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Chansonnier Du Roi
The ''Manuscrit du Roi'' or ''Chansonnier du Roi'' ("King's Manuscript" or "King's Songbook" in English) is a prominent songbook compiled towards the middle of the thirteenth century, probably between 1255 and 1260 and a major testimony of European medieval music. It is currently French manuscript no.844 of the Bibliothèque nationale de France. It is known by various sigla, depending on which of its contents are the focus of study: it is troubadour manuscript ''W'', trouvère manuscript ''M'', and motet manuscript ''R''. It was first published by French musicologist Pierre Aubry in 1907 (''Estampies et danses royales: Les plus anciens textes de musique instrumentale au Moyen Âge''). __NOTOC__ Background The manuscript contains more than 600 songs composed for the most part between the late twelfth and early thirteenth century. Some were written by famous trouvères, such as Theobald I of Navarre, Gace Brulé, Guiot de Dijon or Richard de Fournival, but others are anonymous. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Of Villehardouin
William of Villehardouin (; Kalamata, 1211 – 1 May 1278) was the fourth prince of Achaea in Frankish Greece, from 1246 to 1278. The younger son of Prince Geoffrey I, he held the Barony of Kalamata in fief during the reign of his elder brother Geoffrey II. William ruled Achaea as regent for his brother during Geoffrey's military campaigns against the Greeks of Nicaea, who were the principal enemies of his overlord, the Latin Emperor of Constantinople Baldwin II. William succeeded his childless brother in the summer of 1246. Conflicts between Nicaea and Epirus enabled him to complete the conquest of the Morea in about three years. He captured Monemvasia and built three new fortresses, forcing two previously autonomous tribes, the Tzakones and Melingoi, into submission. He participated in the unsuccessful Egyptian crusade of Louis IX of France, who rewarded him with the right to issue currency in the style of French royal coins. In the early 1250s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of France
In France, music reflects a diverse array of styles. In the field of classical music, France has produced several prominent Romantic music, romantic composers, while folk and popular music have seen the rise of the chanson and cabaret style. The oldest playable musical recordings were made in France using the earlist known sound recording device in the world, the phonautograph, which was patented by Édouard-Léon Scott de Martinville in 1857. France is also the 5th largest market by value in the world, and its music industry has produced many internationally renowned artists, especially in the nouvelle chanson and French electronic music, electronic music. Classical music Medieval French music history dates back to organum in the 10th century, followed by the Notre Dame School, an organum composition style. Troubadour songs of chivalry and courtly love were composed in the Occitan language, Occitan language between the 10th and 13th centuries, and the Trouvère poet-composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th-century Manuscripts
The 13th century was the century which lasted from January 1, 1201 (represented by the Roman numerals MCCI) through December 31, 1300 (MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258) and the destruction of the House of Wisdom. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The earliest Islamic states in Southeast Asia formed during this century, most notably Samudera Pasai. The Kingdoms of Sukhothai and Hanthawaddy would emerge and go on to dominate their surrounding territories. Europe entered the apex of the High Middle Ages, characterized by rapid legal, cultural, and religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1250s Books
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural number, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Institute Of Musicology
The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions of medieval, Renaissance and early Baroque compositions and works of music theory. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study, practice and performance of early music. Among the series it produces are the '' Corpus mensurabilis musicae'' (CMM), ''Corpus Scriptorum de Musica'' (CSM) and ''Corpus of Early Keyboard Music'' (CEKM). In CMM specifically, the AIM has published the entire surviving ''oeuvres'' of a considerable amount of composers, most notably the complete works of Guillaume de Machaut and Guillaume Du Fay, among many others. The CSM, which focuses on music theory, has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rame ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jordi Savall
