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Cleisthenes (son Of Sibyrtius)
Cleisthenes ( ; ), also Clisthenes or Kleisthenes, was a prominent Athenian delegate ('' theoros'') during the Peloponnesian War (431 BC). The comedian Aristophanes used him frequently as the butt of jokes and as a character in his plays, ridiculing him for being effeminate and/or passive homosexual ('' kinaidos''). He is notably mentioned in ''The Frogs'', '' The Clouds'', ''Lysistrata ''Lysistrata'' ( or ; Attic Greek: , ''Lysistrátē'', ) is an ancient Greek comedy by Aristophanes, originally performed in classical Athens in 411 BC. It is a comic account of a woman's mission to end the Peloponnesian War between Greek city ...'', and '' Thesmophoriazusae''. References *'' Acharnians'' 117,'' The Clouds'', 354,'' Thesmophoriazusae'', 574. * {{authority control 5th-century BC Athenians 5th-century BC Greek politicians Ancient Greek LGBTQ people Aristophanes Athenians of the Peloponnesian War ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peloponnesian War
The Second Peloponnesian War (431–404 BC), often called simply the Peloponnesian War (), was an Ancient Greece, ancient Greek war fought between Classical Athens, Athens and Sparta and their respective allies for the hegemony of the Ancient Greece, Greek world. The war remained undecided until the later intervention of the Achaemenid Empire, Persian Empire in support of Sparta. Led by Lysander, the Spartan fleet (built with Persian subsidies) finally defeated Athens which began a period of Spartan hegemony over Greece. Historians have traditionally divided the war into three phases. The first phase (431–421 BC) was named the Ten Years War, or the Archidamian War, after the Spartan king Archidamus II, who invaded Attica several times with the full hoplite army of the Peloponnesian League, the alliance network dominated by Sparta (then known as Lacedaemon). The Long Walls of Athens rendered this strategy ineffective, while the superior navy of the Delian League (Athens' all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theoros
The theoroi ( or ) in ancient Greece were sacred ambassadors, messengers sent out by the state which was about to organize a Panhellenic game or festival. Theoroi were both received and hosted by the '' theorodokoi''. In the classical Greek world, ''theoroi'' meant something like "observers" and they were envoys sent by city-states to consult oracles, to give offerings at famous shrines or attend festivals. History Etymology and purpose ''Theoria'' was a word that referred to the duties of the theoroi; it came to mean any act of observing, and was used by Greek philosophers, generally, in the sense of "contemplation". The meaning of the term ''theoria'' possibly gives insight into the original purpose that the theoroi held, as they are thought to have been originally to oversee the games or festivals they were attending. As time went on their roles became more significant and their purpose evolved to be much more important in the setting up and execution of the events that took pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aristophanes
Aristophanes (; ; ) was an Ancient Greece, Ancient Greek Ancient Greek comedy, comic playwright from Classical Athens, Athens. He wrote in total forty plays, of which eleven survive virtually complete today. The majority of his surviving plays belong to the genre of comic drama known as Old Comedy and are considered its most valuable examples. Aristophanes' plays were performed at the religious festivals of Athens, mostly the City Dionysia and the Lenaia, and several of them won the first prize in their respective competitions. Also known as "The Father of Comedy" and "the Prince of Ancient Comedy", Aristophanes wrote plays that often dealt with real-life figures, including Euripides and Alcibiades, and contemporary events, such as the Peloponnesian War. He has been said to recreate the life of ancient Athens more convincingly than any other author. His plays are characterized by preposterous premises, explicit language, wordplays, and political satire. His powers of ridicule ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effeminate
Effeminacy or male femininity is the embodiment of feminine traits in boys or men, particularly those considered untypical of men or masculinity. These traits include roles, stereotypes, behaviors, and appearances that are socially associated with girls and women. Throughout Western civilization, men considered effeminate have faced prejudice and discrimination. Gay men are often stereotyped as being effeminate, and vice versa. However, femininity, masculinity, and other forms of gender expression are independent of sexual orientation Sexual orientation is an enduring personal pattern of romantic attraction or sexual attraction (or a combination of these) to persons of the opposite sex or gender, the same sex or gender, or to both sexes or more than one gender. Patterns ar .... Terminology ''Effeminate'' comes from Latin ''wikt:effeminatus, effeminātus'', from the factitive prefix ''ex-'' (from ''ex'' 'out') and ''femina'' 'woman'; it means 'made feminine, emasculated, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinaedus
Homosexuality in ancient Rome Societal attitudes toward homosexuality, differed markedly from the contemporary Western culture, West. Latin lacks words that would precisely Translation, translate "homosexual" and "heterosexual". The primary dichotomy of Sexuality in ancient Rome, ancient Roman sexuality was masculine and feminine. Roman society was patriarchy, patriarchal, and the ingenui, freeborn male Roman citizenship, citizen possessed political liberty (''libertas'') and the right to rule both himself and his household (''paterfamilias, familia''). "Virtue" (''virtus (virtue), virtus'') was seen as an active quality through which a man (''vir'') defined himself. The conquest mentality and "cult of virility" shaped same-sex relations. Roman men were free to enjoy sex with other males Sexuality in ancient Rome, without a perceived loss of masculinity or social status as long as they took the dominant or penetrative role. Acceptable male partners were slavery in ancient Rome, sl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Frogs
