Baroque Architecture In Russia
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Baroque Architecture In Russia
Russian Baroque is a term used to describe the Baroque artistic Style (visual arts), style that emerged in the Russian Tsardom and the Russian Empire during the late 17th and early 18th centuries. This style was mainly seen in Saint Petersburg and Moscow during the reigns of Peter the Great and Elizabeth of Russia. General definitions Baroque architecture is characterised by the opening of volumes into surrounding space, dynamism, expression of forms, exaggeration of scales, majestic ensembles, and huge building sizes. It features powerful proportions, contrasts of closed and open spaces, twisted columns, and dramatic effects, including light coming from the dome above. Baroque architecture also includes illusions of statues coming to life, an abundance of colour and gilding, and Illusionistic ceiling painting, quadratura of paintings with trompe-l'œil effects. In Russia, Baroque art had a number of special features. In Russia, the Renaissance did not fully develop in the same ...
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2018 Kunstkamera Building 01
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Natalia Nikolayevna Kovalenskaya
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*, a United States Navy patrol boat in commission from 1917 to 1918 {{disambig ...
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Stroganov Church
Church of the Nativity of the Blessed Virgin Mary (), better known as Nativity or Stroganov is a Russian Orthodox church, located at the Rozhdestvenskaya Street in Nizhny Novgorod. It was built in 1696–1719 on the means of the merchant Grigory Stroganov. History The construction of the church began in 1696. The construction was almost completed by 1701, but a fire broke out in the temple. The burnt down church was restored by the wife of merchant Grigory Dmitrievich Stroganov - Maria Yakovlevna. It was consecrated in 1719 by Archbishop Pitirim of Nizhny Novgorod and Alatyr (1719-1738). In 1722, the church was closed by Peter the Great until his death (1725). The temple was often burning (in 1768, 1782, 1788). In 1807-1812 Alexander Stroganov carried out major repairs. In the 1870s and 1880s, the church was thoroughly restored by the projects of Lev Dahl and Robert Kilevain. In the 1860s the belltower start to lean, and in 20 years has deviated by 1.2 meters. In 1887, ...
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Stroganov Baroque
The Stroganov family (Russian: Стро́гановы, Стро́гоновы; French: Stroganoff) emerged as a preeminent Russian noble family renowned for their roles as merchants, industrialists, landowners, and statesmen. By the reign of Ivan IV ("the Terrible," 1533–1584), they had become the wealthiest commercial dynasty in the Tsardom of Russia. Their financial and military support proved critical to pivotal historical events, including the late-16th-century conquest of Siberia and Prince Dmitry Pozharsky’s 1612 liberation of Moscow from Polish forces. The family’s prominence originated with Fyodor Lukich Stroganov (d. 1497), a salt industrialist whose descendants bifurcated into two lineages. His elder son, Vladimir, established a branch that later transitioned into the peasant class, while the youngest son, Anikey Fyodorovich Stroganov (1488–1570), founded the noble line that rose to political dominance. Anikey’s descendants secured their status through stra ...
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Octagon On Cube
Octagon on cube (also octagon on the quadrangle) is a type of architectural composition in which a building is designed so as the upper octagon-shaped part is placed on the lower cube-shaped part. This composition has been mainly used to design Russian Orthodox churches. History Initially, this architectural solution became widespread in Russian wooden church architecture. At the end of the 17th century, the style firmly established itself among architects of the Moscow Baroque. The combination of contrasting forms of this type of church gives striving upward look as dynamism is a characteristic of the Baroque style. Octagon-on-cube churches continued to be built in Russian provinces until the end of the 18th century. Evolution of Moscow Baroque With regard to the Moscow Baroque, there are several different types of octagon-on-cube churches. The main one is a stand-alone, multi-level church, built mainly by the Russian nobility for their suburban estates. The essential attribute ...
