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Cello Concerto No. 1 In C (Haydn)
The Cello Concerto No. 1 in C major, Hoboken-Verzeichnis, Hob. VIIb/1, by Joseph Haydn was composed around 1761-65 for longtime friend Joseph Franz Weigl, then the principal cellist of Nikolaus I, Prince Esterházy, Prince Nicolaus's Esterházy Orchestra. ISMN M-006-20254-6 The work was presumed lost until 1961, when musicologist Oldřich Pulkert discovered a copy of the score at the Prague National Museum. ISMN M-006-20254-6 Though some doubts have been raised about the authenticity of the work, most experts believe that Haydn did compose this concerto. It is regarded as one of the greatest works for cello of the Classical period (music), classical era. Background Although the full work was discovered in 1961, Haydn had written the beginning of the principal theme of the first movement in his draft catalogue of 1765. This early work, nearly contemporaneous with symphonies Symphony No. 6 (Haydn), 6, Symphony No. 7 (Haydn), 7 and Symphony No. 8 (Haydn), 8 and predating his Cello ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Concertos By Joseph Haydn
The following is a partial list of concertos by Joseph Haydn (1732–1809). In the Hoboken-Verzeichnis, Hoboken catalogue of Haydn's works, concertos for most instruments are in category VII with a different letter for each solo instrument (VIIa is for violin concertos, VIIb is for cello concertos, etc.). The exceptions are the concertos for keyboard and for baryton which are placed in categories XVIII and XIII, respectively. For violin *Violin Concerto No. 1 (Haydn), Violin Concerto No. 1 in C major, Hob. VIIa:1 (ca. 1765) * Violin Concerto No. 2 in D major, Hob. VIIa:2 (1765, lost)HC Robbins Landon, Haydn: Chronicle and Works, 5 vols, (Bloomington and London: Indiana University Press, 1976-) v. 1, Haydn: the Early Years, 1732-1765 *Violin Concerto No. 3 (Haydn), Violin Concerto No. 3 in A major, Hob. VIIa:3 "Melker Konzert" (ca. 1770) *Violin Concerto No. 4 (Haydn), Violin Concerto No. 4 in G major, Hob. VIIa:4 (1769) Other Concertos (Hob. VIIa:A1/B1/B2/D1/G1) are not authenti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molto
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe orga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Fournier
Pierre Léon Marie Fournier (24 June 19068 January 1986) was a French cellist who was called the "aristocrat of cellists" on account of his elegant musicianship and majestic sound. Biography He was born in Paris, the son of a French Army general. His mother taught him to play the piano, but he had a mild case of polio as a child and lost dexterity in his feet and legs. Having difficulties with the piano pedals, he turned to the cello. He received early training from Odette Krettly, and from 1918 studied with André Hekking and later with Paul Bazelaire. He graduated from the Paris Conservatory at 17, in 1923. He was hailed as "the cellist of the future" and won praise for his virtuosity and bowing technique. In the period 1925–1929 he was a member of the Krettly Quartet, led by Odette's brother Robert Krettly. He became well known when he played with the Concerts Colonne Orchestra in 1925. He began touring all over Europe. At various stages he played with many of the mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julian Lloyd Webber
Julian Lloyd Webber (born 14 April 1951) is a British solo cellist, conductor and broadcaster, a former principal of Royal Birmingham Conservatoire and the founder of the In Harmony music education programme. Early years and education Julian Lloyd Webber is the second son of the composer and music educator William Lloyd Webber and his wife, Jean Johnstone (a piano teacher). He is the younger brother of the composer Andrew Lloyd Webber. The composer Herbert Howells was his godfather. He won a scholarship to the Royal College of Music in 1968 and completed his studies with Pierre Fournier in Geneva in 1973. Career Lloyd Webber made his professional debut as a cellist at the Queen Elizabeth Hall, London, in September 1972 when he gave the first London performance of the cello concerto by Sir Arthur Bliss. Throughout his career, he has collaborated with a wide variety of musicians, including conductors Yehudi Menuhin, Lorin Maazel, Neville Marriner, Georg Solti, Yevgeny Sv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yo-Yo Ma
