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Cinerama
Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35 mm movie film, 35mm projectors onto a huge, deeply curved screen, Subtended angle, subtending 146-degrees of arc. The trademarked process was marketed by the Cinerama corporation. It was the first of several novel processes introduced during the 1950s when the movie industry was reacting to competition from television. Cinerama was presented to the public as a theatrical event, with reserved seating and printed programs, and audience members often dressed in their best attire for the evening. The Cinerama projection screen, rather than being a continuous surface like most screens, is made of hundreds of individual vertical strips of standard perforated screen material, each about inch (~22 millimeters) wide, with each strip angled to face the audience, to prevent light scattered from one end of the deeply curved screen from reflecting across the screen and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
This Is Cinerama
''This Is Cinerama'' is a 1952 American documentary film directed by Mike Todd, Michael Todd Jr., Walter A. Thompson and Fred Rickey and starring Lowell Thomas.American Film Institute It is designed to introduce the widescreen process Cinerama, which broadens the so that the viewer's peripheral vision is involved. ''This Is Cinerama'' premiered on September 30, 1952, at the in |
Ultra Panavision 70
Ultra Panavision 70 and MGM Camera 65 were, from 1957 to 1966, the marketing brands that identified motion pictures photographed with Panavision's anamorphic movie camera lenses on 65 mm film. Ultra Panavision 70 and MGM Camera 65 were shot at 24 frames per second (fps) using anamorphic camera lenses. Ultra Panavision 70 and MGM Camera 65's anamorphic lenses compressed the image 1.25 times, yielding an extremely wide aspect ratio of 2.76:1 (when a 70 mm projection print was used). Ultra Panavision saw much less use than its sibling, the more popular Super Panavision 70, and was only used on ten films from 1957 to 1966. However, nearly fifty years later, Robert Richardson famously resurrected Ultra Panavision 70 after the lens test he came to do at the Panavision headquarters for the upcoming project with Quentin Tarantino, where he discovered that the lenses and equipment were still intact. Tarantino was fascinated by this and was able to refurbish the lenses for use in h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinerama Adventure
''Cinerama Adventure'' is a 2002 documentary about the history of the Cinerama widescreen film process. It tells the story of the widescreen process' evolution, from a primitive multi-screen pyramid process to a Vitarama format that played a big part in World War II, to the three-screen panoramic process it eventually became. The film includes interviews with surviving cast and crew who personally worked on the Cinerama films, plus vintage interviews with late creator Fred Waller. To simulate the Cinerama experience for The Cinerama Adventure, a special three-panel telecine process termed SmileBox (a registered trade mark of C.A. Productions), was developed by video and film expert Greg Kimble for use in this film; it was later utilized for TV broadcasts and Blu-ray releases of Cinerama-formatted films such as '' This is Cinerama'' and '' How the West Was Won''. It was written, produced, directed, edited and narrated by David Strohmaier; produced by Randy Gitsch; executive prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
70mm
70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. As used in cameras, the film is wide. For projection, the original 65 mm film is printed on film. The additional 5 mm contains the four magnetic stripes, holding six tracks of stereophonic sound. Although later 70 mm prints use digital sound encoding (specifically the DTS format), the vast majority of existing and surviving 70 mm prints pre-date this technology. Each frame is five perforations tall (i.e., 23.8125 mm or 15/16 inches tall), with an image aspect ratio of 2.2:1. The use of anamorphic Ultra Panavision 70 lenses squeezes an ultra-wide 2.76:1 aspect ratio horizontally into that 2.2:1 imaging area. To this day, Ultra Panavision 70 produces the widest picture size in the history of filmmaking; surpassed only by Polyvision, which was only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lowell Thomas
Lowell Jackson Thomas (April 6, 1892 – August 29, 1981) was an American writer, Television presenter, broadcaster, and documentary filmmaker. He authored more than fifty non-fiction books, mostly travel narratives and popular biographies of explorers and military men. Between 1930 and the mid-1950s, Thomas appeared regularly on radio and television as a travel and news commentator, and was a narrator of Movietone News, Movietone newsreels shown in cinemas. Thomas was especially known for the writings and documentary films that turned T. E. Lawrence (Lawrence of Arabia) into an international celebrity. Later in his career, Thomas was involved in promoting the Cinerama widescreen system. In 1954, he led a group of New York City-based investors to buy majority control of Hudson Valley Broadcasting, which, in 1957, became Capital Cities Television Corporation. Early life Thomas was born in Woodington, Ohio, to Harry and Harriet (née Wagoner) Thomas. His father was a doctor, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CinemaScope
CinemaScope is an anamorphic format, anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. Its creation in 1953 by Spyros Skouras, Spyros P. Skouras, the president of 20th Century Fox, marked the beginning of the modern anamorphic format in both principal Aspect ratio (image), 2.55:1, almost twice as wide as the previously common Academy format's 1.37:1 ratio. Although the technology behind the CinemaScope lens system was made obsolete by later developments, primarily advanced by Panavision, CinemaScope's anamorphic format has continued to this day. In film-industry jargon, the shortened form, 'Scope, is still widely used by both filmmakers and projectionists, although today it generally refers to any Anamorphic format, 2.35:1, 2.39:1, 2.40:1, or 2.55:1 presentation or, sometimes, the use of anamorphic lensing or projection in general. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Broadway Theatre
