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Chaka Khan (1982 Album)
''Chaka Khan'' is the fourth solo album by American singer Chaka Khan. It was released on the Warner Bros. Records label on November 17, 1982. Khan worked with frequent collaborator Arif Mardin on the album, who would produce all the tracks on ''Chaka Khan''. The "Be Bop Medley" won the pair Grammy Award for Best Vocal Arrangement for Two or More Voices at the 26th awards ceremony. Following the release of the ''Chaka Khan'' album and the greatest hits package '' The Very Best of Rufus featuring Chaka Khan'', Khan reunited with the band Rufus later that year for one final album together, the double live/studio set ''Stompin' at the Savoy - Live'' (1983). Her next solo album '' I Feel for You'' followed in 1984. Despite its many accolades and artistic achievements the ''Chaka Khan'' album remained unreleased on CD in both the United States and Europe, and was only available as an import from Japan, until it was finally issued on CD in the UK in 2010 as part of a Five disc set con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaka Khan
Yvette Marie Stevens (born March 23, 1953), better known by her stage name Chaka Khan ( ), is an American singer. Known as the " Queen of Funk", her career has spanned more than five decades beginning in the early 1970s as the lead vocalist of the funk band Rufus. With the band she recorded the notable hits " Tell Me Something Good," " Sweet Thing," " Do You Love What You Feel," and the platinum-certified " Ain't Nobody." Her debut solo album featured the number-one R&B hit " I'm Every Woman" (which became a pop hit for Whitney Houston). Khan scored another R&B charts hit with " What Cha' Gonna Do for Me" before becoming the first R&B artist to have a crossover hit featuring a rapper, with her 1984 cover of Prince's " I Feel for You." More of Khan's hits include " Through the Fire" and a 1986 collaboration with Steve Winwood that produced a number-one hit on the ''Billboard'' Hot 100, " Higher Love." Khan has won ten Grammy Awards. With Rufus, she achieved three gold single ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Con Alma
"Con Alma" is a jazz standard written by Dizzy Gillespie, appearing on his 1954 album ''Afro''. The tune incorporates aspects of bebop jazz and Latin rhythm, and is known for its frequent changes in key centers (occurring every two bars), while still maintaining a singable melody. Notable recordings It has been noted that "As good as Dizzy's versions of his own tune are, it's probably not too crazy to say that 'Con Alma' really took off in the hands of other musicians."Ben Gray"Con Alma: A Critical Analysis of Covers" Nextbop.com Among those who have recorded versions are: * Sonny Stitt * Hal McKusick ('' Triple Exposure'', 1957) * Oscar Peterson ('' The Jazz Soul of Oscar Peterson'', 1959; '' Swinging Brass with the Oscar Peterson Trio'', 1959) * Roy Haynes ('' Just Us'', 1960) * The Jazztet ('' Big City Sounds'', 1960) * Ray Bryant (''Con Alma'', 1961) * Wes Montgomery ('' Bumpin''', 1965) * Charles McPherson ('' Con Alma!'', 1965) * Ed Bickert * Brian Bennett (''Change of D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yardbird Suite
"Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" (often shortened to "Bird") and a colloquial use of the classical music term " suite" (in a manner similar to such jazz titles as Lester Young's " Midnight Symphony" and Duke Ellington's "Ebony Rhapsody"). The composition uses an 32-bar AABA form. The "graceful, hip melody, became something of an anthem for beboppers." Three Charlie Parker recordings Although, as Bob Dorough wrote in the liner notes to the re-release of his album ''Yardbird Suite'', fans used to follow Parker everywhere he played and often taped his performances, there are only three known commercial recordings of Parker himself playing the tune. The first two were recorded with a septet at Radio Recorders in Hollywood on March 28, 1946. The session was supervised and produced by Ross Russell for his Dial Records label. Besides Parker on alto saxophone was Miles Davis on trum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistrophy (composition)
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street (Manhattan), 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the ''Genius of Modern Music: Volume 2, Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot House (composition)
"Hot House" is a bebop standard, composed by American jazz musician Tadd Dameron in 1945. Its harmonic structure is identical to Cole Porter's "What Is This Thing Called Love?" (see contrafact). The tune was made famous by Dizzy Gillespie and Charlie Parker as a quintet arrangement and become synonymous with those musicians; "Hot House" became an anthem of the bebop movement in American jazz. The most famous and referred to recording of the tune is by Parker and Gillespie on the May 1953 live concert recording entitled Jazz at Massey Hall, after previously recording it for Savoy records in 1945 and at Carnegie Hall in 1947. The tune continues to be a favorite among jazz musicians and enthusiasts: * In 1962, Bud Powell recorded it on his Bouncing with Bud album for Delmark records * In 1964, Charles McPherson played it with Carmell Jones on his Prestige album '' Bebop Revisited!'' for the Prestige label * In 1976, Barry Harris who was the pianist on the 1964 version played a t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliot Willensky
