Classical Kemençe
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Classical Kemençe
The classical ''kemenche'' ( tr, Klasik kemençe), ('pear-shaped kemenche') or ( el, πολίτικη λύρα, 'Constantinopolitan lyre') is a pear-shaped bowed instrument that derived from the medieval Greek byzantine lyre. It was mainly used by Greek immigrants from Asia Minor and in classical Ottoman music. The instrument was also used earlier for popular music, such as early "Smyrna-Style" Rebetiko and played till nowadays. It has become the main bowed instrument of Ottoman classical music since the mid 19th century. Etymology The name ''Kemençe'' derives from the Persian Kamancheh, and means merely "small bow". The name ''lyra'' derives from the name of the ancient Greek lyre and was used in medieval times, see Byzantine lyra. Playing It is played in the downright position, by resting it between both knees or on one knee when sitting. It is always played "braccio", that is, with the tuning head uppermost. The kemenche bow is called the yay ( tr, Yay) and the '' ...
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Byzantine Lyra
The Byzantine lyra or lira ( gr, λύρα) was a medieval bowed string musical instrument in the Byzantine (Eastern Roman) Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with fingernails. The first known depiction of the instrument is on a Byzantine ivory casket (900–1100 AD), preserved in the Bargello in Florence (''Museo Nazionale, Florence, Coll. Carrand, No.26''). Versions of the Byzantine lyra are still played throughout the former lands of the Byzantine Empire: Greece ( Politiki lyra, lit. "lyra of the City" i.e. Constantinople), Crete (Cretan lyra), Albania, Montenegro, Serbia, Bulgaria, North Macedonia, Croatia ( Dalmatian Lijerica), Italy ( Calabrian lira) and Armenia. History The most likely origin is the pear-shaped pandura, however with the introduction of a bow. The first recorded reference to the bowed lyra was in the 9th century by the Persian geograph ...
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