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Cláudio Venturini
Luís Cláudio Venturini (born 14 August 1958) is a Brazilian guitarist, vocalist and composer. With his elder brother ''Flávio Venturini'', he began his career taking part in the album ''A Via Láctea'' of the friend Lô Borges in 1978. One year later he was co-founder of the band 14 Bis, formerly besides his brother Flávio and where he persists nowadays. In 1987, when Flávio left the group, Cláudio became the main vocalist of the band. He composed some of the greatest hits of the band like: ''Mesmo de Brincadeira'' (with Vermelho and Mariozinho Rocha), ''Xadrês Chinês'' (with Vermelho and Chacal), ''Sonhando o Futuro'' (with Lô Borges), song that was recorded again by Beto Guedes and ''Canções de Guerra'' (with Sérgio Vasconcellos e Chico Amaral). See also * Clube da Esquina Clube da Esquina (, , in English "Corner Club") was a Brazilian music artists collective, originating in the Brazilian state of Minas Gerais. It is also the name of a double album from 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belo Horizonte
Belo Horizonte (, ; ) is the sixth-largest city in Brazil, with a population around 2.7 million and with a metropolitan area of 6 million people. It is the 13th-largest city in South America and the 18th-largest in the Americas. The metropolis is anchor to the Belo Horizonte metropolitan area, ranked as the third-most populous metropolitan area in Brazil and the 17th-most populous in the Americas. Belo Horizonte is the capital of the state of Minas Gerais, Brazil's second-most populous state. It is the first planned modern city in Brazil. The region was first settled in the early 18th century, but the city as it is known today was planned and constructed in the 1890s, to replace Ouro Preto as the capital of Minas Gerais. The city features a mixture of contemporary and classical buildings, and is home to several modern Brazilian architectural icons, most notably the Pampulha Complex. In planning the city, Aarão Reis and Francisco Bicalho sought inspiration in the urba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Música Popular Brasileira
Música popular brasileira (, ''Popular Brazilian Music'') or MPB is a trend in post- bossa nova urban popular music in Brazil that revisits typical Brazilian styles such as samba, samba-canção and baião and other Brazilian regional music, combining them with foreign influences, such as jazz and rock. This movement has produced and is represented by many Brazilian artists, such as Jorge Ben Jor, Ivan Lins, Novos Baianos, Belchior and Dominguinhos, whose individual styles generated their own trends within the genre. The term is often also used to describe any kind of music with Brazilian origins and "voice and guitar style" that arose in the late 1960s. Variations within MPB were the short-lived but influential artistic movement known as tropicália, and the music of samba rock. MPB songs are in part characterized by their harmonic complexity and their elaborate lyrics, which call back to a connection between Brazil’s popular music and poetry that has been culturall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
14 Bis (band)
14 Bis is a Brazilian pop-rock band. The band took its name from Santos-Dumont's 14 Bis airplane. The band was formed in 1979 in the state of Minas Gerais, when the members of two bands, O Terço and "Bendegó" decided to merge. Flávio Venturini and Vermelho, two founding members of 14 Bis, were also members of the Clube da Esquina band. Música popular brasileira is a strong element in many of 14 Bis compositions. The influence of progressive rock and caipira A Caipira () is an ethnic group native to Paulistânia, cultural area in Brazil, the term "''caipira''", of origin in the Paulista General language, probably influenced by the terms "''kai'pira''", "''ka'apir''", "''ka'a pora''" or "''kopira''" ... (hillbilly) is evident in many of its compositions, such as in their use of analog keyboards and complex vocal arrangements. The group reached the peak of their success during the 1980s with notable compositions and performance of popular Brazilian songs. Due to the mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lô Borges
