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Cinema Of Europe
Cinema of Europe refers to the Film industry, film industries and films produced in the continent of Europe. The history of Italian cinema began a few months after the French Auguste and Louis Lumière, Lumière brothers, who made the first public screening of a film on 28 December 1895, an event considered the birth of cinema, began motion picture exhibitions. The history of Cinema of Germany, cinema in Germany can be traced back to the years of the medium's birth. Ottomar Anschütz held the first showing of life sized pictures in motion on 25 November 1894 at the Postfuhramt in Berlin. On 1 November 1895, Max Skladanowsky and his brother Emil demonstrated their self-invented movie projector, film projector, the Bioscop, at the Berlin Wintergarten theatre, Wintergarten music hall in Berlin. A 15-minute series of eight short films were shown – the first screening of films to a paying audience. The first Italian director is considered to be Vittorio Calcina, a collaborator of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematograph
Cinematograph or kinematograph is an early term for several types of motion picture film mechanisms. The name was used for movie cameras as well as film projectors, or for complete systems that also provided means to print films (such as the Lumière). History A device by this name was invented and patented as the " Léon Bouly" by French inventor Léon Bouly on February 12, 1892. Bouly coined the term "cinematograph," from the Greek for "writing in movement."Abel, Richard. Encyclopedia of Early Cinema. 1st ed. London: Routledge, 2004. Due to a lack of money, Bouly could not develop his ideas properly and maintain his patent fees, so the Lumière brothers were free to adopt the name. In 1895, they applied it to a device that was mostly their own invention. The Lumière brothers made their first film, '' Workers Leaving the Lumière Factory'' (''Sortie de l'usine Lumière de Lyon''), that same year. The first commercial, public screening of cinematographic films happened ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creative Europe
Creative Europe is a European Union programme for the cultural and creative sectors. In its first phase, going from 2014 to 2020, it had a budget of € 1.47 billion, which were expanded to € 2.44 billion in its second phase (2021-2027). History The programme was approved by the European Parliament on 19 November 2013 and adopted by the European Council on 3 December 2013. It came into force on 1 January 2014.REGULATION (EU) No 1295/2013 OF THE EUROPEAN PARLIAMENT AND OF THE COUNCIL of 11 December 2013 establishing the Creative Europe Programme (2014 to 2020) and repealing Decisions No 1718/2006/EC, No 1855/2006/EC and No 1041/2009/EC. Official Journal of the European Union. 11 December 2013. Web. 4 February 2014 http://eur-lex.europa.eu/LexUriServ/LexUriServ.do?uri=OJ:L:2013:347:0221:0237:EN:PDF A total of 650 of the Members of the European Parliament (MEPs) voted in favour of the programme, with 32 against and 10 abstaining."Creative Europe Approved by European Parliament" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European At The Cinema 1996-2016
European, or Europeans, may refer to: In general * ''European'', an adjective referring to something of, from, or related to Europe ** Ethnic groups in Europe ** Demographics of Europe ** European cuisine, the cuisines of Europe and other Western countries * ''European'', an adjective referring to something of, from, or related to the European Union ** European Union citizenship ** Demographics of the European Union In publishing * ''The European'' (1953 magazine), a far-right cultural and political magazine published 1953–1959 * ''The European'' (newspaper), a British weekly newspaper published 1990–1998 * ''The European'' (2009 magazine), a German magazine first published in September 2009 *''The European Magazine'', a magazine published in London 1782–1826 *''The New European'', a British weekly pop-up newspaper first published in July 2016 Other uses * * Europeans (band), a British post-punk group, from Bristol See also * * * Europe (other) * The Europ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Film Awards
The European Film Awards (or European Film Academy Awards) have been presented annually since 1988 by the European Film Academy to recognize excellence in European cinematic achievements. The awards are given in 19 categories, of which the most important is the Best Film. They are restricted to European cinema and European producers, directors and actors. The awards were officially also called the "Felix Awards" until 1997, in reference to the former award's trophy statuette, which was replaced by a feminine statuette. Since 1997, the European Film Awards have been held in early- to mid-December. Hosting duties have alternated between Berlin Berlin ( ; ) is the Capital of Germany, capital and largest city of Germany, by both area and List of cities in Germany by population, population. With 3.7 million inhabitants, it has the List of cities in the European Union by population withi ..., Germany in odd-numbered years and other Lists of cities in Europe, European cities in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Film Academy