The Broadway Theatre (formerly Universal's Colony Theatre, B.S. Moss's Broadway Theatre, Earl Carroll's Broadway Theatre, and Ciné Roma) is a Broadway theater at 1681 Broadway (near 53rd Street) in the Theater District of Midtown Manhattan in New York City, New York, U.S. Opened in 1924, the theater was designed by Eugene De Rosa for Benjamin S. Moss, who originally operated the venue as a movie theater. It has approximately 1,763 seats across two levels and is operated by The Shubert Organization. The Broadway Theatre is one of the few Broadway theaters that is physically on Broadway. The Broadway's facade was originally designed in the Italian Renaissance style and was made of brick and terracotta. The modern facade of the theater is made of polished granite and is part of the office building at 1675 Broadway, completed in 1990. The auditorium contains an orchestra level, one balcony, and box seats. The modern design of the auditorium dates to a 1986 renovation, when O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Widescreen
Widescreen images are displayed within a set of aspect ratio (image), aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than 4:3 (1.33:1). For TV, the original screen ratio for broadcasts was in 4:3 (1.33:1). Largely between the 1990s and early 2000s, at varying paces in different countries, 16:9 (e.g. 1920×1080p 60p) widescreen displays came into increasingly common use by high-definition video, high definitions. With computer displays, aspect ratios other than 4:3 (e.g. 1920×1440) are also referred to as "widescreen". Widescreen computer displays were previously made in a 16:10 aspect ratio (e.g. 1920×1200), but nowadays they are 16:9 (e.g. 1920×1080, 2560×1440, 3840×2160). Film History Widescreen was first used for ''The Corbett-Fitzsimmons Fight'' (1897). This was not only the longest film that had been released to date at 10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Todd
Michael Todd (born Avrom Hirsch Goldbogen; June 22, 1907 – March 22, 1958) was an American theater and film producer, celebrated for his 1956 ''Around the World in 80 Days (1956 film), Around the World in 80 Days'', which won an Academy Award for Best Picture. Actress Elizabeth Taylor was his third wife. Todd was the third of Taylor's seven husbands, and the only one Taylor did not divorce. He died in a private plane accident a year after they married. He was the driving force behind the development of the eponymous Todd-AO widescreen film format. Early life Todd was born in Minneapolis, Minnesota, to Chaim Goldbogen (an Orthodox Judaism, Orthodox rabbi), and Sophia Hellerman, both Polish Jewish immigrants. His year of birth has been reported as 1907, 1908, 1909, and 1911, but 1907 is generally accepted. He was one of nine children in a poor family, the youngest son, and his siblings nicknamed him "Tod" (pronounced "Toat" in German) to mimic his difficulty pronouncing the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Waller
Frederic Waller (1886 – May 18, 1954) was an American inventor and film pioneer. Career Waller is most known for his contributions to film special effects while working at Paramount Pictures, for his creation of the Waller Flexible Gunnery Trainer, and for inventing Cinerama, the immersive experience of a curved film screen that extends to the viewer's peripheral vision, for which he received an Academy Award. Waller, a snow-skiing and boating enthusiast, is also credited with obtaining the first patent for a water ski in 1925. He produced and directed 200 one-reel shorts for Paramount, including '' Cab Calloway's Hi-De-Ho'' (1934) and Duke Ellington's '' Symphony in Black'' (1935). He patented several pieces of photographic equipment, including a camera that could take a 360-degree still photo. As the special projects director for the 1939 New York World's Fair, he collaborated on the fair centerpiece attraction called the Perisphere, the Eastman Kodak Hall of Color, and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radiocentro CMQ Building
The Radiocentro CMQ Building complex is a former radio and television production facility and office building at the intersection of Calle L and La Rampa in El Vedado, Cuba. It was modeled after Raymond Hood's 1933 Rockefeller Center in New York City. With 1,650 seats, the theater first opened on December 23, 1947, under the name Teatro Warner Radiocentro, it was owned by brothers Goar and Abel Mestre. Today the building serves as the headquarters of the Cuban Institute of Radio and Television (ICRT). Construction For the construction of this building, the Havana building authorities granted a permit in 1947 amending the ordinances that were then in effect in El Vedado prohibiting the construction of buildings of more than three storeys. This statute was modified six years later to expand the construction of up to four floors because many planners and owners claimed the need to authorize them to build taller buildings in the area. The building was set back from the property lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anamorphic Lens
Anamorphic format is a cinematography technique that captures widescreen images using recording media with narrower native aspect ratios. Originally developed for 35 mm film to create widescreen presentations without sacrificing image area, the technique has since been adapted to various film gauges, digital sensors, and video formats. Rather than cropping or matting the image and discarding visual information, anamorphic capture employs cylindrical lenses to horizontally compress or "squeeze" the image during recording. A complementary lens is then used during projection to expand the image back to its intended widescreen proportions. By utilizing the full height of the film frame or sensor, this method retains more image resolution than cropped non-anamorphic widescreen formats. Anamorphic lenses have more complex optics than standard spherical lenses, which require more light and can introduce distinctive distortions and lens flares. However, these artefacts are so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
