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Chthonic Deities
In Greek mythology, deities referred to as chthonic () or chthonian () were gods or spirits who inhabited the underworld or existed in or under the earth, and were typically associated with death or fertility. The terms "chthonic" and "chthonian" are derived from the Ancient Greek word () meaning 'earth' or 'soil'. The Greek adjective () means 'in, under, or beneath the earth', which can be differentiated from (), which refers to the living surface of land on the earth. In Greek, () is a descriptive word for things relating to the underworld, which was in antiquity sometimes applied as an epithet to deities such as Hermes, Demeter, and Zeus. The chthonic deities have been compared to the more commonly referred-to Olympic gods and their associated rites and cults. Olympic gods are understood to reference that which exists above the earth, particularly in the sky. Gods that are related to agriculture are also considered to have chthonic associations as planting and growing take ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief From The Grave Enclosure Of Lysimachides
Relief is a sculptural method in which the sculpted pieces remain attached to a solid background of the same material. The term ''relief'' is from the Latin verb , to raise (). To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires chiselling away of the background, which can be time-intensive. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs are m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charon
In Greek mythology, Charon or Kharon ( ; ) is a psychopomp, the ferryman of the Greek underworld. He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx, which separate the worlds of the living and the dead. Archaeology confirms that, in some burials, low-value coins known generically as Charon's obols were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing their ashes. This has been taken to confirm that at least some aspects of Charon's mytheme are reflected in some Greek and Roman funeral practices, or else the coins function as a viaticum for the soul's journey. In Virgil's epic poem, ''Aeneid'', the dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river. Charon also ferried the living mortals Heracles and Aeneas to the underworld and back again. Name origins T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chthonic Beings
In Greek mythology, deities referred to as chthonic () or chthonian () were gods or spirits who inhabited the Greek underworld, underworld or existed in or under the earth, and were typically associated with death or fertility. The terms "chthonic" and "chthonian" are derived from the Ancient Greek word () meaning 'earth' or 'soil'. The Greek adjective () means 'in, under, or beneath the earth', which can be differentiated from (), which refers to the living surface of land on the earth. In Greek, () is a descriptive word for things relating to the underworld, which was in antiquity sometimes applied as an epithet to deities such as Hermes, Demeter, and Zeus. The chthonic deities have been compared to the more commonly referred-to Olympic gods and their associated rites and cults. Olympic gods are understood to reference that which exists above the earth, particularly in the sky. Gods that are related to agriculture are also considered to have chthonic associations as planting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realencyclopädie Der Classischen Altertumswissenschaft
The Pauly encyclopedias or the Pauly-Wissowa family of encyclopedias, are a set of related encyclopedias on Greco-Roman world, Greco-Roman classical studies, topics and scholarship. The first of these, or (1839–1852), was begun by compiler August Pauly. Other encyclopedias in the set include ''Pauly–Wissowa'' (1890–1978), ''Little Pauly'' (1964–1975), and ''The New Pauly'' (1996–2012). Ur-Pauly The first edition was the ("Practical Encyclopedia of the Study of Classical Ancient History in Alphabetical Order") originally compiled by August Friedrich Pauly. As the basis for the subsequent PaulyWissowa edition, it is also known as the . The first volume was published in 1839 but Pauly died in 1845 before the last was completed. Christian Waltz (18021857) and Wilhelm Siegmund Teuffel completed the 6 volume first edition in 1852. A second edition of the first volume of Pauly's encyclopedia was published by Teuffel in 1861. The revised second volume came out in 1866, wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Tripp
Edward Tripp (March 9, 1920, National City, California – April 6, 1999, Franklin, North Carolina) lived in Hamden, Connecticut and died in 1999 at the age of 79. He worked as a children's literature author, and an editor at Thomas Y. Crowell before becoming editor-in-chief at Yale University Press. He is best known for his books ''The Tin Fiddle'' (1954) (illustrated by Maurice Sendak Maurice Bernard Sendak (; June 10, 1928 – May 8, 2012) was an American author and illustrator of children's books. Born to Polish-Jewish parents, his childhood was impacted by the death of many of his family members during the Holocaust. Send ...) and ''The New Tuba'' (1955) (illustrated by Veronica Reed), as well as his work on the Meridian Handbook of Classical Mythology (1970), previously titled Crowell's Handbook of Classical Mythology. The Crowell\Meridian Handbook of Classical Mythology functions as a reader's companion to classical mythology and is formatted as an alphabetical en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford Classical Dictionary