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Baroque In Poland
The Polish Baroque lasted from the early 17th to the mid-18th century. As with Baroque style elsewhere in Europe, Poland's Baroque emphasized the richness and triumphant power of contemporary art forms. In contrast to the previous, Renaissance style which sought to depict the beauty and harmony of nature, Baroque artists strove to create their own vision of the world. The result was manifold, regarded by some critics as grand and dramatic, but sometimes also chaotic and disharmonious and tinged with affectation and religious exaltation, thus reflecting the turbulent times of the 17th-century Europe. Sarmatism The Polish Baroque was influenced by Sarmatism, the culture of the Polish nobility (''szlachta''). It developed after the Swedish Deluge. Michael J. Mikoś, ''Polish Baroque and Enlightenment Literature: An Anthology''. Ed. Michael J. Mikoś. Columbus, Ohio/Bloomington, Indiana: Slavica Publishers. 1996. 104-108.Cultural background/ref> Sarmatism became highly influenced ...
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Architecture Of Kievan Rus'
The architecture of Kievan Rus' comes from the medieval state of Kievan Rus' which incorporated parts of what is now modern Ukraine, Russia, and Belarus, and was centered on Kiev and Novgorod. Its architecture is the earliest period of Russian and Ukrainian architecture, using the foundations of Byzantine culture but with great use of innovations and architectural features. Most remains are Russian Orthodox Church, Russian Orthodox churches or parts of the gates and fortifications of cities. After the disintegration of Kievan Rus' followed by Mongol invasion of Rus, Mongol invasion in the first half of the 13th century, the architectural tradition continued in the principalities of Novgorod Republic, Novgorod, Vladimir-Suzdal, Galicia-Volhynia and eventually had direct influence on the Architecture of Russia, Russian, Ukrainian architecture, Ukrainian, and Belarusian architecture. The Old Russian architecture of churches originates from the pre-Christian Slavic ( - construction). ...
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Russian Patterned
Russian(s) may refer to: *Russians (), an ethnic group of the East Slavic peoples, primarily living in Russia and neighboring countries *A citizen of Russia *Russian language, the most widely spoken of the Slavic languages *''The Russians'', a book by Hedrick Smith *Russian (comics), fictional Marvel Comics supervillain from ''The Punisher'' series *Russian (solitaire), a card game * "Russians" (song), from the album ''The Dream of the Blue Turtles'' by Sting *"Russian", from the album ''Tubular Bells 2003'' by Mike Oldfield *"Russian", from the album '' '' by Caravan Palace *Nik Russian, the perpetrator of a con committed in 2002 See also * *Russia (other) *Rus (other) *Rossiysky (other) *Russian River (other) *Rushen (other) Rushen may refer to: Places * Rushen, formally Kirk Christ Rushen, a historic parish of the Isle of Man ** Rushen (constituency), a House of Keys constituency of which the parish forms part ** Rushen (sheading ...
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Naryshkin Baroque
Naryshkin Baroque, also referred to as Moscow Baroque or Muscovite Baroque, is a particular style of Baroque architecture and decoration that was fashionable in Moscow from the late 17th century into the early 18th century. In the late 17th century, the Western European Baroque style of architecture combined with traditional Russian architecture to form this unique style. It is called Muscovite Baroque as it was originally only found within Moscow and the surrounding areas. It is more commonly referred to as Naryshkin Baroque, as the first church designed in this style was built on one of the Naryshkin family's estates. History The first church built in the Naryshkin Baroque style was the Church of the Intercession of the Holy Virgin in the village of Fili, that was built on the estate of the Naryshkin family, who were Moscow boyars. The member of this family that is most related with this style of architecture is Lev Kirillovich Naryshkin, the uncle of Peter the Great. Lev N ...
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Gilding
Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt (or ''vermeil'') objects, but gilt-bronze is commonly used in China, and also called ormolu if it is Western. Methods of gilding include hand application and gluing, typically of gold leaf, chemical gilding, and electroplating, the last also called gold plating. Parcel-gilt (partial gilt) objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, or that patterns or images are made up by using a combination of gilt and ungilted areas. Gilding gives an object a gold appearance at a fraction of the cost of creating a solid gold object. In addition, a solid gold piece would often be too soft or to ...
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Chiaroscuro
In art, chiaroscuro ( , ; ) is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Taken to its extreme, the use of shadow and contrast to focus strongly on the subject of a painting is called tenebrism. Further specialized uses of the term include chiaroscuro woodcut for colour woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro originated in the Renaissance period but is most notably associated with Baroque art. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and uni ...
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Rococo
Rococo, less commonly Roccoco ( , ; or ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence other arts, particularly sculpture, furniture, silverware, glassware, painting, music, theatre, and literature. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to ...
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