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Cinema Of France
The cinema of France comprises the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe, with primary influence also on the creation of national cinemas in Asia. The Lumière brothers launched cinematography in 1895 with their '' L'Arrivée d'un train en gare de La Ciotat''. By the early 1900s, French cinema led globally, with pioneers like Méliès creating cinematic techniques and the first sci-fi film, ''A Trip to the Moon'' (1902). Studios like Pathé and Gaumont dominated, with Alice Guy-Blaché directing hundreds of films. Post-WWI, French cinema declined as U.S. films flooded Europe, leading to import quotas. Between the wars, directors like Jean Renoir, Jean Vigo and Marcel Carné shaped French Poetic Realism. Renoir’s '' La Règle du Jeu'' (1939) and Carné’s '' Les Enfants du Paradis'' (1945) remain iconic, showcasin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Carné
Marcel Albert Carné (; 18 August 1906 – 31 October 1996) was a French film director. A key figure in the poetic realism movement, Carné's best known films include ''Port of Shadows'' (1938), ''Le Jour Se Lève'' (1939), ''Les Visiteurs du Soir'' (1942) and ''Children of Paradise'' (1945); the latter has been cited as one of the List of films considered the best, great films of all time. Biography Born in Paris, France, the son of a cabinet maker whose wife died when their son was five, Carné began his career as a film critic, becoming editor of the weekly publication, ''Hebdo-Films'', and working for ''Cinémagazine'' and ''Cinémonde'' between 1929 and 1933.Richard Roud "Marcel Carné and Jacques Prevert" in Roud ''Cinema: A Critical Dictionary: Volume One, Aldrich to King'', London: Secker & Warburg, 1980, p.189-92, 189, 191 In the same period he worked in silent film as a camera assistant with director Jacques Feyder. By age 25, Carné had already directed ''Nogent, Eldora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertrand Tavernier
Bertrand Tavernier (; 25 April 1941 – 25 March 2021) was a French film director, screenwriter, and producer. Life and career Tavernier was born in Lyon, France, the son of Geneviève (née Dumond) and René Tavernier, a publicist and writer, several years president of the French PEN club. He said his father's publishing of a wartime resistance journal and aid to anti-Nazi intellectuals shaped his moral outlook as an artist. According to Tavernier, his father believed that words were "as important and as lethal as bullets". Tavernier wanted to become a filmmaker from the age of 13 or 14 years. He said that his cinematic influences included filmmakers John Ford, William Wellman, Jean Renoir, Jean Vigo and Jacques Becker. Tavernier was influenced by the May 1968 protests in France, 1968 general strike in France. He associated with the Internationalist Communist Organisation, OCI between 1973 and 1975, and was particularly struck by the writing of Leon Trotsky. The first film dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catherine Deneuve
Catherine Fabienne Dorléac (born 22 October 1943), known professionally as Catherine Deneuve (, , ), is a French actress. She is considered one of the greatest European actresses on film. In 2020, ''The New York Times'' ranked her as one of the greatest actors of the 21st century. Deneuve made her screen debut in 1957 at age 13, in a film shot the previous year when she was only 12. A major figure of the French New Wave, New Wave, she became, like Brigitte Bardot and Alain Delon, one of the best-known French artists in the world. In a career spanning nearly 70 years, she has played more than a hundred roles and is recognized in France and internationally for being one of the key faces of the Musical film, musical film genre with appearances in ''The Umbrellas of Cherbourg'', ''The Young Girls of Rochefort,'' ''Donkey Skin (film), Donkey Skin'', ''8 Women'' and ''The Beloved (2011 film), The Beloved.'' Early in her career, she gained acclaim for her portrayals of aloof and myste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain Delon
Alain Fabien Maurice Marcel Delon (; 8 November 1935 – 18 August 2024) was a French actor, film producer, screenwriter, singer, and businessman. Acknowledged as a cultural and cinematic leading man of the 20th century, Delon emerged as one of the foremost European actors of the late 1950s to the 1980s, and became an international sex symbol. He is regarded as one of the most well-known figures of the Cinema of France, French cultural landscape. His style, looks, and List of Alain Delon performances, roles, which made him an international icon, earned him enduring popularity. Delon achieved critical acclaim for his roles in films such as ''Women Are Weak'' (1959), ''Purple Noon'' (1960), ''Rocco and His Brothers'' (1960), ''L'Eclisse'' (1962), ''The Leopard (1963 film), The Leopard'' (1963), ''Any Number Can Win (film), Any Number Can Win'' (1963), ''The Black Tulip (1964 film), The Black Tulip'' (1964), ''The Last Adventure (1967 film), The Last Adventure'' (1967), ''Le Samour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brigitte Bardot
Brigitte Anne-Marie Bardot ( ; ; born 28 September 1934), often referred to by her initials B.B., is a French former actress, singer, and model as well as an animal rights activist. Famous for portraying characters with Hedonism, hedonistic lifestyles, she is one of the best known symbols of the sexual revolution. Although she withdrew from the entertainment industry in 1973, she remains a major pop culture icon. She has acted in 47 films, performed in several musicals, and recorded more than 60 songs. She was awarded the Legion of Honour in 1985. Born and raised in Paris, Bardot was an aspiring ballerina during her childhood. She started her acting career in 1952 and achieved international recognition in 1957 for her role in ''And God Created Woman (1956 film), And God Created Woman'' (1956), catching the attention of many French intellectuals and earning her the nickname "sex kitten". She was the subject of philosopher Simone de Beauvoir's 1959 essay ''The Lolita Syndrome'', wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Grande Vadrouille
