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Christ Taking Leave Of His Mother
Christ taking leave of his Mother is a subject in Christian art, most commonly (although not exclusively) found in Northern European art of the 15th and 16th centuries. Christ says farewell to his mother Mary, often blessing her, before leaving for his final journey to Jerusalem, which he knows will lead to his Passion and death; indeed this scene marks the beginning of his Passion. In early versions just these two figures are usually shown, at half-length or less. After Dürer the subject usually has a landscape setting and includes attendants (usually the Three Marys) to Mary, who often swoons with distress and is held by them. Saints Peter, John the Evangelist, Mary Magdalen and other apostles may be shown. It is probably more common in prints than paintings. Subject matter The subject does not illustrate any Biblical passage, but derives from one of the Pseudo-Bonaventura's "Meditations on the life of Christ" (1308), and the "Marienleben" (German for " Life of the Vir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passion Play
The Passion Play or Easter pageant is a dramatic Play (theatre), presentation depicting the Passion of Jesus: his Sanhedrin Trial of Jesus, trial, suffering and death. The viewing of and participation in Passion Plays is a traditional part of Lent in several Christian denominations, particularly in the Catholic Church, Catholic and Evangelicalism, Evangelical traditions; as such, Passion Plays are often ecumenical Christian productions. Passion Plays have had a long and complex history involving faith and devotion, civic Medieval pageant, pageantry, religious and political censorship, large-scale revival and Historical reenactment, historical re-enactments. Origin and history in Great Britain The origin and development of Passion Plays in Great Britain can be traced back to one of the earliest pieces of theatre in Britain, which was the Quem quaeritis?, Quem Quaeritis: four lines spoken by two choirs addressing each other in a dramatic form. It can also be traced back to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was an Italian Renaissance painter who was the foremost painter of the Parma school of the High Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, Italy, Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri (painter), Lorenzo Allegri. In 1503–1505, he was apprenticed to Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Gallery, London
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolf Huber
Wolf Huber ( – 3 June 1553) was an Austria, Austrian- Germany, German Painting, painter, printmaker, and architect, who worked in Passau, Germany for most of his life as a leading member of the Danube school. Life Records show that Huber was born in Feldkirch, Vorarlberg, but that by 1515, he was living in Passau. His relationship with other painters of that name living in Feldkirch is unknown, although it is widely believed that he was related to Hans Huber (painter), Hans Huber. Huber's birthdate has been estimated at around 1485 on the basis of several works, dated between 1510–1515, which show him to have been a well-established and mature artist by that date. Nothing is known of Huber's training, although he likely worked in a family workshop before setting out as a journeyman painter. He likely visited northern Italy, as much of his work shows a thorough grounding in the stylistic techniques of the Italian Renaissance. Drawings of local subjects reveal that he visited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albrecht Altdorfer
Albrecht Altdorfer ( – 12 February 1538) was a German painter, engraver and architect of the Renaissance working in Regensburg, Bavaria. Along with Lucas Cranach the Elder and Wolf Huber he is regarded to be the main representative of the Danube School, setting biblical and historical subjects against landscape backgrounds of expressive colours. He is remarkable as one of the first artists to take an interest in landscape as an independent subject. As an artist also making small intricate engravings he is seen to belong to the Nuremberg Little Masters. Biography Altdorfer was born in Regensburg or Altdorf around 1480. He acquired an interest in art from his father, Ulrich Altdorfer, who was a painter and miniaturist. At the start of his career, he won public attention by creating small, intimate modestly scaled works in unconventional media and with eccentric subject matter. He settled in the free imperial city of Regensburg, a town located on the Danube River in 1505, ev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danube School
The Danube school or Donau school (German: ''Donauschule'' or ''Donaustil'') was a circle of painters of the first third of the 16th century in Bavaria and Austria (mainly along the Danube valley). Many were also innovative printmakers, usually in etching. They were among the first painters to regularly use pure landscape painting, and their figures, influenced by Matthias Grünewald, are often highly expressive, if not expressionist. They show little Italian influence and represent a decisive break with the high finish of Northern Renaissance painting, using a more painterly style that was in many ways ahead of its time. According to Alfred Stange, Albrecht Altdorfer and Wolf Huber were two of the central most figures within the Danube school. Altdofer was the artist that created most of the artworks associated with the Danube school. The term "Danube school" was most likely not what these groups of artist called themselves but a name that derived hundreds of years after a man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compton Verney House
Compton Verney House () is an 18th-century country mansion at Compton Verney near Kineton in Warwickshire, England. It is located on the west side of a lake north of the B4086 road, B4086 about north-west of Banbury. Today, it is the site of the Compton Verney Art Gallery. Overview The building is a Grade I listed house built in 1714 by Richard Verney, 11th Baron Willoughby de Broke. It was first extensively extended by George Verney, 12th Baron Willoughby de Broke in the early 18th century and then remodelled and the interiors redesigned by Robert Adam for John Peyto-Verney, 14th Baron Willoughby de Broke, John Peyto-Verney, the 14th baron, in the 1760s. It is set in more than of parkland landscaped by Capability Brown, Lancelot "Capability" Brown in 1769. The house and its estate was sold by Richard Verney, 19th Baron Willoughby de Broke, Richard Greville Verney, the 19th baron, in 1921 to soap magnate Joseph Watson, 1st Baron Manton, Joseph Watson who was elevated to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is a painting or sculpture, including relief, of religious subject matter made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting. The word altarpiece, used for paintings, usually means a framed work of panel painting on wood, or later on canvas. In the Middle Ages they were generally the largest genre for these formats. Murals in fresco tend to cover larger surfaces. The largest painted altarpieces developed complicated structures, especially winged altarpieces with hinged side wings that folded in to cover the main image, and were painted o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucas Van Leyden
Lucas van Leyden (1494 – 8 August 1533), also named either Lucas Hugensz or Lucas Jacobsz, was a Dutch painter and printmaker in engraving and woodcut. Lucas van Leyden was among the first Dutch exponents of genre painting and was a very accomplished engraver. Lucas was the son of the painter Huygh Jacobsz. He was born, died, and was mainly active in Leiden. Carel van Mander characterizes Lucas as a tireless artist, who as a child annoyed his mother by working long hours after nightfall, which she forbade not only for the cost of candlelight, but also because she felt that too much study was bad for his sensibilities. According to Van Mander, as a boy he only consorted with other young artists, such as painters, glass-etchers and goldsmiths, and was paid by the ''Heer van Lochorst'' (Johan van Lockhorst of Leiden, who died in 1510) a golden florin for each of his years at age 12 for a watercolor of St. Hubert. [Baidu] |
Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller ( brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colours can be printed by keying the paper to a frame around the woodblocks (using a different block for each colour). The art of carving the woodcut can be called ''xylography'', but this is rarely used in English for images alone, although that term and ''xylographic'' are used in connection with block books, which are small books containing text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna And Child
In Christian art, a Madonna () is a religious depiction of the Blessed Virgin Mary in a singular form or sometimes accompanied by the Child Jesus. These images are central icons for both the Roman Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the '' Theotokos of Vladimir'', '' Agiosoritissa'', '' Blachernitissa'', etc., or descriptive of the depicted posture, as in '' Hodegetria'', '' Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as '' Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
