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Cecco Del Caravaggio
Cecco del Caravaggio (active – mid-1620s) is the ''Notname'' given to a painter who worked in Rome in the early decades of the 17th century and was an important early follower of Caravaggio (1571–1610). In the past art historians have suggested he may have been a Flemish, French or Spanish Caravaggisti, Caravaggist but more recently some have identified the artist with Francesco Boneri (or Buoneri), although this is not universally accepted. In his work the artist responded in a very individual and original manner to Caravaggio's naturalism."Caravaggio, Cecco del." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 12 May 2017 Life Little is known about Cecco del Caravaggio. His active period appears to have been from 1610 to the mid 1620s. The name "Cecco" is a diminutive of "Francesco". In his guide to contemporary artists written for fellow-collectors in about 1620 entitled ''Considerazioni sulla Pittura'', Giulio Mancini mentions a ("Francesco, known a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Buoneri, Called Cecco Del Caravaggio - The Resurrection - Google Art Project
Francesco, the Italian (and original) version of the personal name "Francis", is one of the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter *Francesco Zurolo (first half of the 15th century–1480), Italian feudal lord, baron and italian leader * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amor Vincit Omnia (Caravaggio)
''Amor Vincit Omnia'' in Latin, known in English by a variety of names including ''Amor Victorious'', ''Victorious Cupid'', ''Love Triumphant'', ''Love Victorious'' or ''Earthly Love'', is a painting by the Italian Baroque artist Caravaggio. ''Amor Vincit Omnia'' shows Amor, the Roman Cupid, wearing dark eagle wings, half-sitting on or climbing down from what appears to be a table. Scattered around are the emblems of all human endeavors—violin and lute, armor, coronet, square and compasses, pen and manuscript, bay leaves, and flower, tangled and trampled under Cupid's foot. The painting illustrates the line from Virgil's ''Eclogues'', ''Omnia Vincit Amor et nos cedamus amori''. A musical manuscript on the floor shows a large "V". It has therefore been suggested also that the picture is a reference to the achievements of Marchese Vincenzo Giustiniani. Giustiniani is said to have prized it above all other works in his collection. Background The subject of Cupid was common for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Baroque Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, a Romance ethnic group related to or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marination * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus * ''Italien'' (magazine), pro-Fascist magazine in Germany between 1927 and 1944 See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) The Italian may refer to: * ''The Itali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Italian Painters
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French '' Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Manfredi
Bartolomeo Manfredi (baptised 25 August 1582 – 12 December 1622) was an Italian painter, a leading member of the Caravaggisti (followers of Michelangelo Merisi da Caravaggio) of the early 17th century. Life Manfredi was born in Ostiano, near Cremona. He may have been a pupil of Caravaggio in Rome: at his famous libel trial in 1603 Caravaggio mentioned that a certain Bartolomeo Cristofori, accused of distributing scurrilous poems attacking Caravaggio's detested rival Baglione, had been a servant of his. Certainly the Bartolomeo Manfredi known to art history was a close follower of Caravaggio's innovatory style, with its enhanced chiaroscuro and insistence on naturalism, with a gift for story-telling through expression and body-language. Caravaggio in his brief career — gaining fame in 1600, exiled from Rome in 1606, and dead by 1610 — had a profound effect on the younger generation of artists, particularly in Rome and Naples. And of these ''Caravaggisti'' (followers o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemäldegalerie, Berlin
The (, Painting Gallery) is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (''Staatliche Museen zu Berlin'') is displayed. It was first opened in 1830, and the current building was completed in 1998. It is located in the Kulturforum museum district west of Potsdamer Platz. It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach the Elder, Lucas Cranach, Hans Holbein the Younger, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Frans Hals, Johannes Vermeer, Thomas Gainsborough, Joshua Reynolds and Antonio Viviani. Collection Unlike most major national European collections (with the exception of the National Gallery, London), the collection is not essentially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Institute Of Chicago
