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Classical Guitar Technique
In classical guitar, the right hand is developed in such a way that it can sustain two, three, and four voice Harmony, harmonies while also paying special attention to Musical tone, tone production. The index (i), middle (m), and ring (a) fingers are generally used to play the melody, while the thumb (p) accompanies in the bass register adding harmony and produces a comparable texture and effect to that of the piano. The classical guitar is a solo polyphonic instrument. Classical guitar techniques can be organized broadly into subsections for the right hand, the left hand, and miscellaneous techniques. In guitar, performance elements such as musical dynamics (loudness or softness) and tonal/Timbre, timbral variation are mostly determined by the hand that physically produces the sound. In other words, the hand that plucks the strings defines the musical expression. Historically, this role has been assigned to the dominant hand which, for the majority of players, is the right hand. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Guitar
The Baroque guitar (–1750) is a string instrument with five Course (music), courses of gut strings and moveable gut frets. The first (highest pitched) course sometimes used only a single string. History The Baroque guitar replaced the lute as the most common instrument found when one was at home. The earliest attestation of a five-stringed guitar comes from the mid-sixteenth-century Spanish book ''Declaracion de Instrumentos Musicales'' by Juan Bermudo, published in 1555. The first treatise published for the Baroque guitar was ''Guitarra Española de cinco ordenes'' (The Five-course Spanish Guitar), , by Juan Carlos Amat. The baroque guitar in contemporary Musical ensemble, ensembles took on the role of a basso continuo instrument and players would be expected to improvise a Guitar chord, chordal accompaniment. Several scholars have assumed that the guitar was used together with another basso continuo instrument playing the Bassline, bass line. However, there are good reasons t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apoyando
Apoyando ("supporting") is a method of brushing the string used in both classical guitar The classical guitar, also known as Spanish guitar, is a member of the guitar family used in classical music and other styles. An acoustic wooden string (music), string instrument with strings made of catgut, gut or nylon, it is a precursor of the ... and flamenco guitar known in English as "rest stroke." The rest stroke gets its name because after brushing the string, the finger rests on the adjacent string after it follows through, giving a slightly rounder, often punchier sound (contrasted with tirando). Harpsichord strings are plucked, normally, in classical guitar style, strings are brushed with skin and nail, unless a particular tonal color is required. Classical guitar Flamenco Guitar performance techniques ru:Гитара#Звукоизвлечение {{guitar-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isaac Guillory
Isaac Guillory (February 27, 1947 – December 31, 2000) was an American folk guitarist. Career Guillory's first band was The Continentals in Gainesville, Florida in 1960 at age 13. This band, which later changed its name to Maundy Quintet, included Don Felder and Stephen Stills, and later Bernie Leadon, who was an original member of the Eagles. In 1961, he moved with his family 45 miles east to Palatka, Florida for his dad's work. Guillory's first performances began in 1962 playing lead guitar in the Fallouts while attending high school in Palatka. In 1964 he became a founding member of The Illusions as lead guitarist and vocalist. Towards the end of 1965, Guillory moved to Chicago where he studied at the Chicago School of Music and Roosevelt University. He recorded two albums there in the late 1960s with The Cryan' Shames, having joined them in 1967 as bass player. He then attended Wright Junior College for three years where he played with The Revelles. The group played wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Fripp
Robert Fripp (born 16 May 1946) is an English musician, composer, record producer, and author, best known as the guitarist, founder and longest-lasting member of the progressive rock band King Crimson. He has worked extensively as a session musician and collaborator, notably with David Bowie, Blondie, Brian Eno, Peter Gabriel, Daryl Hall, the Roches, Talking Heads, and David Sylvian. He also composed the startup sound of Windows Vista, in collaboration with Tucker Martine and Steve Ball. His discography includes contributions to more than 700 official releases. His compositions often feature unusual asymmetric rhythms, influenced by classical and folk traditions. His innovations include a tape delay system known as "Frippertronics" (superseded in the 1990s by a more sophisticated digital system called "Soundscapes") and New Standard Tuning. Matthew Schnipper of ''Pitchfork'' likened Fripp to "a wedding musician if the whole world was getting married." Fripp is married to E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Guitar Pedagogy
Classical guitar pedagogy is a collection of ideas, structures and patterns that are commonly used in teaching guitar. These standards include a variety of techniques and songs that incorporate these techniques to develop a player's abilities. Pedagogy The classical guitar pedagogy is a collection of ideas, structures and patterns that are typical in teaching the instrument. These elements have been formalised by several music governing bodies, most notably ABRSM. These frameworks contain a rubric to teach classical guitar from novice to expert. The pedagogy includes physical techniques and a wide array of songs that encompass these techniques as well as developing breadth in the styles of classical guitar. Music theory is also taught throughout the pedagogy, as the teaching of classical guitar utilises many aspects of the general musical education. Classical guitar education The classical guitar is today a standard instrument that can be studied at music universities and conser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fret
