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Chinese Art
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture, heritage, and history. Early "Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art. Chinese art is marked by an unusual degree of continuity within, and consciousness of, tradition, lacking an equivalent to the Western collapse and gradual recovery of Western classical styles of art. Decorative arts are extremely important in Chinese art, and much of the finest work was produced in large wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of Europe
The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia. The influence of the art of the Classical period waxed and waned throughout the next two thousand years, seeming to slip into a distant memory in parts of the Medieval period, to re-emerge in the Renaissance, suffer a period of what some early art historians viewed as "decay" during the Baroque period, to reappear in a refined form in Neo-ClassicismMur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery Wheel
In pottery, a potter's wheel is a machine used in the shaping (known as throwing) of clay into round ceramic ware. The wheel may also be used during the process of trimming excess clay from leather-hard dried ware that is stiff but malleable, and for applying incised decoration or rings of colour. Use of the potter's wheel became widespread throughout the Old World but was unknown in the Pre-Columbian New World, where pottery was handmade by methods that included coiling and beating. A potter's wheel may occasionally be referred to as a "potter's lathe". However, that term is better used for another kind of machine that is used for a different shaping process, turning, similar to that used for shaping of metal and wooden articles. The pottery wheel is an important component to create arts and craft products. The techniques of jiggering and jolleying can be seen as extensions of the potter's wheel: in jiggering, a shaped tool is slowly brought down onto the plastic clay body ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Longshan Culture
The Longshan culture, also sometimes referred to as the Black Pottery Culture, was a late Neolithic culture in the middle and lower Yellow River valley areas of northern China from about 3000 to 1900 BC. The first archaeological find of this culture took place at the Chengziya Archaeological Site in 1928, with the first excavations in 1930 and 1931. The culture is named after the nearby modern town of Longshan (lit. "Dragon Mountain") in Zhangqiu, Shandong. The culture was noted for its highly polished black pottery (or egg-shell pottery). The population expanded dramatically during the 3rd millennium BC, with many settlements having rammed earth walls. In addition to the Shandong area, variants developed in the middle Yellow River area, Taosi in the Fen River valley, and in the Wei River valley. Around 2000 BC, the population decreased sharply and large settlements were abandoned in most areas except the central area, which evolved into the Bronze Age Erlitou culture. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceramics (art)
Ceramic art is art made from ceramic materials, including clay. It may take varied forms, including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory with a group designing and manufacturing the artware. In Britain and the United States, modern ceramics as an art took its inspiration in the early twentieth century from the Arts and Crafts movement, leading to the revival of pottery considered as a specifically modern craft. Such crafts emphasized traditional non-industrial production techniques, faithfulness to the material, the skills of the individual maker, attention to utility, and an absence of excessive decoration that was typical to the Victorian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banpo
Banpo is a Neolithic archaeological site located in the Yellow River valley, east of present-day Xi'an, China. Discovered in 1953 by Shi Xingbang, the site represents the first phase of the Yangshao culture () and features the remains of several well organized settlements—including Jiangzhai, which has been radiocarbon dated to ). An area of was surrounded by a ditch, probably a defensive moat wide. The houses at Banpo were circular, built of mud and wood on low foundations, with overhanging thatched roofs. There also appear to have been communal burials. Site The settlement was surrounded by a moat, with the graves and pottery kilns located outside the moat perimeter. Many of the houses were semi-subterranean with the floor typically below the ground surface. The houses were supported by timber poles and had steeply pitched thatched roofs. According to the paradigm of archaeology influenced by Marxist historiography that was prevalent in China at the time the site was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yangshao Culture
The Yangshao culture ( zh, c=仰韶文化, p=Yǎngsháo wénhuà) was a Neolithic culture that existed extensively along the middle reaches of the Yellow River in China from around 5000 BC to 3000 BC. The Yangshao culture saw social and technological development in the region, with advancements in agriculture, architecture, and crafts. The culture is named after the Yangshao site, the first excavated site of this culture, which was discovered in 1921 in the town of Yangshao in western Henan by the Swedish geologist Johan Gunnar Andersson (1874–1960). The culture flourished mainly in Henan, as well as the neighboring provinces of Shaanxi and Shanxi. Recent research indicates a common origin and spread of the Sino-Tibetan languages with the Cishan, Yangshao and/or Majiayao cultures. Origins After the discovery of the Yangshao site in 1921, Johan Gunnar Andersson hypothesized, based on his analysis of the pottery patterns, that the Yangshao culture was originated fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Art
Contemporary art is a term used to describe the art of today, generally referring to art produced from the 1970s onwards. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Some specialists also consider that the frontier between the two is blurry; for instance, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape Painting
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent Composition (visual arts), composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scholar-official
The scholar-officials, also known as literati, scholar-gentlemen or scholar-bureaucrats (), were government officials and prestigious scholars in Chinese society, forming a distinct social class. Scholar-officials were politicians and government officials appointed by the emperor of China to perform day-to-day political duties from the Han dynasty to the end of the Qing dynasty in 1912, China's last imperial dynasty. After the Sui dynasty these officials mostly came from the Landed gentry in China, scholar-gentry (紳士 ''shēnshì'') who had earned academic degrees (such as ''xiucai'', ''juren'', or ''Jinshi (imperial examination), jinshi'') by passing the imperial examinations. Scholar-officials were the elite class of imperial China. They were highly educated, especially in literature and the arts, including calligraphy and Confucianism, Confucian texts. They dominated the government administration and local life of China until the early 20th century. Origins and formations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ink Wash Painting
Ink wash painting ( zh, t=水墨畫, s=水墨画, p=shuǐmòhuà) is a type of Chinese ink brush painting which uses Wash (visual arts), washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more Realism (arts), realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct Mimesis, imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the Muromachi period, 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contempo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carved Lacquer
Carved lacquer or Qidiao () is a distinctive Chinese form of decorated lacquerware. While lacquer has been used in China for at least 3,000 years, the technique of carving into very thick coatings of it appears to have been developed in the 12th century CE. It is extremely time-consuming to produce, and has always been a luxury product, essentially restricted to China, though imitated in Japanese lacquerware, Japanese lacquer in somewhat different styles. The producing process is called Diaoqi (, carving lacquer). Though most surviving examples are from the Ming dynasty, Ming and Qing dynasty, Qing dynasties, the main types of subject matter for the carvings were all begun under the Song dynasty, and the development of both these and the technique of carving were essentially over by the early Ming. These types were the abstract ''guri'' or Sword-Pommel pattern, figures in a landscape, and birds and plants. To these some designs with religious symbols, animals, auspicious cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
