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British Jazz
British jazz is a form of music derived from American jazz. It reached Britain through recordings and performers who visited the country while it was a relatively new genre, soon after the end of World War I. Jazz began to be played by British musicians from the 1930s and on a widespread basis in the 1940s, often within dance bands. From the late 1940s, British " modern jazz", highly influenced by American bebop, began to emerge and was led by figures such as Sir John Dankworth, Tony Crombie and Ronnie Scott, while Ken Colyer, George Webb and Humphrey Lyttelton played Dixieland-style Trad jazz. From the 1960s British jazz began to develop more individual characteristics and absorb a variety of influences, including British blues, as well as European and World music influences. A number of British jazz musicians have gained international reputations, although the music has remained a minority interest there. History Early 20th century Jazz in Britain is usually said t ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ...
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French Jazz
Jazz music has been popular in France since the 1920s. Its international popularity peaked in the 1930s, and it has been continually enjoyed since. History Following World War I, a number of American expatriates settled in Paris and began to build up a jazz scene. France did not suffer from racial discrimination as much as the US, so a mixture of musical styles from different cultures began to emerge. As with Brazil, the French were at first concerned it was too American of an influence before "making it their own." Although in the case of the French the adjustment proved faster as by the 1930s jazz had become acceptable. Between the 1930s and 1950s, the biguine, a style of jazz from the French Caribbean was popular among dance orchestras. Lacking recognition at home, several biguine artists from Martinique moved to mainland France, where they achieved greater popularity in Paris, especially in the wake of the colonial exhibition in 1931. Early stars like Alexandre Stellio and ...
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Ken "Snakehips" Johnson
Kenrick Reginald Hijmans Johnson (10 September 1914 – 8 March 1941), known as Ken "Snakehips" Johnson, was a Swing music, swing band-leader and dancer. He was a leading figure in black British music of the 1930s and early 1940s before his death while performing at the Café de Paris, London, Café de Paris, London, when it was hit by a German bomb in the Blitz during the Second World War. Johnson was born in Georgetown, Guyana, Georgetown, British Guiana (present-day Guyana). He showed some musical ability, but his early interest in a career in dancing displeased his father, who wished him to study medicine. He was educated in Britain, but instead of continuing on to university, he travelled to New York, perfecting dance moves and immersing himself in the vibrant jazz scene in Harlem. Tall and elegant, he modelled himself professionally on Cab Calloway. He returned to Britain and set up the Aristocrats (or Emperors) of Jazz, a mainly black swing band, with Leslie Thompson ...
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