Yo-Yo Ma ('' Chinese'': 馬友友 ''Ma Yo Yo''; born October 7, 1955) is an American cellist. Born in Paris to Chinese parents and educated in New York City, he was a child prodigy, performing from the age of four and a half. He graduated from the Juilliard School and Harvard University and attended Columbia University and has performed as a soloist with orchestras around the world. He has recorded more than 90 albums and received 19 Grammy Awards. In addition to recordings of the standard classical repertoire, Ma has recorded a wide variety of folk music, such as American bluegrass music, traditional Chinese melodies, the tangos of Argentine composer Astor Piazzolla, and Brazilian music. He has collaborated with artists in diverse genres, including the singer Bobby McFerrin, the guitarist Carlos Santana, Sérgio Assad and his brother, Odair, and the singer-songwriter-guitarist James Taylor. Ma's primary performance instrument is a 1733 Montagnana cello valued at US$2.5 mill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacqueline Du Pré
Jacqueline Mary du Pré (26 January 1945 – 19 October 1987) was a British cellist. At a young age, she achieved enduring mainstream popularity. Despite her short career, she is regarded as one of the greatest cellists of all time. Her career was cut short by multiple sclerosis, which forced her to stop performing at the age of 28; she died 14 years later at the age of 42. She was the subject of the 1998 biographical film ''Hilary and Jackie'', which attracted criticism for perceived inaccuracy and sensationalism. Early years, education Du Pré was born in Oxford, England, the second child of Iris Greep and Derek du Pré. Derek was born in Jersey, where his family had lived for generations. After working as an accountant at Lloyds Bank in St Helier and London, he became assistant editor and later editor of ''The Accountant''. Iris was a talented concert pianist who had studied at the Royal Academy of Music. At the age of four du Pré is said to have heard the sound of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Charles Mackerras
Mackerras in 2005 Sir Alan Charles MacLaurin Mackerras (; 1925 2010) was an Australian conductor. He was an authority on the operas of Janáček and Mozart, and the comic operas of Gilbert and Sullivan. He was long associated with the English National Opera (and its predecessor) and Welsh National Opera and was the first Australian chief conductor of the Sydney Symphony Orchestra. He also specialized in Czech music as a whole, producing many recordings for the Czech label Supraphon. Early life and education Mackerras was born in Schenectady, New York, to Australian parents, Alan Mackerras and Catherine MacLaurin. His father was an electrical engineer and a Quaker. Mackerras grew up in a very musical family and his mother was immensely cultured. In 1928, when Charles was aged two, the family returned to Sydney, Australia. They initially lived in the suburb of Rose Bay, and in 1933 they moved to the then semi-rural suburb of Turramurra. Mackerras was the eldest of seven child ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miloš Sádlo
Miloš Sádlo (13 April 1912 – 14 October 2003), a Czech cellist, was born in Prague, Czech Republic. Life Born Miloš Bláha, later Miloš Zátvrzský after his step-father. He started his musical education by playing violin when he was 8 years old. At 15 he switched to cello and began his studies with Karel Pravoslav Sádlo. After studying for 10 hours every day for 3 years he was invited to play cello concertos of Jaroslav Řídký and Antonín Dvořák with Czech Philharmonic. Around this time Zátvrzský took the name Sádlo after his teacher. In 1931 he joined the Prague Quartet, and went to UK tour with them in 1932. They made a highly praised recording of Dvořák's String Quartet No. 13. Next year Sádlo quit the quartet to focus on his solo career. In 1947 he recorded Shostakovich's Piano trio in E-minor with violinist David Oistrakh and the composer himself on the piano. In 1955 Sádlo spent six moths in Prades, France, studying with Pablo Casals. At various poin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Score
Score or scorer may refer to: *Test score, the result of an exam or test Business * Score Digital, now part of Bauer Radio * Score Entertainment, a former American trading card design and manufacturing company * Score Media, a former Canadian media company Mathematics *Score (statistics), a quantity in statistics *Score, a quantity of twenty ( 20) units *Raw score, an original datum that has not been transformed *Score test, a statistical test * Scorer's function, solutions to differential equations *Scoring rule, measuring the accuracy of probabilistic predictions *Standard score, a quantity derived from the raw score * Score, a period of 20 years Science and technology * Single colour reflectometry (SCORE), an optical technique for monitoring biomolecular interactions Arts, entertainment, and media * Event score, written or printed instructions for a visual art performance Films * ''Score'' (1974 film), an American adult film * ''Score'' (2016 film), a documentary * '' S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