Elliot A. Willensky (August 6, 1943 – March 29, 2010) was an American composer, lyricist and music producer. He wrote Michael Jackson's first solo hit " Got to Be There" and the Jermaine Jackson/Whitney Houston duet "If You Say My Eyes Are Beautiful." Willensky composed the music for the 1999 off-Broadway musical ''Abby's Song'' and served as the music coordinator for the Tony Orlando and Dawn variety show on CBS. Biography He was born in Bayonne, New Jersey on August 6, 1943, to Raymond Willensky and Gertrude Berlin. He attended Bayonne High School and graduated from Boston University with a degree in biology. He undertook post-graduate studies at Boston University and the University of Massachusetts Amherst and worked as a research scientist of the National Institutes of Health. Willensky left the scientific field to become a songwriter in 1969. Arguably Willensky's most well-known work is "Got to Be There," which was Michael Jackson's first solo hit and reached number 4 on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Musker
Frank John Musker (born 1951) is a British songwriter and composer. Most prolific in the 1980s and 1990s, he worked with artists such as Sheena Easton, the Babys, Robert Miles, Jennifer Rush, Bucks Fizz, Air Supply, Lucio Battisti, Zucchero, Lisa Stansfield and Brian May (for the Queen song " Too Much Love Will Kill You"). His collaboration with May was awarded Best Song Musically and Lyrically at the 1997 Ivor Novello Awards. One of Musker's earlier successes was the 1977 North American hit " Heaven on the 7th Floor", written with co-writer Dominic Bugatti. It became a hit for Paul Nicholas and The Mighty Pope. Musker and Bugatti then collaborated with John Waite, frontman for the Babys at the time, to compose "Back on My Feet Again", which would become the Babys' last top 40 hit, peaking at No. 33 in 1980. Two years later, Musker and Bugatti recorded a number of singles, and an album, under the name The Dukes. The album was produced by Arif Mardin and recorded and mixed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rick James
James Ambrose Johnson Jr. (February 1, 1948 – August 6, 2004), better known by his stage name Rick James, was an American singer, songwriter, and record producer. Born and raised in Buffalo, New York, James began his musical career in his teenage years. He was in various bands before entering the U.S. Naval Reserve to avoid being drafted into the Army. In 1964, James moved to Toronto, Canada, where he formed the rock band The Mynah Birds, who eventually signed a recording deal with Motown, Motown Records in 1966. James's career with the group halted after military authorities discovered his whereabouts and eventually convicted him of desertion related charges. He served several months in jail. After being released, James moved to California, where he started a variety of Rock music, rock and funk groups in the late 1960s and early 1970s. After forming the locally popular Stone City Band in his hometown of Buffalo in 1977, James finally found success as a recording artist aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunny Sigler
Walter "Bunny" Sigler (March 27, 1941 – October 6, 2017) was an American R&B singer, songwriter, multi-instrumentalist and record producer who did extensive work with the team of Kenny Gamble and Leon Huff, and was instrumental in creating the " Philly Sound" in the early 1970s. Career Sigler was born on March 17, 1941, in Philadelphia, and was nicknamed "Bunny" by his family as a young child. He sang in churches, and joined several local doo-wop groups, including the Opals, in which he sang with his brother James Sigler, Ritchie Rome and Jack Faith. By the late 1950s, he had started performing in local venues as a singer and pianist, and he first recorded for the V-Tone Records label in 1959. Leon Huff then recommended him to record producers John Medora and Dave White at Cameo-Parkway Records. His second single for the Parkway label, a medley of two Shirley and Lee hits, " Let the Good Times Roll & Feel So Good", rose on both the national pop and R&B charts, reaching # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip-hop albums based on sales in the United States and is compiled by Luminate. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965, in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account for overal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine to convey the popularity of an artist or groups of artists. Sometimes, a recording act is remembered for its " number ones" that outperformed all other albums during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, acquiring its existing name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985), ''Billboard'' Top Pop Albums (1985–1991), and ''Billboard'' 200 Top Albums (1991–1992). The chart is based mostly on sales—both at retail and digital – of albums in the United States. The weekly sales period was Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, the tracking week begins on Friday (to coincide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
