First Painter to the King under Louis XIII and Cardinal Richelieu, but soon returned to Rome and resumed his more traditional themes. In his later years he gave growing prominence to the landscape in his paintings. His work is characterized by clarity, logic, and order, and favors line over color. Until the 20th century he remained a major inspiration for such classically-oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne. Details of Poussin's artistic training are somewhat obscure. Around 1612 he traveled to Paris, where he studied under minor masters and completed his ea ...
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Simon Vouet
Simon Vouet (; 9 January 1590 – 30 June 1649) was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris,"Posner, Donald. "''The Paintings of Simon Vouet'' " (book review), ''The Art Bulletin'', Vol. 45, No. 3 (Sept., 1963), pp. 286–291. and was immensely influential in introducing the Italian Baroque style of painting to France. He was also, according to Pierre Rosenberg, "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco." Career Simon Vouet was born on January 9, 1590, in Paris. His father Laurent was a painter in Paris and taught him the rudiments of art. Simo ...
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Antonio Tempesta
Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Roman Baroque, Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. Life He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-''Maniera''" or Counter-Mannerism. He enrolled in the Florence, Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Southern Netherlands, Flemish painter Giovanni Stradano, Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his follower ...
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Faïence
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding was required to achieve this result, after millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles. English generally uses various other terms for well-known sub-types of faience. Italian tin-glazed earthenware, at least the early forms, is called maiolica in English, Dutch wares are called Delftware, and their English equivalents English delftware, leaving "faience" as the normal term ...
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