Jordi Savall i Bernadet (; born 1 August 1941) is a Spanish Conducting, conductor, composer and viol player. He has been one of the major figures in the field of Western early music since the 1970s, largely responsible for popularizing the viol family of instruments (notably the viola da gamba) in contemporary performance and recording. As a historian of early music his repertoire features everything from medieval music, medieval, Renaissance music, Renaissance and Baroque music, Baroque through to the Classical period (music), Classical and Romantic music, Romantic periods. He has incorporated non-western musical traditions in his work; including African vernacular music for a documentary on slavery. Musical education His musical training started at age six in the school choir of his native Igualada (1947–55). After graduating from the Barcelona's Conservatori Superior de Música del Liceu, Conservatory of Music (where he studied from 1959 to 1965) he specialized in early mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hespèrion XXI
Hespèrion XXI is an international early music ensemble. The group was formed in Basel, Switzerland in 1974 as Hespèrion XX by Catalan musical director Jordi Savall (bowed string instruments, particularly the viola da gamba), his wife Montserrat Figueras (soprano), Lorenzo Alpert (flute, percussion), and Hopkinson Smith (plucked string instruments). The group changed its name to Hespèrion XXI at the beginning of the 21st century. The name "Hespèrion" is derived from a word in Classical Greek which referred to the people of the Italian and Iberian peninsulas. The ensemble is noted for its scholarship in early music, especially the music of 16th and 17th century of Spain. Their performance practice is noted for the liberal use of improvisation around the basic melodic and rhythmic structures of the early pieces, resulting in great emotional intimacy and immediacy. Awards * Grand Prix de l'académie du Disque Français * Edison-Prijs Amsterdam * Grand Prix du Disque of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Of Anjou
Charles I (early 1226/12277 January 1285), commonly called Charles of Anjou or Charles d'Anjou, was King of Sicily from 1266 to 1285. He was a member of the royal Capetian dynasty and the founder of the House of Anjou-Sicily. Between 1246 and 1285, he was Count of Provence and Forcalquier in the Holy Roman Empire and Count of Anjou and Maine in France. In 1272 he was proclaimed King of Albania, in 1277 he purchased a claim to the Kingdom of Jerusalem, and in 1278 he became Prince of Achaea after the previous ruler, William of Villehardouin, died without heirs. The youngest son of Louis VIII of France and Blanche of Castile, Charles was destined for a Church career until the early 1240s. He acquired Provence and Forcalquier through his marriage to their heiress, Beatrice. His attempts to restore central authority brought him into conflict with his mother-in-law, Beatrice of Savoy, and the nobility. He relinquished control of Forcalquier to his mother-in-law in 1248, al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince Of Achaea
The Prince of Achaea was the ruler of the Principality of Achaea, one of the crusader states Frankokratia, founded in Greece in the aftermath of the Fourth Crusade (1202–1204). The principality witnessed various overlords during its more than two centuries of existence, initially, Achaea was a vassal state of the Kingdom of Thessalonica under Boniface I, Marquis of Montferrat, Boniface I of house Montferrat, then of the Latin Empire, Latin Empire of Constantinople under the houses of Flanders-Courtenay, which had supplanted the Byzantine Empire, and later of the Kingdom of Naples, Angevin Kingdom of Naples. During the Angevin period, the princes were often absent, represented in the Principality by their baillis, who governed in their name. After 1404 the principality became sovereign as the Genoese Centurione II Zaccaria bought from the Neapolitan crown the princely rights. The principality was one of the longest-lasting of the Latin states in Greece, outliving the Latin Empire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morea
Morea ( or ) was the name of the Peloponnese peninsula in southern Greece during the Middle Ages and the early modern period. The name was used by the Principality of Achaea, the Byzantine province known as the Despotate of the Morea, by the Ottoman Empire for the Morea Eyalet, and later by the Republic of Venice for the short-lived Kingdom of the Morea. Etymology There is some uncertainty over the origin of the medieval name "Morea", which is first recorded in the 10th century in the Byzantine chronicles. Traditionally, scholars thought the name to have originated from the word ''morea'' (μορέα), meaning morus or mulberry, a tree which, though known in the region from the ancient times, gained value after the 6th century, when mulberry-eating silkworms were smuggled from China to Byzantium. The British Byzantinist Steven Runciman suggested that the name comes "from the likeness of its shape to that of a mulberry leaf". History After the conquest of Constantinople by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
