HOME





Chiaro Davanzati
Chiaro Davanzati (died 1304) was an Italian poet from Florence, one of the Siculo-Tuscan poets, who introduced the style of Sicilian School to the Tuscan School. He was one of the most prolific Italian authors before Dante: at least 122 sonnets and sixty-one ''canzoni'' by Chiaro are known, many of them in ''tenzone'' with other poets. Only Guittone d'Arezzo produced more lyrics in the thirteenth century. The Davanzati were an elite family in Florence. Chiaro participated in the Battle of Montaperti in 1260. There is some disagreement as to which of two known Chiaro Davanzatis of Florence might be the poet. One, ''Chiarus f. Davanzati pp. scte Marie Sopr' Arno'', of Santa Maria sopr' Arno, was dead by 1280. Another, ''Clarus F. Davanzati Banbakai'', was a Guelph of San Frediano. He served as captain of Or San Michele in 1294 and died between August 1303 and the spring of 1304. Both Chiaros were married and had children. The poet could not have been dead by 1280, for he compo ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Italian Language
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland ( Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Rigaut De Berbezilh
Rigaut de Berbezilh (also Berbezill or Barbesiu; french: Rigaud de Barbezieux, la, Rigaudus de Berbezillo) was a troubadour (fl. 1140–1163Aubrey, 8.Gaunt and Kay, 290.) of the petty nobility of Saintonge. He was a great influence on the Sicilian School and is quoted in the ''Roman de la Rose''. About fifteen of his poems survive, including one ''planh'' and nine or ten ''cansos''. His name is sometimes given as Richart or Richartz. Life While the dates of his life are disputed, some maintaining a later career (c. 1170–1215), the general consensus is that he was an early troubadour. ''Vida'' According to his ''vida'', the reliability of which is highly doubtful, he was a poor knight from the castle of Barbezieux near Cognac in the diocese of Saintes.Egan, 99. He was described as capable and handsome, but ''saup mielhs trobar qu'entendre ni que dire'': "he knew better how to compose poetry than to listen to it or recite it." He was reputed by the author of the ''vida ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Dolce Stil Novo
''Dolce Stil Novo'' (), Italian for "sweet new style," is the name given to a literary movement in 13th and 14th century Italy. Influenced by the Sicilian School and Tuscan poetry, its main theme is Divine Love. The name ''Dolce Stil Novo'' was used for the first time by Dante Alighieri in ''Purgatorio'', the second canticle of the ''Divina Commedia''. In the ''Divina Commedia'' Purgatory he meets Bonagiunta Orbicciani, a 13th-century Italian poet, who tells Dante that Dante himself, Guido Guinizelli, and Guido Cavalcanti had been able to create a new genre: a ''stil novo''. Poetry from this school is marked by adoration of the human form, incorporating vivid descriptions of female beauty and frequently comparing the desired woman to a creature from paradise. The woman is described as an "angel" or as "a bridge to God." Rather than being material in nature, the Love of the ''Dolce Stil Novo'' is a sort of Divine Love. Poetry of this movement also often includes profound intr ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Guido Guinizelli
Guido Guinizelli (ca. 1225–1276) was an esteemed Italian love poet and is considered the "father" of the Dolce Stil Novo. He was the first to write in this new style of poetry writing, and thus is held to be the '' ipso facto'' founder. He was born in, and later exiled from, Bologna, Italy. It is speculated that he died in Verona, Italy. Poetry Guinizelli's poetry can be briefly described as a conciliation between divine and earthly love with deep psychological introspection. His major works are ''Al cor gentil rempaira sempre Amore'(Within the gentle heart abideth Love) which Peter Dronke considers "perhaps the most influential love-song of the thirteenth century" (Dronke 1965, 57), as well as ''Io vogli del ver la mia donna laudare'' and ''Vedut'ho la lucente stella Diana''.SePaolo Borsa, ''La nuova poesia di Guido Guinizelli'' Fiesole, Cadmo, 2007. The main themes of the Dolce Stil Novo can be found in Guinizelli's ''Al cor gentil rempaira sempre amore'': the angelic b ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventi ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Sordello
Sordello da Goito or Sordel de Goit (sometimes ''Sordell'') was a 13th-century Italian troubadour. His life and work have inspired several authors including Dante Alighieri, Robert Browning, and Samuel Beckett. Life Sordello was born in the municipality of Goito in the province of Mantua. About 1220 he was in a tavern brawl in Florence; and in 1226, while at the court of Richard of Bonifazio in Verona, he abducted his master's wife, Cunizza, at the instigation of her brother, Ezzelino III da Romano. The scandal resulted in his flight (1229) to Provence, where he seems to have remained for some time. He entered the service of Charles of Anjou, and probably accompanied him (1265) on his Naples expedition; in 1266 he was a prisoner in Naples. The last documentary mention of him is in 1269, and he is supposed to have died in Provence. His appearance in Dante Alighieri's ''Divine Comedy'' among the spirits of those who, though redeemed, were prevented from making a final confes ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Phaedrus (fabulist)
