|
Caravan (Juan Tizol And Duke Ellington Song)
"Caravan" is an American jazz standard by Juan Tizol and Duke Ellington, first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The song has regained popularity since being featured prominently in the 2014 film '' Whiplash''. Original recording The first version of the song was recorded in Hollywood in 1936 and performed as an instrumental by Barney Bigard and His Jazzopators. Two takes were recorded, of which the first (Variety VA-515-1) was published. The band members were: * Cootie Williams – trumpet * Juan Tizol – trombone * Barney Bigard – clarinet * Harry Carney – baritone saxophone * Duke Ellington – piano * Billy Taylor – double bass * Sonny Greer – drums The musicians were members of the Duke Ellington Orchestra, which often split into smaller combinations to record songs under different band names. For this recording, which included Ellington and Tizol as performers, the nominal session band leader was Bigard. As of 2024 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creoles of color, Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alex Bigard, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
Music performed a cappella ( , , ; ), less commonly spelled acapella in English, is music performed by a singer or a singing group without instrumental accompaniment. The term ''a cappella'' was originally intended to differentiate between Renaissance music, Renaissance polyphony and Baroque (music), Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 BC, while the earliest that has survived in its entirety is from the first century AD: a piece from Greece called the Seikilos epi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santo & Johnny
Santo & Johnny were an American rock and roll instrumental duo of Italian descent from Brooklyn, New York, composed of brothers Santo Farina (born October 24, 1937) and Johnny Farina (born April 30, 1941). They are known best for their instrumental melody "Sleep Walk", one of the biggest hits of the golden age of rock 'n' roll, which became a regional success and eventually scored the top of the ''Billboard'' pop chart when it was released nationally during 1959. Career Early life Santo Anthony Farina and John Steven Farina were born in Brooklyn, New York, to Anthony and Josephine Farina: Santo on October 24, 1937, and Johnny on April 30, 1941. Their father was drafted into the United States Army while they were children and was stationed for some time in Oklahoma. After hearing a steel guitar on the radio, he wrote to his wife, "I'd like the boys to learn to play this instrument". Upon returning from World War II, the boys' father found a music teacher who gave the boys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
After Midnight (Nat King Cole Album)
''After Midnight'' is a 1957 jazz album by "Nat King Cole and his trio" on Capitol Records. It peaked at number 13 on the U.S. ''Billboard'' Pop Albums chart. ''The Penguin Guide to Jazz'' listed the album as part of its suggested "core collection". Release history Initially, the album was released in a 33rpm LP version as well as in a set of four (7-inch) 45rpm discs. In 1987, five previously unreleased tracks recorded at the same original sessions were added as bonus tracks to the Capitol Records CD re-release titled, ''The Complete After Midnight Sessions''. Some later re-issues, under the title, ''After Midnight, The Complete Session'' or simply, ''After Midnight'', also include one or more alternate take(s) with the 17 songs from the original 1956 recording sessions. There are also at least three other reissues with 18, 19 and 21 tracks. Track listing LP release LP side A: # "Just You, Just Me" ( Greer, Raymond Klages) – 3:00 # "Sweet Lorraine" ( Burwell, Parish) – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat King Cole
Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, alternatively billed as Nat "King" Cole, was an American singer, jazz pianist, and actor. Cole's career as a jazz and Traditional pop, pop vocalist started in the late 1930s and spanned almost three decades where he found success and recorded over 100 songs that became hits on the pop charts. Cole started his career as a jazz pianist in the late 1930s, when he formed the King Cole Trio, which became the top-selling group (and the only black act) on Capitol Records in the 1940s. Cole's trio was the model for small jazz band, jazz ensembles that followed. Starting in 1950, he transitioned to become a solo singer billed as Nat King Cole. Despite achieving mainstream success, Cole faced intense racial discrimination during his career. While not a major vocal public figure in the civil rights movement, Cole was a member of his local NAACP branch and participated in the 1963 March ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk Plays Duke Ellington
