Brazilian Hip Hop
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Brazilian Hip Hop
Brazilian hip hop is a national music genre in Brazil. From its earliest days in the African-Brazilian communities of São Paulo and Rio de Janeiro, the genre has grown into a countrywide phenomena. Rappers, DJs, break dancers and graffiti artists are active across the complete spectrum of society blending Brazil's cultural heritage with American hip hop to form a contemporary musical fusion. History Precursors Many believe that even before the consolidation of the American hip hop scene, similar forms of rhythm and poetry were already manifesting in Brazil. The first form of poetic improvisation appeared in the northeast of the country (in the region of Teixeira, Paraíba) in the 19th century. Known as "repente" or "cantoria", it is a genre of Brazilian folk music practiced by a pair of singers known as repentistas who alternate themselves in the composition of improvised strophes following very strict patterns of metric, rhyme and thematic coherence. Also in 1964, the singer ...
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Brazil
Brazil, officially the Federative Republic of Brazil, is the largest country in South America. It is the world's List of countries and dependencies by area, fifth-largest country by area and the List of countries and dependencies by population, seventh-largest by population, with over 212 million people. The country is a federation composed of 26 Federative units of Brazil, states and a Federal District (Brazil), Federal District, which hosts the capital, Brasília. List of cities in Brazil by population, Its most populous city is São Paulo, followed by Rio de Janeiro. Brazil has the most Portuguese-speaking countries, Portuguese speakers in the world and is the only country in the Americas where Portuguese language, Portuguese is an Portuguese-speaking world, official language. Bounded by the Atlantic Ocean on the east, Brazil has a Coastline of Brazil, coastline of . Covering roughly half of South America's land area, it Borders of Brazil, borders all other countries and ter ...
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Gerson King Combo
Gérson Rodrigues Côrtes, known as Gerson King Combo (30 November 1943 – 22 September 2020) was a Brazilian soul and funk singer-songwriter. Born in Rio de Janeiro, he began his career in performing on the variety program ''Hoje é Dia de Rock''. He founded and performed in the 1960s musical group Formula 7. He was also a key person in the 1970s counterculture movement Black Rio. In the mid-1970s, with the growth of the dance club scene in the Rio suburbs, the Black Rio movement gained national notoriety and, with the interest of the record companies in the new sound, Gérson managed to record his two most successful records - Gerson King Combo, 1977, and Gerson King Combo - Volume II, 1978 - achieving radio and dance club hits with "Mandamentos Black", "God Save the King", "Funk Brother Soul" and "Good Bye". As the movement waned, Gérson abandoned his artistic career and began working as an event producer. He was rediscovered in the late 1990s and began to perform and recor ...
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Gospel Rap
Christian hip-hop (originally gospel rap, also known as Christian rap, gospel hip-hop or holy hip-hop) is a cross-genre of contemporary Christian music and hip-hop. It emerged from urban contemporary music and Christian media in the United States during the 1980s. Christian hip-hop music first emerged on record in 1982 with a track entitled "Jesus Christ (The Gospel Beat)" by Queens, New York artist McSweet. The first full-length Christian hip-hop album, ''Bible Break'', by Oklahoma artist Stephen Wiley, was released in 1985, with the title track becoming a hit on Christian radio in 1986. Other early Christian hip recording artists from the mid-1980s included P.I.D. (Preachas in Disguise), who recorded to funky rock rhythms, as well as JC & the Boys and Michael Peace. During the 1990s and 2000s, rapper KJ-52 rose to prominence in the field. Christian rock band DC Talk blended hip-hop and rock, and were successful in mainstream Christian music. All three band members have had s ...
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Sobrevivendo No Inferno
''Sobrevivendo no Inferno'' (, in English "Surviving in Hell") is the second studio album of the Brazilian hip-hop group Racionais MC's, released on 20 December 1997. The album was produced during a period of socio-political change in Brazil, as the country transitioned to neoliberal policies after decades of military dictatorship. This era saw a rise in violence, particularly in urban peripheries such as São Paulo, where the group's members grew up. Racionais MC's had been active since 1988 and had already gained recognition with earlier releases. Its musical style blends influences from funk, Black music, and Brazilian traditions, with production incorporating samples from various genres. They further developed their exploration of systemic issues like institutional racism, police violence, and social inequality, reflecting the brutal realities faced by marginalized communities in Brazil's favelas. ''Sobrevivendo no Inferno'' received critical acclaim and achieved commercial ...
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Brasília Hip Hop
Brasília ( ; ) is the capital city, capital of Brazil and Federal District (Brazil), Federal District. Located in the Brazilian highlands in the country's Central-West Region, Brazil, Central-West region, it was founded by President Juscelino Kubitschek on 21 April 1960, to replace Rio de Janeiro as the national capital. Brasília is Brazil's List of cities in Brazil by population, third-most populous city after São Paulo and Rio de Janeiro, with a population of 2.8 million. Among major Latin American cities, it has the highest GDP per capita. Brasília is a Planned community, planned city developed by Lúcio Costa, Oscar Niemeyer and Joaquim Cardozo in 1956 in a scheme to move the capital from Rio de Janeiro to a more central location. The landscape architect was Roberto Burle Marx. The city's design divides it into numbered blocks as well as sectors for specified activities, such as the Hotel Sector, the Banking Sector, and the Embassy Sector. Brasília was inscribed as a UN ...
