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Châtelain De Coucy
Le Chastelain de Couci (modern orthography Le Châtelain de Coucy) was a French trouvère of the 12th century. He may have been the Guy de Couci who was castellan of Château de Coucy from 1186 to 1203. Guy de Couci fought in the third and fourth Crusades. Some twenty-six songs, written in langue d'oïl are attributed to him, and about fifteen or sixteen are considered authentic. They are modelled very closely on Provençal originals, but are saved from the category of mere imitations by a grace and simplicity peculiar to the author. Many are in bar form and the Châtelain favored the Natureingang. The legend of the love of the Châtelain de Coucy and the Lady of Fayel, in which there figures a jealous husband who makes his wife eat the heart of her lover, has no historical basis, and dates from a late 13th century romance by Jakemon Sakesep. The story, which seems to be Breton in origin, has been also told of a Provençal troubadour, Guilhem de Cabestaing, and of the minnesinger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chastelain De Couci
Le Chastelain de Couci (modern orthography Le Châtelain de Coucy) was a French trouvères, trouvère of the 12th century. He may have been the Guy de Couci who was castellan of Château de Coucy from 1186 to 1203. Guy de Couci fought in the third and fourth Crusades. Some twenty-six songs, written in Langues d'oïl, langue d'oïl are attributed to him, and about fifteen or sixteen are considered authentic. They are modelled very closely on Provence, Provençal originals, but are saved from the category of mere imitations by a grace and simplicity peculiar to the author. Many are in bar form and the Châtelain favored the Natureingang. The legend of the love of the Châtelain de Coucy and the Lady of Fayel, in which there figures a jealous husband who makes his wife eat the heart of her lover, has no historical basis, and dates from a late 13th century romance by Jakemon Sakesep. The story, which seems to be Breton in origin, has been also told of a Provençal troubadour, Guilhem d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orthography
An orthography is a set of convention (norm), conventions for writing a language, including norms of spelling, punctuation, Word#Word boundaries, word boundaries, capitalization, hyphenation, and Emphasis (typography), emphasis. Most national and international languages have an established writing system that has undergone substantial standardization, thus exhibiting less dialect variation than the spoken language. These processes can fossilize pronunciation patterns that are no longer routinely observed in speech (e.g. ''would'' and ''should''); they can also reflect deliberate efforts to introduce variability for the sake of national identity, as seen in Noah Webster's efforts to introduce easily noticeable differences between American and British spelling (e.g. ''honor'' and ''honour''). Orthographic norms develop through social and political influence at various levels, such as encounters with print in education, the workplace, and the state. Some nations have established ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castellan
A castellan, or constable, was the governor of a castle in medieval Europe. Its surrounding territory was referred to as the castellany. The word stems from . A castellan was almost always male, but could occasionally be female, as when, in 1194, Beatrice of Bourbourg inherited her father's castellany of Bourbourg upon the death of her brother, Roger. Initial functions During the Migration Period after the fall of the Western Roman Empire (third to sixth century), foreign tribes entered Western Europe, causing strife. The answer to recurrent invasion was to create fortified areas which evolved into castles. Some military leaders gained control of several areas, each with a castle. The problem lay in exerting control and authority in each area when a leader could only be in one place at a time. To overcome this, they appointed castellans as their trusted vassals to manage a castle in exchange for obligations to the landlord, often a noble. In the 9th century, as fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Coucy
The Château de Coucy (Picard: ''Câtiau Couchy'') is a French castle in the commune of Coucy-le-Château-Auffrique, in Picardy, built in the 13th century and renovated by Eugène Viollet-le-Duc in the 19th century. During its heyday, it was famous for the size of its central tower and the pride of its lords, who adopted the staunchly independent rhyme: ''roi ne suis, ne prince ne duc ne comte aussi; Je suis le sire de Coucy'' ("I am not king, nor prince nor duke nor count; I am the Lord of Coucy"). Background The castle was constructed in the 1220s by Enguerrand III, Lord of Coucy. The castle proper occupies the tip of a bluff or ''falaise''. It forms an irregular trapezoid of 92 x 35 × 50 × 80 m. At the four corners are cylindrical towers 20 m in diameter (originally 40 m in height). Between two towers on the line of approach was the massive ''donjon'' (keep). The donjon was the largest in Europe, measuring 35 meters wide and 55 meters tall. The smaller towers su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Langues D'oïl