''Thelonious Monk Plays Duke Ellington'', also known as ''Thelonious Monk Plays the Music of Duke Ellington'', is an album by American jazz pianist Thelonious Monk which was recorded in July 1955 and released on Riverside later that year. The album contains Monk's versions of songs by Duke Ellington. Background Composition and recording Although Monk occasionally performed covers, he primarily played his own compositions. He had recorded several albums of originals during 1953 – 1954 for his previous label, Prestige. But there was a perception, particularly among music critics, that Monk's music was "too difficult" for the mainstream public, and his Prestige albums sold poorly. After Riverside bought out Monk's contract in 1954 for slightly over $100, Riverside convinced Monk to record an entire album of Ellington tunes, an idea of record producer Orrin Keepnews. Monk's only 1955 session including his original compositions took place on October 15, and was released under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk ( October 10, 1917 – February 17, 1982) was an American Jazz piano, jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the Jazz standard, standard jazz repertoire, including "'Round Midnight (song), 'Round Midnight", "Blue Monk", "Straight, No Chaser (composition), Straight, No Chaser", "Ruby, My Dear (composition), Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature consonance and dissonance, dissonances and angular melodic twists, often using flat ninths, flat fifths, unexpected chromatic notes together, low bass notes and stride, and fast whole tone scale, whole tone runs, combining a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Session With Chet Atkins
''A Session with Chet Atkins'' is the third studio album recorded by American guitarist Chet Atkins. It features Atkins introducing standard pop and jazz melded with country sensibilities. The liner notes state this is the first use of a celeste on a country record. The musicians include Homer and Jethro in the rhythm section. Atkins uses his new EchoSonic amplifier for the first time on his recordings.Atkins, Chet and Cochran, Russ. (2003). "Me and My Guitars". Milwaukee. Hal Leonard Corporation. . Reception Allmusic music critic Richard S. Ginell praised the album and wrote "With a roomful of crack Nashville session men, Chet Atkins' first 12-inch album is one joyful, yet sophisticated and controlled compilation of mostly standard pop and jazz tunes all decked out country-style." Track listing Side one # "South" (Ray Charles, Thamon Hayes, Bennie Moten) – 2:45 # " (Back Home Again in) Indiana" ( James F. Hanley, Ballard MacDonald) – 3:20 # " Alabama Jubilee" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chet Atkins
Chester Burton Atkins (June 20, 1924 – June 30, 2001), also known as "Mister Guitar" and "the Country Gentleman", was an American musician who, along with Owen Bradley and Bob Ferguson (musician), Bob Ferguson, helped create the Nashville sound, the country music style which expanded its appeal to adult pop music fans. He was primarily a guitarist, but he also played the mandolin, fiddle, banjo, and ukulele, and occasionally sang. Atkins's signature picking style was inspired by Merle Travis. Other major guitar influences were Django Reinhardt, George Barnes (musician), George Barnes, Les Paul, and, later, Jerry Reed. His distinctive picking style and musicianship brought him admirers inside and outside the country scene, both in the United States and abroad. Atkins spent most of his career at RCA Victor and produced records for The Browns, the Browns, Hank Snow, Porter Wagoner, Norma Jean (singer), Norma Jean, Dolly Parton, Dottie West, Perry Como, Floyd Cramer, Elvi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hee Haw
''Hee Haw'' is an American television variety show featuring country music and humor with the fictional rural "Kornfield Kounty" as the backdrop. It aired from 1969 to 1993, and on TNN from 1996 to 1997. Reruns of the series were broadcast on RFD-TV from September 2008 to April 2020, and aired on Circle. The ''Hee Haw'' reruns resumed in May 2024 on the RFD-TV / RuralTV network. The show was inspired by '' Rowan & Martin's Laugh-In'', but centered on country music, rural rather than pop culture–inspired humor, and with far less topical material. Hosted by country music artists Buck Owens and Roy Clark for most of its run, the show was equally well known for its cornpone humor as for its voluptuous, scantily clad women (the "Hee Haw Honeys") in stereotypical farmer's daughter outfits. ''Hee Haw''s appeal, however, was not limited to a rural audience. It was successful in all of the major markets, including network-based Los Angeles and New York City, as well as Boston ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Clark
Roy Linwood Clark (April 15, 1933 – November 15, 2018) was an American singer, musician, and television presenter. He is best known for having hosted '' Hee Haw'', a nationally televised country variety show, from 1969 to 1997. Clark was an important and influential figure in country music, both as a performer and in helping to popularize the genre. During the 1970s, Clark frequently guest-hosted for Johnny Carson on ''The Tonight Show;'' he also enjoyed a 30-million viewership for ''Hee Haw''. Clark was highly regarded and renowned as a guitarist, banjo player, and fiddler. He was skilled in the traditions of many genres, including classical guitar, country music, Latin music, bluegrass, and pop. He had hit songs as a pop vocalist (e.g., " Yesterday, When I Was Young" and "Thank God and Greyhound"), and his instrumental skill had an enormous effect on generations of bluegrass and country musicians. He became a member of the Grand Ole Opry in 1987, and, in 2009, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizzy Gillespie
John Birks "Dizzy" Gillespie ( ; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improvisation, improviser, building on the virtuosic style of Roy Eldridge but adding layers of Harmony, harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote: "Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