A fret is any of the thin strips of material, usually metal wire, inserted laterally at specific positions along the neck or fretboard of a stringed instrument. Frets usually extend across the full width of the neck. On some historical instruments and non-European instruments, frets are made of pieces of string tied around the neck. Frets divide the neck into fixed segments at intervals related to a musical framework. On instruments such as guitars, each fret represents one semitone in the standard western system, in which one octave is divided into twelve semitones. ''Fret'' is often used as a verb, meaning simply "to press down the string behind a fret". ''Fretting'' often refers to the frets and/or their system of placement. Explanation Pressing the string against the fret reduces the vibrating length of the string to that between the bridge and the next fret between the fretting finger and the bridge. This is damped if the string were stopped with the soft fingert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catgut
Catgut (also known as gut) is a type of cord that is prepared from the natural fiber found in the walls of animal intestines. Catgut makers usually use sheep or goat intestines, but occasionally use the intestines of cattle, hogs, horses, mules, or donkeys. Despite the name, catgut is not made from cat intestines. Etymology The word ''catgut'' may have been an abbreviation of the word ''cattlegut''. Alternatively, it may derive by folk etymology from ''kitgut'' or ''kitstring'' — the dialectal word ''kit'', meaning fiddle, having at some point been confused with the word ''kit'' for a young cat, the word "kit" being possibly derived from Welsh. In the 16th century a ''kit'' was a "small fiddle used by dancing teachers," a name probably derived from a shortening of Old English ''cythere'', from Latin , from Greek (see guitar). Common uses Musical instruments Historically, catgut was the most common material for the strings of harps, lutes, violins, violas, cellos, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Guitarists
This is a list of classical guitarists. Baroque (17th and 18th centuries) 19th century 20th century Contemporary See also * List of flamenco guitarists References {{DEFAULTSORT:Classical guitarists Classical Classical guitar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fingerboard
The fingerboard (also known as a fretboard on fretted instruments) is an important component of most stringed instruments. It is a thin, long strip of material, usually wood, that is laminated to the front of the neck of an instrument. The strings run over the fingerboard, between the nut and bridge. To play the instrument, a musician presses strings down to the fingerboard to change the vibrating length, changing the pitch. This is called '' stopping'' the strings. Depending on the instrument and the style of music, the musician may pluck, strum or bow one or more strings with the hand that is not fretting the notes. On some instruments, notes can be sounded by the fretting hand alone, such as with hammer ons, an electric guitar technique. The word "fingerboard" in other languages sometimes occurs in musical directions. In particular, the direction ''sul tasto'' (Ital., also ''sulla tastiera'', Fr. ''sur la touche'', G. ''am Griffbrett'') for bowed string instruments to pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilio Pujol
Emilio Pujol Vilarrubí (or ''Emili''; 7 April 1886 – 15 November 1980) was a Spanish composer, guitarist and a leading teacher of the classical guitar. Biography Emili Pujol was born in the little village of Granadella just outside Lleida, Spain. He began his studies with Francisco Tárrega in 1902, when he was sixteen years of age. At this time, Miguel Llobet was making his debut as a concert artist outside Barcelona. Pujol fondly remembered his first encounter with Tárrega and in his biography of his teacher, he described his ''mestre'' in very endearing, romantic terms. During the war years 1914–1918 he did not travel much and mainly remained in Catalonia. In 1918 he undertook his first tour of South America, starting in Buenos Aires. The only major interruptions in his concert travels were his marriage to Matilde Cuervas in Paris, an Andalusian flamenco guitarist, and the period of time he devoted to historical research in Paris into the instrumental predecessors of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Tárrega
Francisco de Asís Tárrega y Eixea (21 November 185215 December 1909) was a Spanish composer and classical guitarist of the late Romantic period. He is known for such pieces as '' Capricho Árabe'' and '' Recuerdos de la Alhambra''. Biography Tárrega was born on 21 November 1852, in Villarreal, Province of Castellón, Spain. It is said that Francisco's father played flamenco and several other music styles on his guitar; when his father was away working as a watchman at the Convent of San Pascual, Francisco would take his father's guitar and attempt to make the beautiful sounds he had heard. Francisco's nickname as a child was "Quiquet". As a child, he ran away from his nanny and fell into an irrigation channel and injured his eyes. Fearing that his son might lose his sight completely, his father moved the family to Castellón de la Plana to attend music classes because as a musician he would be able to earn a living, even if blind. Both his first music teachers, Eugeni Ruiz an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernando Sor
Fernando Sor (baptised 14 February 1778 – 10 July 1839) was a Spanish classical guitarist and composer of the Classical period (music), late Classical era and Romantic music, early Romantic era. Best known for writing solo classical guitar music, he also composed an opera (at the age of 19), three symphonies, guitar duos, piano music, songs, a Mass, and at least two successful ballets: ''Cinderella'', which received over one hundred performances, and ''Hercule et Omphale''. Partly because Sor was himself such a classical guitar virtuoso—contemporaries considered him to be the best in the world—he made a point of writing didactic music for players of that instrument of all levels. His Twelve Studies Op. 6, the Twelve Studies Op. 29, the (24) Progressive Lessons Op. 31, and the (24) Very Easy Exercises Op. 35 have been widely played for two hundred years and are regularly reprinted. On the other hand, some of Sor's music, not least his popular ''Introduction and Variations o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