Lô Borges (Born Salomão Borges Filho on January 10, 1952) is a Brazilian songwriter, singer, and guitarist. He was one of the founders of Clube da Esquina, a group of musicians that originated in the Brazilian state of Minas Gerais Minas Gerais () is a state in Southeastern Brazil. It ranks as the second most populous, the third by gross domestic product (GDP), and the fourth largest by area in the country. The state's capital and largest city, Belo Horizonte (literall .... He co-authored with Milton Nascimento the album '' Clube da Esquina'' in 1972, which was a milestone in Brazilian popular music. Among his most famous compositions are "''Paisagem da Janela''", "''Para Lennon e McCartney''", "''Clube da Esquina No. 2''", "''Trem de Doido''", and "''O Trem Azul''". His second album, the self-titled ''Lô Borges'', is featured in the book '' 1001 Albums You Must Hear Before You Die''. Discography *1972: '' Clube da Esquina (with Milton Nascimento) *1972: '' Lô Borg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beto Guedes
Alberto de Castro Guedes (born August 13, 1951) is a Brazilian singer, songwriter, and guitarist. Biography Beto Guedes has been playing in bands since he was a teenager. When he was 18 years old he took part in the V Singers International Festival, with the song "Feira Moderna" composed jointly with Fernando Brant. He formed the musical group Clube da Esquina with Milton Nascimento, Lô Borges, and Fernando Brant. The Minas Gerais folk music tradition was the group's main influence, along with 1960s rock and choro. His next band was 14 Bis. In 1977 he recorded his first album, ''A Página do Relâmpago Elétrico'', which was an unexpected success. In 1978 he issued the LP ''Amor de Índio'', whose title song was Guedes's biggest career success. Discography * ''Beto Guedes, Danilo Caymmi, Novelli, Toninho Horta'' (Odeon, 1973) * ''A Página do Relâmpago Elétrico'' (EMI, 1977) * ''Amor de Índio'' (EMI, 1978) * ''Sol de Primavera'' (EMI, 1979) * ''Contos da Lua Vaga'' (EMI, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clube Da Esquina
Clube da Esquina (, , in English "Corner Club") was a Brazilian music artists collective, originating in the Brazilian state of Minas Gerais. It is also the name of a double album from 1972. Clube da Esquina mixes rock and roll, progressive rock, bossa nova and jazz styles, with Brazilian folk music and classical music influences. The Beatles and the Platters were also an important influence on Clube da Esquina. Together with Tropicália, Clube da Esquina is usually regarded as the Brazilian musical movement that achieved the greatest international resonance in the post-bossa nova period (beginning in the late 1960s and early 1970s). History of Clube da Esquina In 1963 Milton Nascimento moved from Três Pontas, in the midlands of the state of Minas Gerais, to the capital Belo Horizonte, looking for work. He settled at the Levy building, where the Borges Family, including Márcio Borges, already lived. Milton and Márcio started composing (Milton had already played in some ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Composers
Brazilian commonly refers to: * Something of, from or relating to Brazil * Brazilian Portuguese, the dialect of the Portuguese language used mostly in Brazil * Brazilians, the people (citizens) of Brazil, or of Brazilian descent Brazilian may also refer to: Sports * Brazilian football, see football in Brazil * Brazilian jiu-jitsu, a martial art and combat sport system *''The Brazilians'', a nickname for South African football association club Mamelodi Sundowns F.C. due to their soccer kits which resembles that of the Brazilian national team Other uses * Brazilian waxing, a style of Bikini waxing * Brazilian culture, describing the Culture of Brazil * "The Brazilian", a 1986 instrumental by Genesis * Brazilian barbecue, known as churrasco * Brazilian cuisine See also * ''Brasileiro ''Brasileiro'' is a 1992 album by Sérgio Mendes and other artists including Carlinhos Brown which won the 1993 Grammy Award for Best World Music Album. Track listing # "Fanfarra" ( Carlinhos B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazilian Male Guitarists
Brazilian commonly refers to: * Something of, from or relating to Brazil * Brazilian Portuguese, the dialect of the Portuguese language used mostly in Brazil * Brazilians, the people (citizens) of Brazil, or of Brazilian descent Brazilian may also refer to: Sports * Brazilian football, see football in Brazil * Brazilian jiu-jitsu, a martial art and combat sport system *''The Brazilians'', a nickname for South African football association club Mamelodi Sundowns F.C. due to their soccer kits which resembles that of the Brazilian national team Other uses * Brazilian waxing, a style of Bikini waxing * Brazilian culture, describing the Culture of Brazil * "The Brazilian", a 1986 instrumental by Genesis * Brazilian barbecue, known as churrasco * Brazilian cuisine See also * ''Brasileiro ''Brasileiro'' is a 1992 album by Sérgio Mendes and other artists including Carlinhos Brown which won the 1993 Grammy Award for Best World Music Album. Track listing # "Fanfarra" ( Carlinhos B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