The European Film Academy is a group of European film director, filmmakers who come together in Berlin on the occasion of the first presentation of the European Film Awards in November 1988. Every year, the European Film Academy honors films and filmmakers with the European Film Awards. The ceremony takes place every even year in a different European city and every odd year in Berlin. History The European Film Academy was founded in 1989 under the name ''European Cinema Society'' by Swedish director Ingmar Bergman, along with forty other filmmakers from across Europe, including Bernardo Bertolucci, Claude Chabrol, Dušan Makavejev, István Szabó, and Wim Wenders. Bergman served as the first president, and Wenders was appointed chairman. In 1990, the organization was renamed the European Film Academy and registered as a non-profit association. In 1996, Wim Wenders succeeded Bergman as president, and Nik Powell, a British producer, was elected chairman. Mike Downey, an Irish-B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Other Hollywood
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Neorealism
Italian neorealism (), also known as the Golden Age of Italian Cinema, was a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. Italian Neorealist filmmakers used their films to tell stories that explored the contemporary daily life and struggles of Italians in the post-war period. Italian neorealist films have become explanatory discourse for future generations to understand the history of Italy during a specific period through the storytelling of social life in the context, reflecting the documentary and communicative nature of the film. Some people believe that neorealistic films evolved from Soviet montage films. But in reality, compared to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Impressionist Cinema
French impressionist cinema (also known as first avant-garde or narrative avant-garde) refers to a group of French films and filmmakers of the 1920s. Film scholars have had much difficulty in defining this movement or for that matter deciding whether it should be considered a movement at all. David Bordwell has attempted to define a unified stylistic paradigm and set of tenets. Others, namely Richard Abel, criticize these attempts and group the films and filmmakers more loosely, based on a common goal of "exploration of the process of representation and signification in narrative film discourse." Still others such as Dudley Andrew would struggle with awarding any credibility at all as "movement". Filmmakers and films (selection) *Abel Gance ('' La Dixième symphonie'', 1918, '' J’Accuse'', 1919, '' La Roue'', 1922, and, above all, '' Napoléon'', 1927) * Jean Epstein ('' Coeur fidèle'', 1923, ''Six et demi onze'', 1927, ''La Glace a Trois Face'', 1928, and '' The Fall of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soviet Montage
Soviet montage theory is an approach to understanding and creating cinema that relies heavily upon editing ('' montage'' is French for 'assembly' or 'editing'). It is the principal contribution of Soviet film theorists to global cinema, and introduced formalism into filmmaking. Although Soviet filmmakers in the 1920s disagreed about how exactly to view montage, Sergei Eisenstein marked a note of accord in "A Dialectic Approach to Film Form" when he noted that montage is "the nerve of cinema", and that "to determine the nature of montage is to solve the specific problem of cinema". Its influence is far reaching commercially, academically, and politically. Alfred Hitchcock often emphasizes the pivotal role of editing (and montage) in filmmaking. In fact, montage is demonstrated in the majority of narrative fiction films available today. Post-Soviet film theories relied extensively on montage's redirection of film analysis toward language, a literal grammar of film. A semiotic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Expressionist Cinema
German expressionist cinema () was a part of several related creative movements in Germany in the early 20th century that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in Northwestern European culture in fields such as architecture, dance, painting, sculpture and cinema. Characteristics German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. History The German Expressionist movement was initially confined to Germany due to the country's isolation during World War I. In 1916, the government banned foreign films, creating a sharp increase in the demand for domestic film production, from 24 films in 1914 to 130 films in 1918. With inflation also on the rise, Germans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
