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Chiesa Di San Giovenale (Orvieto)
Chiesa di San Giovenale is a church in Orvieto, Umbria, Italy. Initially constructed in 1004, it contains frescos and artworks from the 12th and 13th centuries. It belongs to the Roman Catholic Diocese of Orvieto-Todi. History The church was built in 1004, possibly on the site of an Etruscan civilization, Etruscan temple dedicated to Jupiter (mythology), Jupiter. There was an early Christian church on the site, probably from the 6th century, also dedicated to Juvenal of Benevento, San Giovenale. It stood next to another religious building dedicated to Sabinus of Spoleto, San Savino, the only record of which is contained in a fresco by Ugolino di Prete Ilario now in Orvieto Cathedral. Construction of the 11th-century church was patronized by several rich families in the area and was documented as a parish church in 1028. An inscription on the high altar (GUIDO ABAS MCLXX) indicates that by 1170 it belonged to the order of monks known as Ordine Guglielmino. Circa 1248, when the monks ...
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Romanesque Architecture
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries of Western Europe; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical ...
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Churches Completed In The 1000s
Church may refer to: Religion * Church (building), a place/building for Christian religious activities and praying * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church, a former electoral ward of Kensington and Chelsea London Borough Council that existed from 1964 to 2002 * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota * Church, Michigan, ghost town Arts, entertainment, and media * ''Church magazine'', a pastoral theology magazine ...
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Buildings And Structures Completed In 1004
A building or edifice is an enclosed structure with a roof, walls and windows, usually standing permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for numerous factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the concept, see ''Nonbuilding structure'' for contrast. Buildings serve several societal needs – occupancy, primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical separation of the human habitat (a place of comfort and safety) from the ''outside'' (a place that may be harsh and harmful at times). buildings have been objects or canvasses of much artistic expression. In recent years, interest in sustainable planning and building practi ...
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Roman Catholic Churches In Orvieto
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of Roman civilization *Epistle to the Romans, shortened to Romans, a letter written by Paul, found in the New Testament of the Christian Bible * Ar-Rum (), the 30th sura of the Quran. Roman or Romans may also refer to: Arts and entertainment Music *Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *"Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), ...
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Ascension Of Christ
The Ascension of Jesus (anglicized from the Vulgate ) is the Christian and Islamic belief that Jesus ascended to Heaven. Christian doctrine, as reflected in the major Christian creeds and confessional statements, holds that Jesus ascended after his resurrection, where he was exalted as Lord and Christ, sitting at the right hand of God. Islamic doctrine holds that Jesus directly ascended to heaven without dying or resurrecting. The Gospels and other New Testament writings imply resurrection and exaltation as a single event. The ascension is "more assumed than described," and only Luke and Acts contain direct accounts of it, but with different chronologies. In Christian art, the ascending Jesus is often shown blessing an earthly group below him, signifying the entire Church. The Feast of the Ascension is celebrated on the 40th day of Easter, always a Thursday; some Orthodox traditions have a different calendar up to a month later than in the Western tradition. The Lutheran Ch ...
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Four Evangelists
In Christian tradition, the Four Evangelists are Matthew the Apostle, Matthew, Mark the Evangelist, Mark, Luke the Evangelist, Luke, and John the Evangelist, John, the authors attributed with the creation of the four canonical Gospel accounts. In the New Testament, they bear the following titles: the Gospel of Matthew; the Gospel of Mark; the Gospel of Luke; and the Gospel of John. Gospels The gospels of Gospel of Matthew, Matthew, Gospel of Mark, Mark, and Gospel of Luke, Luke are known as the Synoptic Gospels, because they include many of the same stories, often in the same sequence or even verbatim. While the periods to which the gospels are usually dated suggest otherwise, convention traditionally holds that the authors were two of the Twelve Apostles of Jesus, John and Matthew, as well as two "apostolic men", Mark and Luke, whom Orthodox Tradition records as members of the 70 Apostles (Luke 10): * Matthew the Evangelist, Matthew – a former tax collector (Levi) who w ...
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Italo-Byzantine
Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques. These are versions of Byzantine icons, most of the Madonna and Child, but also of other subjects; essentially they introduced the relatively small portable painting with a frame to Western Europe. Very often they are on a gold ground. It was the dominant style in Italian painting until the end of the 13th century, when Cimabue and Giotto began to take Italian, or at least Florentine, painting into new territory. But the style continued until the 15th century and beyond in some areas and contexts. ''Maniera greca'' ("Greek style/manner") was the Italian term used at the time, and by Vasari and others; it is one of the first post-classical European terms for style in art. Vas ...
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Gold Ground
Gold ground (both a noun and adjective) or gold-ground (adjective) is a term in art history for a style of images with all or most of the background in a solid gold colour. Historically, real gold leaf has normally been used, giving a luxurious appearance. The style has been used in several periods and places, but is especially associated with Byzantine art, Byzantine and medieval art in mosaic, illuminated manuscripts and panel paintings, where it was for many centuries the dominant style for some types of images, such as icons. For three-dimensional objects, the term is gilding, gilded or gold-plated. Gold in mosaic began in Roman mosaics around the 1st century AD, and originally was used for details and had no particular religious connotation, but in Early Christian art it came to be regarded as very suitable for representing Christian religious figures, highlighting them against a plain but glistering background that might be read as representing heaven, or a less specific ...
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Maestà
Maestà , the Italian word for "majesty", designates a classification of images of the enthroned Madonna with the child Jesus, the designation generally implying accompaniment by angels, saints, or both. The ''Maestà'' is an extension of the " Seat of Wisdom" theme of the seated "Mary Theotokos", "Mary Mother of God", which is a counterpart to the earlier icon of Christ in Majesty, the enthroned Christ that is familiar in Byzantine mosaics. ''Maria Regina'' is an art historians' synonym for the iconic image of Mary enthroned, with or without the Child. In the West, the image seems to have developed from Byzantine precedents such as the coin of Constantine's Empress Fausta, crowned and with their sons on her lap and from literary examples, such as Flavius Cresconius Corippus's celebration of Justin II's coronation in 565. Paintings depicting the ''Maestà'' came into the mainstream artistic repertory, especially in Rome, in the late twelfth and early thirteenth centuries, ...
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Gothic Architecture
Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High Middle Ages, High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the Classical architecture, architecture of classical antiquity. The defining design element of Gothic architecture is the Pointed arch (architecture), pointed arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Basilica of Saint-Denis, Saint-Denis, near Paris, the choir was rec ...
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Orvieto - Chiesa Di San Giovenale Interno
Orvieto () is a city and ''comune'' in the Province of Terni, southwestern Umbria, Italy, situated on the flat summit of a large butte of volcanic tuff. The city rises dramatically above the almost-vertical faces of tuff cliffs that are completed by defensive walls built of the same stone. History Etruscan era The ancient city (''urbs vetus'' in Latin, whence "Orvieto"), populated since Etruscan times, has usually been associated with Etruscan Velzna, but some modern scholars differ. Orvieto was certainly a major centre of Etruscan civilization; the archaeological museum (Museo Claudio Faina e Museo Civico) houses some of the Etruscan artifacts that have been recovered in the immediate area. A tomb in the Orvieto Cannicella necropolis bears the inscription ''mi aviles katacinas'', "I am of Avile Katacina"; the tomb's occupant thus bore an Etruscan-Latin first name, Aulus, and a family name that is believed to be of Celtic origin (derived from "Catacos"). This interesting a ...
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