|
Chasin' The Gypsy
''Chasin' the Gypsy'' is the sixth album by saxophonist James Carter which was released on the Atlantic label in 2000. Reception The AllMusic review by Richard S. Ginell says, "'' Chasin' the Gypsy'', as you might guess, is an homage to Django Reinhardt, whose music Carter used to dig on Detroit radio when he was a teenager, but Carter doesn't take the predictable reverent path in paying his respects ... this is a delightful departure for Carter, though probably destined to be a one-off excursion". In ''JazzTimes'' Bill Milkowski wrote, "Just when you had him pegged as a rip-snorting tenor and bari monster with a wicked penchant for ferocious overblowing, he comes across as a shameless romantic on ''Chasin' the Gypsy'', his lovely ode to Django. Still, Carter's characteristic bravado, tenor squeals, trills and remarkable displays of multiphonics are still intact here". On ''All About Jazz'' Mark Corroto noted, "Carter’s Reinhardt tribute, while appealing to traditional jazz fan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Carter (musician)
James Carter (born January 3, 1969) is an American jazz musician widely recognized for his technical virtuosity on saxophones and a variety of woodwinds. He is the cousin of noted jazz violinist Regina Carter. Biography Carter was born in Detroit, Michigan, and learned to play under the tutelage of Donald Washington, becoming a member of his youth jazz ensemble Bird-Trane-Sco-NOW!! As a young man, Carter attended Blue Lake Fine Arts Camp, becoming the youngest faculty member at the camp. He first toured Scandinavia with the International Jazz Band in 1985 at the age of 16. On May 31, 1988, at the Detroit Institute of Arts (DIA), Carter was a last-minute addition for guest artist Lester Bowie, which turned into an invitation to play with his new quintet (forerunner of his New York Organ Ensemble) in New York City that following November at the now defunct Carlos 1 jazz club. This was pivotal in Carter's career, putting him in musical contact with the world, and he moved to New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'll Never Be The Same
"I'll Never Be The Same" is a popular song based on an instrumental called "Little Buttercup" written by Matty Malneck and Frank Signorelli. After several musicians had recorded the instrumental version, lyrics were written by Gus Kahn. The completed song was introduced in 1932 by Mildred Bailey and Paul Whiteman; their version rose to number fourteen on the charts. The same year, Guy Lombardo recorded the song; his version rose to number eight. It is ranked 210 in JazzStandards.com's listing of the 1000 most-frequently recorded jazz standard compositions. JazzStandards.com Notable recordings *, with |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regina Carter
Regina Carter (born August 6, 1966) is an American jazz violinist. She is the cousin of jazz saxophonist James Carter. Early life Carter was born in Detroit and was one of three children in her family. She began piano lessons at the age of two after playing a melody by ear for her brother's piano teacher. After she deliberately played the wrong ending note at a concert, the piano teacher suggested she take up the violin, indicating that the Suzuki Method could be more conducive to her creativity. Carter's mother enrolled her at the Detroit Community Music School when she was four years old and she began studying the violin. She still studied the piano, as well as tap and ballet.''Biography Today'', p. 31. As a teenager, she played in the youth division of the Detroit Symphony Orchestra. While at school, she was able to take master classes from Itzhak Perlman and Yehudi Menuhin. Carter attended Cass Technical High School with a close friend, jazz singer Carla Cook, who introd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 188 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano Saxophone
The mezzo-soprano saxophone, sometimes called the F alto saxophone, is an instrument in the saxophone family. It is in the key of F, pitched a whole tone above the alto saxophone. Its size and the sound are similar to the E alto, although the upper register sounds more like a B soprano. Very few mezzo-sopranos exist—they were only produced in 1928 and 1929 by the C.G. Conn company. They were not popular and did not sell widely, as their production coincided with the Wall Street Crash of 1929 and the Great Depression. Harsh economic conditions forced Conn to reduce the range of saxophones they produced to the most popular models. Conn used the surplus stock of mezzo-sopranos to teach instrument repair in Conn's Elkhart workshops. Typically, a Conn instructor would deliberately damage the mezzo-sopranos (e.g. dropping them onto a concrete floor) and the students would then be tasked with repairing them. The repeated wear and tear of these actions eventually destroyed the saxoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Saxophone