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Samba-rap
Samba-rap is a fusion of samba and hip hop music. One of the first to propose a fusion was rapper Sabotage Sabotage is a deliberate action aimed at weakening a polity, government, effort, or organization through subversion, obstruction, demoralization (warfare), demoralization, destabilization, divide and rule, division, social disruption, disrupti .... Other artists exploring the genre are Marcelo D2, Rappin' Hood and Emicida. Interestingly, what is considered the first rap recording in Brazil may also be the earliest example of samba-rap. In 1964, singer Jair Rodrigues released the samba song "Deixa Isso Pra Lá" ("Never Mind"), which featured rhythmic spoken vocals that many music historians and critics recognize as a precursor to Brazilian hip hop. References {{DEFAULTSORT:Samba-rap Fusion music genres Hip-hop genres Samba music genres ...
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Rappin' Hood
Antônio Luiz Júnior (born November 7, 1971), better known by his stage name Rappin' Hood, is a Brazilian rapper, singer, record producer, activist and former television presenter. He is famous for being a pioneer of the samba-rap in the mid- to late 1990s. Biography Antônio Luiz Júnior was born on November 7, 1971, in the ''bairro'' of Heliópolis, São Paulo. Diagnosed with vitiligo early in his childhood, he began writing his first songs when he was circa 14 years old, also taking trumpet and cornet lessons. His career as a rapper officially began in 1989, after he won a Battle rap, rap battle, subsequently taking the stage name "Rappin' Hood" as a pun on legendary English outlaw Robin Hood. In 1992 he formed the group Posse Mente Zulu, or PMZ, recording with them one of the greatest hits of the early Brazilian Hip hop music, hip hop scene, "Sou Negrão"; he left PMZ in 2001 to start a solo career with the release of ''Sujeito Homem'' through independent label Trama, which ...
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Afrika Bambaataa
Lance Taylor (born April 17, 1957), also known as Afrika Bambaataa (), is a retired American DJ, rapper, and record producer. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing. Through his co-opting of his street gang Black Spades into the music and culture-oriented organization Universal Zulu Nation, he has helped spread hip hop culture throughout the world. In May 2016, Bambaataa left his position as head of the "Universal Zulu Nation" due to multiple allegations of child sexual abuse dating as far back as the 1970s. Early life Born Lance Taylor to Jamaican and Barbadian immigrants, Bambaataa grew up in the Bronx River Projects, with an activist mother and uncle. As a child, he was exposed to the black liberation movement and witnessed debates between his mother and uncle regarding the conflicting ideologies in the movement. ...
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Universal Zulu Nation
The Universal Zulu Nation is an international hip hop culture, hip hop awareness group formed by electro (music), electro/hip hop artist Afrika Bambaataa. According to the website of the UZN, the Zulu Nation stands for "knowledge, wisdom, understanding, freedom, justice, equality, peace, unity, love, respect, work, fun, overcoming the negative to the positive, economics, mathematics, science, life, truth, facts, faith, and the oneness of god". History Originally known simply as the Organization, it arose in the 1970s from the reformed New York City street gang, gang the Black Spades, a street gang from the South Bronx. While the Black Spades were the base of the organization, other reformed gangs contributed additional members, notably the Savage Nomads, Seven Immortals (gang), Seven Immortals, and Savage Skulls, among others. Members began to organize cultural events for youths, combining local dance and music movements into what would become known as the various elements o ...
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Racionais MC's
Racionais MC's are a Brazilian hip hop group based in São Paulo. The original lineup formed in 1988 consisted of Mano Brown, Ice Blue, Edi Rock, and DJ KL Jay. Each member hails from the ring of ''favelas'' around São Paulo. Their lyrics combine themes of social justice with gangster imagery, a far cry from the idyllic breeziness typically associated with Brazilian rap music, Racionais MC's is often considered the most important Brazilian rap group.Persia, 6 de dezembro de 2006Rabassallo, 9 de Maio de 2014Estação Periferia, s/data History The Zimbabwe Years (1988–1995) Racionais MC's first appeared on the Zimbabwe Records label compilation ''Consciência Black'' (Black Conscience) in 1988. Their songs ''Pânico na Zona Sul'' ("Panic on the Southside") and ''Tempos Difíceis'' ("Hard Times") offer a snapshot of ''favela'' life with lyrics vividly depicting rampant police brutality, racism, poverty, and crime. The group released their first album, ''Holocausto Urbano'' ...
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Praça Roosevelt
Praça Roosevelt is a public square in São Paulo, Brazil. Construction of the square began in 1968 and was completed in 1970. After decades of decline, the square was renovated in 2011–12. A second renovation to expand the skate park A skatepark, or skate park, is a purpose-built recreational environment made for skateboarding, BMX, scootering, and aggressive inline skating. A skatepark may contain half-pipes, handrails, funboxes, vert ramps, stairsets, quarter pipe ... on Praça Roosevelt was completed in November 2014. Praça Roosevelt is located between Rua da Consolação and Rua Augusta at the beginning of the '' Minhocão'' elevated highway in downtown São Paulo. References Skateparks Squares in São Paulo Urban public parks Tourist attractions in São Paulo {{MesoregionSãoPaulo-geo-stub ...
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Theatro Municipal (São Paulo)
Municipal Theatre of São Paulo is a theatre in São Paulo, Brazil. It is regarded as one of the landmarks of the city, significant both for its architectural value as well as for its historical importance, having been the venue for the Week of Modern Art in 1922, which revolutionised the arts in Brazil. The building now houses the São Paulo Municipal Symphonic Orchestra, the ''Coral Lírico'' (Lyric Choir) and the City Ballet of São Paulo. History Design, construction and inauguration The idea of building a representative theatre for the city of São Paulo was inspired by the increasing importance of the city on the international cultural scene. São Paulo was inhabited by the Brazilian bourgeoisie from the beginning of 20th century; a group, in great part, involved in coffee farming. The city also had a significantly large Italian population, an immigrant community with both stage artists and experience with theatre construction. Residents of São Paulo initially could onl ...
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