The ''langues d'oïl'' are a dialect continuum that includes standard French and its closest relatives historically spoken in the northern half of France, southern Belgium, and the Channel Islands. They belong to the larger category of Gallo-Romance languages, which also include the historical languages of east-central France and western Switzerland, southern France, portions of northern Italy, the Val d'Aran in Spain, and under certain acceptations those of Catalonia. Linguists divide the Romance languages of France, and especially of Medieval France, into two main geographical subgroups: the ''langues d'oïl'' to the North, and the '' langues d'oc'' in the Southern half of France. Both groups are named after the word for "yes" in their recent ancestral languages. The most common modern ''langue d'oïl'' is standard French, in which the ancestral "oïl" has become . Terminology ''Langue d'oïl'' (in the singular), ''Oïl dialects'' and ''Oïl languages'' (in the plural) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Provence
Provence is a geographical region and historical province of southeastern France, which stretches from the left bank of the lower Rhône to the west to the France–Italy border, Italian border to the east; it is bordered by the Mediterranean Sea to the south. It largely corresponds with the modern administrative Regions of France, region of Provence-Alpes-Côte d'Azur and includes the Departments of France, departments of Var (department), Var, Bouches-du-Rhône, Alpes-de-Haute-Provence, as well as parts of Alpes-Maritimes and Vaucluse.''Le Petit Robert, Dictionnaire Universel des Noms Propres'' (1988). The largest city of the region and its modern-day capital is Marseille. The Ancient Rome, Romans made the region the first Roman province beyond the Alps and called it ''Provincia Romana'', which evolved into the present name. Until 1481 it was ruled by the List of rulers of Provence, counts of Provence from their capital in Aquae Sextiae (today Aix-en-Provence), then became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guilhem De Cabestaing
Guillem de Cabestany (; 1162–1212) was a Catalan troubadour from Cabestany in the County of Roussillon. He is often known by his Old Occitan name, Guilhem de Cabestaing, Cabestang, Cabestan, or Cabestanh (). Life There is not much reliable information that is known about Guillem de Cabestany. He is probably the son of Arnau de Cabestany, a noble of Roussillon, and a vassal in relation with the lords of Castell Rosselló. Cabestany itself is a fief located immediately next to the east of Castell Rosselló and southwest of Canet (a future viscounty). According to Pere Tomich, Guillem de Cabestany fought alongside Peter II of Aragon at the Battle of Las Navas de Tolosa against the Almohads in 1212. Legend According to his legendary '' vida'', he was the lover of Margarida or Seremonda (or Soremonda), wife of Raimon of Castell Rosselló. On discovering their affair, Raimon fed Cabestany's heart to Seremonda. When he told her what she had eaten, she threw herself from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reinmar Von Brennenberg
Reinmar von Brennenberg (or Reinmar der Brennenberger) was a minnesinger and ministerialis to the Bishop of Regensburg in the 13th century. Life and work The family were ministeriales in the Upper Palatinate in the service of the bishops of Regensburg. They took their name from Brennberg. There were altogether four people with the name "Reinmar von Brennberg." Which of these four was the minnesinger is not altogether clear; however, it is generally believed that the minnesinger refers to Reinmar II von Brennberg, who was documented in 1224-1236 and died between 1271 and 1275. Reinmar II was not murdered, as was depicted in the image from the Codex Manesse, but his son Reinmar III was in 1276. His Minnelieder are among those associated with courtly traditions, and are close to Ulrich von Singenberg, Reinmar von Hagenau, Heinrich von Morungen and Walther von der Vogelweide in style. In total five songs from Reinmar survive, four ''Kanzonen'' in bar form Bar form (German: ''die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre De Belloy (dramatist)
Pierre-Laurent Buirette de Belloy, known as Dormont de Belloy (17 November 17275 March 1775), was a French dramatist and actor. Life De Belloy was born at Saint-Flour, Cantal, and, orphaned at a young age, was educated by his uncle, a distinguished advocate in Paris, for the bar. To escape from a profession he disliked he joined a troupe of comedians playing in the courts of the northern sovereigns. In 1758 the performance of his ''Titus'', which had already been produced in Saint Petersburg, was postponed through his uncle's exertions; and when it did appear, a hostile cabal procured its failure, and it was not until after his guardians death that de Belloy returned to Paris with ''Zelmire'' (1762), a fantastic drama which met with great success, latter becoming an opera by Rossini. This was followed in 1765 by the patriotic play, ''Le Siège de Calais''. The humiliations undergone by France in the Seven Years' War assured a good reception for a play in which the devotion of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