Gaius Julius Phaedrus (; grc-gre, Φαῖδρος; Phaîdros) was a 1st-century CE Roman fabulist and the first versifier of a collection of Aesop's fables into Latin. Few facts are known about him for certain and there was little mention of his work during late antiquity. It was not until the discovery of a few imperfect manuscripts during and following the Renaissance that his importance emerged, both as an author and in the transmission of the fables. Biography A recent statement of the few facts that past scholars have tried to deduce from autobiographical hints given by Phaedrus in his poems has summarised them as follows: He was born in Macedonia, probably in Pydna, about 15 BCE, came to Rome as a slave and was freed by Augustus. He probably had some teaching function between then and the time of Tiberius, under whom the first book of his poems appeared. Envious competitors interpreted the morals of some fables as being critical of the regime and he was tried by Sejanus, ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Aesop
Aesop ( or ; , ; c. 620–564 BCE) was a Greek fabulist and storyteller credited with a number of fables now collectively known as ''Aesop's Fables''. Although his existence remains unclear and no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. Many of the tales associated with him are characterized by anthropomorphic animal characters. Scattered details of Aesop's life can be found in ancient sources, including Aristotle, Herodotus, and Plutarch. An ancient literary work called ''The Aesop Romance'' tells an episodic, probably highly fictional version of his life, including the traditional description of him as a strikingly ugly slave () who by his cleverness acquires freedom and becomes an adviser to kings and city-states. Older spellings of his name have included ''Esop(e)'' and ''Isope''. Depictions of Aesop in popular culture over the last 2,500 yea ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Fable
Fable is a literary genre: a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or saying. A fable differs from a parable in that the latter ''excludes'' animals, plants, inanimate objects, and forces of nature as actors that assume speech or other powers of humankind. Conversely, an animal tale specifically includes talking animals as characters. Usage has not always been so clearly distinguished. In the King James Version of the New Testament, "" ("'' mythos''") was rendered by the translators as "fable" in the First Epistle to Timothy, the Second Epistle to Timothy, the Epistle to Titus and the First Epistle of Peter. A person who writes fables is a fabulist. History The fable is one of the most enduring forms of folk liter ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Bestiaries
A bestiary (from ''bestiarum vocabulum'') is a compendium of beasts. Originating in the ancient world, bestiaries were made popular in the Middle Ages in illustrated volumes that described various animals and even rocks. The natural history and illustration of each beast was usually accompanied by a moral lesson. This reflected the belief that the world itself was the Word of God and that every living thing had its own special meaning. For example, the pelican, which was believed to tear open its breast to bring its young to life with its own blood, was a living representation of Jesus. Thus the bestiary is also a reference to the symbolic language of animals in Western Christian art and literature. History The bestiary — the medieval book of beasts — was among the most popular illuminated texts in northern Europe during the Middle Ages (about 500–1500). Medieval Christians understood every element of the world as a manifestation of God, and bestiaries largely focused ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Simile
A simile () is a figure of speech that directly ''compares'' two things. Similes differ from other metaphors by highlighting the similarities between two things using comparison words such as "like", "as", "so", or "than", while other metaphors create an implicit comparison (i.e. saying something "''is''" something else). This distinction is evident in the etymology of the words: simile derives from the Latin word ''similis'' ("similar, like"), while metaphor derives from the Greek word ''metapherein'' ("to transfer"). Like in the case of metaphors, the thing that is being compared is called the tenor, and the thing it is being compared to is called the vehicle. Author and lexicographer Frank J. Wilstach compiled a dictionary of similes in 1916, with a second edition in 1924. Uses In literature * "O My like a red, red rose." "A Red, Red Rose," by Robert Burns. * John Milton, ''Paradise Lost'', a Homeric simile:::As when a prowling Wolf, ::Whom hunger drives to seek new hau ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Trobar Leu
The ''trobar leu'' (), or light style of poetry, was the most popular style used by the troubadour A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a '' trobai ...s. Its accessibility gave it a wide audience. See also *'' Trobar ric'' *'' Trobar clus'' Occitan literature Western medieval lyric forms {{Poetry-stub ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]