The Art Institute of Chicago, founded in 1879, is one of the oldest and largest art museums in the United States. The museum is based in the Art Institute of Chicago Building in Chicago's Grant Park (Chicago), Grant Park. Its collection, stewarded by 11 curatorial departments, includes works such as Georges Seurat's A Sunday Afternoon on the Island of La Grande Jatte, ''A Sunday on La Grande Jatte'', Pablo Picasso's ''The Old Guitarist'', Edward Hopper's ''Nighthawks (Hopper), Nighthawks'', and Grant Wood's ''American Gothic''. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present curatorial and scientific research. As a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and Ryerson & Burnham Libraries, Ryerson and Burnham Libraries, one of the nation's largest art history and ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Resurrection (Cecco Del Caravaggio)
The ''Resurrection'' by Cecco del Caravaggio, the Italian Baroque painter, is the only painting known for certain to be his. It was commissioned in 1619 by Piero Guicciardini, the Tuscan ambassador to Rome. Through the use of alternate strong lights and deep shadows the chiaroscuro highlights the vividness of the dramatic scene. One of Cecco's most notable works, the painting is in the permanent collection of the Art Institute of Chicago. History and description The painting depicts the moment of the resurrection as described in Gospel of Matthew 28:2: The artwork is a large-scale painting intended for private devotion. It was commissioned in 1619 by Piero Guicciardini, the Tuscan ambassador to Rome, for his private chapel in Santa Felicita, Florence. Completed in 1620, the painting was rejected by Guicciardini, and never arrived in Florence (where it was replaced by a mediocre painting by Antonio Tempesta). Later it was acquired instead by Cardinal Francesco Barberini for hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
M (Peter Robb Book)
''M'' is a book by Australian author Peter Robb about the Italian painter Michelangelo Merisi da Caravaggio. First published in 1998 in Australia by Duffy & Snellgrove, the book provoked controversy when it was published in Britain in 2000. It was published in the United States as ''M: The Man Who Became Caravaggio'' (New York: Henry Holt, 2000). ''M'' won the (Australian) National Biography Award and the Victorian Premier's Award. References External links * {{cite book, first=Peter, last=Robb, authorlink=Peter Robb (author), title=M, year=1998, isbn=0-312-27474-2 Caravaggio 1998 non-fiction books [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Robb (author)
Peter Robb (born 1946) is an Australian author, who has also written under the pen names B. Selkie and Ross Edwards. Early life and education Robb was born 1946 in Toorak, Melbourne. He spent his early years in Australia and was educated in New Zealand. As a young man he was involved in a small Trotskyist organisation named the Communist League, which was sympathetic to the Fourth International, between 1972 and 1976. Robb helped produced its newspaper, ''Militant'', and was also key in the departure of a section of the Communist League's leadership, through absorption by the Socialist Workers Party (SWP) in 1976. The group was co-founded by Queensland doctor John McCarthy (1948–2008), who played a major role in integrating the CL and the SWP, and activist and later academic Marcia Langton was the third member of the CL committee. McCarthy broke away from the SWP (then Socialist Workers League) to create CL, and then, along with Robb and Langton, rejoined the SWP four years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John The Baptist (Caravaggio)
''John the Baptist'' (sometimes called ''John in the Wilderness'') was the subject of at least eight paintings by the Italian Baroque artist Michelangelo Merisi da Caravaggio (1571–1610). The story of John the Baptist is told in the Gospels. John was the cousin of Jesus, and his calling was to prepare the way for the coming of the Messiah. He lived in the wilderness of Judea between Jerusalem and the Dead Sea, "his raiment of camel's hair, and a leather girdle about his loins; and his meat was locusts and wild honey." He baptised Jesus in the Jordan, and was eventually killed by Herod Antipas when he called upon the king to reform his evil ways. John was frequently shown in Christian art, identifiable by his bowl, reed cross, camel's skin and lamb. The most popular scene prior to the Counter-Reformation was of John's baptism of Jesus, or else the infant Baptist together with the infant Jesus and Mary his mother, frequently supplemented by the Baptist's own mother St Elizabe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