''La Grande Vadrouille'' (; ), originally released in the United Kingdom as ''Don't Look Now... We're Being Shot At!'', is a 1966 French-British comedy film directed by Gérard Oury about French civilians who, in 1942, help the crew of a Royal Air Force bomber that has been shot down over Paris make their way through German-occupied France to safe territory. Plot On a summer day in 1942, a lost RAF bomber strays over Paris and is shot down by German flak. After agreeing to rendezvous in the Turkish baths at the Grand Mosque of Paris, the crew parachute out, but only three evade capture. Sir Reginald lands in the Vincennes Zoo and, given civilian clothes by a friendly zookeeper, heads for the baths. Peter Cunningham lands on the platform of a house painter, Augustin Bouvet, from where they escape the Germans and are hidden by a puppet show operator, Juliette; Augustin goes to the baths on Cunningham's behalf. Alan MacIntosh lands on the Opéra Garnier, where he is reluctantly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The 400 Blows
''The 400 Blows'' () is a 1959 French Coming-of-age film, coming-of-age Drama (film and television), drama film, and the directorial debut of François Truffaut, who also co-wrote the film. Shot in the anamorphic format List of anamorphic format trade names, DyaliScope, the film stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. Written by Truffaut and Marcel Moussy, the film is about Antoine Doinel (a Author surrogate, semi-autobiographical character), a misunderstood adolescent in Paris, who struggles with his parents and teachers due to his rebellious behavior. It was filmed on location, in Paris and Honfleur. ''The 400 Blows'' received numerous awards and nominations, including the Cannes Film Festival Award for Best Director, the OCIC Award, and a Palme d'Or nomination in 1959, and was also nominated for an Academy Award for Best Original Screenplay in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breathless (1960 Film)
''Breathless'' () is a 1960 French French New Wave, New Wave Crime film, crime drama film written and directed by Jean-Luc Godard. It stars Jean-Paul Belmondo as a wandering criminal named Michel, and Jean Seberg as his American girlfriend Patricia. The film was Godard's first feature-length work and represented Belmondo's breakthrough as an actor. ''Breathless'' is an influential example of French New Wave (''nouvelle vague'') cinema. Along with François Truffaut's ''The 400 Blows'' and Alain Resnais's ''Hiroshima mon amour'', both released a year earlier, it brought international attention to new styles of French filmmaking. At the time, ''Breathless'' attracted much attention for its bold visual style, which included then unconventional use of jump cuts. However, critics have also noted themes of sexism and chauvinism embodied in the protagonist. Upon its initial release in France, the film attracted over two million viewers. It has since been considered List of films consid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Truffaut
François Roland Truffaut ( , ; ; 6 February 1932 – 21 October 1984) was a French filmmaker, actor, and critic. He is widely regarded as one of the founders of the French New Wave. He came under the tutelage of film critic Andre Bazin as a young man and was hired to write for Bazin's ''Cahiers du Cinéma'', where he became a proponent of the auteur, ''auteur'' theory, which posits that a film's director is its true author. ''The 400 Blows'' (1959), starring Jean-Pierre Léaud as Truffaut's alter-ego Antoine Doinel, was a defining film of the New Wave. Truffaut supplied the story for another milestone of the movement, Breathless (1960 film), ''Breathless'' (1960), directed by his ''Cahiers'' colleague Jean-Luc Godard. His other notable films include ''Shoot the Piano Player'' (1960), ''Jules and Jim'' (1962), ''The Soft Skin'' (1964), ''Two English Girls'' (1971) and ''The Last Metro'' (1980). Truffaut's Day for Night (film), ''Day for Night'' (1973) earned him the BAFTA Awa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French and Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity, sound, and camerawork. During his early career as a film critic for '' Cahiers du Cinéma'', Godard criticized mainstream French cinema's "Tradition of Quality" and championed Hollywood directors like Alfred Hitchcock and Howard Hawks. In response, he and like-minded critics began to make their own films, challenging the conventions of traditional Hollywood in addition to French cinema. Godard first received global acclaim for '' Breathless'' (1960), a milestone in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French New Wave
The New Wave (, ), also called the French New Wave, is a French European art cinema, art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to film editing, editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinematography, cinema. However, contemporary critics have also argued that historians have not sufficiently credited its female co-founder, Agnès Varda, and have criticized the movement's prevailing themes of sexism towards women. The term was first used by a group of French film critics and cinephiles associated with the magazine in the late 1950s and 1960s. These critics rejected the ("T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