''The Frogs'' (; , often abbreviated ''Ran.'' or ''Ra.'') is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in Athens, in 405 BC and received first place. The play features the comical katabasis of the god of theater Dionysus, with his slave Xanthias, in order to revive the late tragedian Euripides. Dionysus is frustrated with tragedy's decline in quality after the playwright's recent passing, and concerned about theatre's future as the city of Athens struggles in the Peloponnesian War. During the pair's journey through the underworld, the god cravenly and unsuccessfully attempts to evade trouble after masquerading as Heracles, still infamous for his prior kidnapping of the guard-dog Cerberus. At the palace of Pluto, Dionysus then adjudicates a fierce debate between Euripides and Aeschylus for the underworld's throne of tragic drama. Aeschylus wins due to his pragmatism, and Dionysus ends up reviv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Clouds
''The Clouds'' (, ''Nephelai'') is a Greek comedy play written by the playwright Aristophanes. A lampooning of intellectual fashions in classical Athens, it was originally produced at the City Dionysia in 423BC and was not as well received as the author had hoped, coming last of the three plays competing at the festival that year. It was revised between 420 and 417BC and was thereafter circulated in manuscript form. No copy of the original production survives, and scholarly analysis indicates that the revised version is an incomplete form of Old Comedy. This incompleteness, however, is not obvious in translations and modern performances. Retrospectively, ''The Clouds'' can be considered the world's first extant "comedy of ideas" and is considered by literary critics to be among the finest examples of the genre. The play also, however, remains notorious for its caricature of Socrates, and is cited by Plato in the ''Apology'' as a contributing factor to the philosopher's trial a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lysistrata
''Lysistrata'' ( or ; Attic Greek: , ''Lysistrátē'', ) is an ancient Greek comedy by Aristophanes, originally performed in classical Athens in 411 BC. It is a comic account of a woman's mission to end the Peloponnesian War between Greek city states by denying all the men of the land any sex, which was said to be the only thing they truly and deeply desired. Lysistrata persuades the women of the warring cities to engage in a sex strike as a means of forcing the men to negotiate peace – a strategy that inflames the battle between the sexes. The play is notable for being an early exposé of sexual relations in a male-dominated society. Its structure represents a shift from the conventions of Old Comedy, a trend typical of the author's career. It was produced in the same year as the '' Thesmophoriazusae'', another play with a focus on gender-based issues, just two years after Athens's defeat in the Sicilian Expedition. Plot The play begins with these lines spoken by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thesmophoriazusae
''Thesmophoriazusae'' (; ''Thesmophoriazousai'', ), or ''Women at the Thesmophoria'' (sometimes also called ''The Poet and the Women''), is one of eleven surviving comedy plays by Aristophanes. It was first produced in 411 BC, probably at the City Dionysia. The play's focuses include the subversive role of women in a male-dominated society; the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon; and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus. The work is also notable for Aristophanes' free adaptation of key structural elements of Old Comedy and for the absence of the anti-populist and anti-war comments that pepper his earlier work. It was produced in the same year as ''Lysistrata'', another play with sexual themes. How ''Thesmophoriazusae'' fared in the City Dionysia drama competition is unknown, but the play has been considered one of Aristophanes' most brilliant parodi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acharnians
''The Acharnians'' or ''Acharnians'' (Ancient Greek: ''Akharneîs''; Attic: ) is the third play — and the earliest of the eleven surviving plays — by the Athenian playwright Aristophanes. It was produced in 425 BC on behalf of the young dramatist by an associate, Callistratus, and it won first place at the Lenaia festival. ''The Acharnians'' is about an Athenian citizen, Dikaiopolis, who miraculously obtains a private peace treaty with the Spartans and enjoys the benefits of peace in spite of opposition from some of his fellow Athenians. The play is notable for its absurd humour, its imaginative appeal for an end to the Peloponnesian War, and for the author's spirited response to condemnations of his previous play, ''The Babylonians'', by politicians such as Cleon, who had reviled it as a slander against the Athenian polis. In ''The Acharnians'', Aristophanes reveals his resolve not to yield to attempts at political intimidation. Along with the other surviving plays of Aris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
5th-century BC Athenians
The 5th century is the time period from AD 401 (represented by the Roman numerals CDI) through AD 500 (D) in accordance with the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to a formal end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