The ''Oxford Classical Dictionary'' (''OCD'') is generally considered "the best one-volume dictionary on antiquity," an encyclopædic work in English consisting of articles relating to classical antiquity and its civilizations. It was first published in 1949 (''OCD''1 or ''OCD''), edited by Max Cary with the assistance of H. J. Rose, H. P. Harvey, and Alexander Souter. A second edition followed in 1970 (''OCD''2), edited by Nicholas G. L. Hammond and H. H. Scullard, and a third edition in 1996 (''OCD''3), edited by Simon Hornblower and Antony Spawforth. A revised third edition was released in 2003, which is nearly identical to the previous third edition. A fourth edition was published in 2012 (''OCD''4), edited by Simon Hornblower, Antony Spawforth, and Esther Eidinow. In 2016, a fully digital edition launched online, edited by Sander Goldberg (2013–2017) and Tim Whitmarsh (2018–present). Continuously updated on a monthly basis, this edition incorporates all 6,300 ent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incense
Incense is an aromatic biotic material that releases fragrant smoke when burnt. The term is used for either the material or the aroma. Incense is used for aesthetic reasons, religious worship, aromatherapy, meditation, and ceremonial reasons. It may also be used as a simple deodorant or insect repellent. Incense is composed of aromatic plant materials, often combined with essential oils. The forms taken by incense differ with the underlying culture, and have changed with advances in technology and increasing number of uses. Incense can generally be separated into two main types: "indirect-burning" and "direct-burning." Indirect-burning incense (or "non-combustible incense") is not capable of burning on its own, and requires a separate heat source. Direct-burning incense (or "combustible incense") is lit directly by a flame and then fanned or blown out, leaving a glowing ember that smoulders and releases a smoky fragrance. Direct-burning incense is either a paste formed around a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holocaust (sacrifice)
A holocaust is a religious animal sacrifice that is completely consumed by fire, also known as a burnt offering. The word derives from the ancient Greek ''holokaustos'', the form of sacrifice in which the victim was reduced to ash, as distinguished from an animal sacrifice that resulted in a communal meal. Etymology and usage The word ''holocaust'' derives from the Middle English ''holocaust'', which derived from the Anglo-Norman ''holocauste'' and Late Latin ''holocaustum''. Its original root was the neuter form of the ancient Greek ''holokaustos'' (ὁλόκαυστος), from ὅλος (hólos, “whole”) + καυστός (kaustós, "burnt") or καίω (kaíō, "I burn") with the use of rough breathing to pronounce the leading h. Greek sacrifice ''Holokautein'' (ὁλοκαυτεῖν) is one of the two chief verbs of Greek sacrifice, in which the victim is utterly destroyed and burnt up, as opposed to ''thúesthai'' (θύεσθαι), to share a meal with the god and one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temple
A temple (from the Latin ) is a place of worship, a building used for spiritual rituals and activities such as prayer and sacrifice. By convention, the specially built places of worship of some religions are commonly called "temples" in English, while those of other religions are not, even though they fulfill very similar functions. The religions for which the terms are used include the great majority of ancient religions that are now extinct, such as the Ancient Egyptian religion and the Ancient Greek religion. Among religions still active: Hinduism (whose temples are called Mandir or Kovil), Buddhism (whose temples are called Vihar), Sikhism (whose temples are called gurudwara), Jainism (whose temples are sometimes called derasar), Zoroastrianism (whose temples are sometimes called Agiary), the Baháʼí Faith (which are often simply referred to as Baháʼí House of Worship), Taoism (which are sometimes called Daoguan), Shinto (which are often called Jinja), C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altar
An altar is a table or platform for the presentation of religion, religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, Church (building), churches, and other places of worship. They are used particularly in Christianity, Buddhism, Hinduism, and modern paganism. Many historical-medieval faiths also made use of them, including the Religion in ancient Rome, Roman, Religion in ancient Greece, Greek, and Norse paganism, Norse religions. Etymology The modern English language, English word ''wikt:altar#English, altar'' was derived from Middle English ''wikt:alter#Latin, altar'', from Old English ''wikt:alter, alter'', taken from Latin ''wikt:altare#Latin, altare'' ("altar"), probably related to ''wikt:adolere#Etymology 2, adolere'' ("burn"); thus "burning place", influenced by ''wikt:altus#Latin, altus'' ("high"). It displaced the native Old English word ''wikt:weofod#Old English, wēofod''. Altars in antiquity In antiquity, alta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting On Limestone Sarcophagus Of Religious Rituals From Hagia Triada - Heraklion AM - 01
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