The bass saxophone is one of the lowest-pitched members of the saxophone family—larger and lower than the more common baritone saxophone. It was likely the first type of saxophone built by Adolphe Sax, as first observed by Berlioz in 1842. It is a transposing instrument pitched in B, an octave below the tenor saxophone and a perfect fourth below the baritone saxophone. A bass saxophone in C, intended for orchestral use, was included in Adolphe Sax's patent, but few known examples were built. The bass saxophone is not a commonly used instrument, but it is heard on some 1920s jazz recordings, in free jazz, in saxophone choirs and sextets, and occasionally in concert bands and rock music. Music for bass saxophone is written in treble clef, just as for the other saxophones, with the pitches sounding two octaves and a major second lower than written. As with most other members of the saxophone family, the lowest written note is the B below the staff—in the bass's case, sounding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Jolson
Al Jolson (born Eizer Yoelson; June 9, 1886 – October 23, 1950) was a Lithuanian-American Jewish singer, comedian, actor, and vaudevillian. He was one of the United States' most famous and highest-paid stars of the 1920s, and was self-billed as "The World's Greatest Entertainer." Jolson was known for his "shamelessly sentimental, melodramatic approach" towards performing, as well as for popularizing many of the songs he sang. Jolson has been referred to by modern critics as "the king of blackface performers." Although best remembered today as the star of the first talking picture, ''The Jazz Singer'' (1927), he starred in a series of successful musical films during the 1930s. After the attack on Pearl Harbor in December 1941, he was the first star to entertain troops overseas during World War II. After a period of inactivity, his stardom returned with '' The Jolson Story'' (1946), in which Larry Parks played Jolson, with the singer dubbing for Parks. The formula was repeated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy DeSylva
George Gard "Buddy" DeSylva (January 27, 1895 – July 11, 1950) was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs and, along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records. Biography DeSylva was born in New York City, but grew up in California, and attended the University of Southern California, where he joined the Theta Xi Fraternity. His Portuguese-born father, Aloysius J. De Sylva, was better known to American audiences as actor Hal De Forrest. His father was also a lawyer as well as an actor. His mother, Georgetta Miles Gard, was the daughter of Los Angeles police chief George E. Gard. DeSylva's first successful songs were those used by Al Jolson on Broadway in the 1918 production of ''Sinbad'', which included "I'll Say She Does". Soon thereafter, he met Jolson and in 1918 the pair went to New York and DeSylva began working as a songwriter in Tin Pan Alley. In the early 1920s, DeSylva freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Rose
Vincent Rose ''(né'' Vincenzo Cacioppo; 13 June 1880 Palermo, Italy – 20 May 1944 Rockville Centre, New York) was an Italian-born American violinist, pianist, composer, and bandleader. Career Rose holds one of the longest histories as a band leader. He achieved much popularity with his Montmartre Orchestra in the 1920s, and recorded with the group for RCA. The same personnel later recorded for the Columbia label as the Hollywood Orchestra. After leaving California, he settled in New York, but continued to record as "Vincent Rose and His Orchestra" for various labels throughout the 1930s. Rose was a prolific songwriter, having published well over 200 songs. His hits included: :* 1920 "Whispering" :* 1921 "Avalon", with lyrics by Al Jolson and B.G. DeSylva, a big hit for Jolson. :* 1923 "Linger Awhile" :* 1940 "Blueberry Hill" In 1921, the estate of Giovanni Ricordi and the music publishing firm he founded, Casa Ricordi — the publisher of Puccini's operas — sued ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avalon (Al Jolson Song)
"Avalon" is a 1920 popular song written by Al Jolson, Buddy DeSylva and Vincent Rose referencing Avalon, California. It was introduced by Jolson and interpolated in the musicals '' Sinbad'' and '' Bombo.'' Jolson's recording rose to number two on the charts in 1921. The song was possibly written by Rose, but Jolson's popularity as a performer allowed him to claim composer co-credit. Originally, only Rose and Jolson were credited, and DeSylva's name was added later. A popular jazz standard, the song has been recorded by many artists, including Cab Calloway (1934), Coleman Hawkins (1935) and Eddie Durham (1936). The Benny Goodman Quartet played the song in their famous 1938 Carnegie Hall concert. The tune remains popular in the gypsy jazz repertoire, having been performed by Wawau Adler and others. The tune's opening melody resembles a part of Giacomo Puccini's aria ''E lucevan le stelle'', from the opera '' Tosca'', but in the major key. Puccini's publishers sued the so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
