BBC Radiophonic Workshop
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BBC Radiophonic Workshop
The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce Incidental music, incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programmes such as ''Doctor Who'' and ''Quatermass and the Pit'' during the 1950s and 1960s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995. Its members included Daphne Oram, Delia Derbyshire, David Cain (composer), David Cain, John Baker (Radiophonic musician), John Baker, Paddy Kingsland, Glynis Jones (composer), Glynis Jones, Maddalena Fagandini, Richard Yeoman-Clark and Elizabeth Parker (composer), Elizabeth Parker, the last to leave. History The Workshop was set up to satisfy ...
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Richard Yeoman-Clark
Richard Yeoman-Clark was a British composer and sound engineer who worked at the BBC Radiophonic Workshop from 1970 to 1978. Richard joined BBC Radio direct from St Albans School as a Technical Operator at Broadcasting House, moving to the Experimental Stereo Unit as the Recording Engineer a couple of years later. There he was involved with the integration of Stereo Operations from just test transmissions into the regular output of Radio 3 in the late 1960s. As stereo proliferated across BBC Radio he transferred to the Music Department as a Studio Manager. There his technical expertise was in demand for the presentation of electronic music concerts working with contemporary composers such as Stockhausen, Berio, Boulez etc. This experience led him to join the BBC Radiophonic Workshop where he produced the special sound for the science fiction series Blake's 7, amongst other programmes. Later he became the Technical Coordinator for the Workshop when electronic synthesizers starte ...
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The Goon Show
''The Goon Show'' is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled ''Crazy People''; subsequent series had the title ''The Goon Show''. The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, e ...
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Eddie Kramer
Edwin H. Kramer (born 19 April 1942) is a South African-born recording producer and engineer. He has collaborated with several artists now in the Rock and Roll Hall of Fame, including Jimi Hendrix, the Beatles, David Bowie, the Rolling Stones, Led Zeppelin, Eric Clapton, the Kinks, Kiss, John Mellencamp, and Carlos Santana, as well as records for other well-known artists in various genres. Kramer's film soundtrack credits include '' Blue Wild Angel: Live at the Isle of Wight'', '' Festival Express'', '' Jimi Plays Monterey'', ''Jimi Plays Berkeley'', '' Live at the Fillmore East'', ''Mad Dogs and Englishmen'', '' The Pursuit of Happiness'', '' Rainbow Bridge'', '' The Song Remains the Same'', and '' Woodstock: Music from the Original Soundtrack and More''. Kramer was interviewed extensively in ''Jimi Hendrix: Hear My Train a Comin, a two-hour American Masters documentary which debuted in November 2013. He is also a photographer who has exhibited a number of his intimate images o ...
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Soundscape
A soundscape is the acoustic environment as perceived by humans, in context. The term, originally coined by Michael Southworth, was popularized by R. Murray Schafer. There is a varied history of the use of soundscape depending on discipline, ranging from urban design to wildlife ecology to computer science. An important distinction is to separate soundscape from the broader acoustic environment. The acoustic environment is the combination of all the acoustic resources, natural and artificial, within a given area as modified by the environment. The International Organization for Standardization (ISO) standardized these definitions in 2014.ISO 12913-1:2014 A soundscape is a sound or combination of sounds that forms or arises from an immersive environment. The study of soundscape is the subject of acoustic ecology or soundscape ecology. The idea of soundscape refers to both the natural acoustic environment, consisting of natural sounds, including animal vocalizations, the ...
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Musique Concrète
Musique concrète (; ): "[A] problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic, with a readiness to see material for study in terms of highly abstract dualisms and correlations, which on occasion does not sit easily with the perhaps more pragmatic English language. This creates several problems of translation affecting key terms. Perhaps the most obvious of these is the word ''concret''/''concrète'' itself. The word in French, which has nothing of the familiar meaning of "concrete" in English, is used throughout [''In Search of a Concrete Music''] with all its usual French connotations of "palpable", "nontheoretical", and "experiential", all of which pertain to a greater or lesser extent to the type of music Schaeffer is pioneering. Despite the risk of ambiguity, we decided to translate it with the English word ''co ...
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BBC Third Programme
The BBC Third Programme was a national radio station produced and broadcast from 1946 until 1967, when it was replaced by BBC Radio 3. It first went on the air on 29 September 1946 and became one of the leading cultural and intellectual forces in Great Britain, Britain, playing an important role in disseminating the arts, broadcasting music (mainly classical music, classical), plays, documentary features and talks. It was the BBC's third national radio network, the other two being the BBC Home Service, Home Service (mainly speech-based) and the BBC Light Programme, Light Programme, principally devoted to light entertainment and light music, music. History When it started in 1946, the Third Programme broadcast for six hours each evening from 6.00 pm to midnight, although its output was cut to just 24 hours a week from October 1957, with the early part of weekday evenings being given over to educational programming (known as "Network Three"). The frequencies were also used durin ...
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Obverse Books
Obverse Books is a British publisher initially known for publishing books relating to the character Iris Wildthyme, and currently for the '' Black Archive'' series of critical books on ''Doctor Who,'' and two sister series - the Gold Archive, focusing on Star Trek, and the Silver Archive, featuring other genre shows. The company also owns publishing rights for stories based on Faction Paradox, and previously held the license to Sexton Blake. Obverse Books had an e-book only imprint named ''Manleigh Books'' between 2012 and 2016. History The company was founded in 2008 in Edinburgh by Stuart Douglas. Obverse's first book was a 2009 collection of short stories featuring the character Iris Wildthyme, first seen in the ''Doctor Who'' universe. Further volumes of Iris Wildthyme short stories have followed regularly. In 2010 the company expanded their line to include story collections from single authors and collections that did not focus primarily on science fiction. That same ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ...
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John Tydeman
John Peter Tydeman OBE (30 March 1936 – 1 April 2020) was an English producer of radio and director of theatre plays. He was responsible for commissioning and directing the early plays of Caryl Churchill, Joe Orton, Tom Stoppard and Sue Townsend. Tydeman was the head of BBC Radio Drama from 1986 to 1994. Education and military service Tydeman was educated at Hertford Grammar School and Trinity College, Cambridge. He served as a 2nd Lieutenant in the 1st Singapore Regiment of the Royal Artillery in Malaya, 1954–1956. Early BBC career Even before joining the BBC as a general trainee, following his graduation from Trinity in 1959, Tydeman had received a credit on the BBC Third Programme, as an actor. He appeared in the radio broadcast of the Cambridge University Marlowe Society’s production of Christopher Marlowe's ''Edward II''. Tydeman played the Archbishop of Canterbury in a cast led by Derek Jacobi as Edward II, and student contemporaries including John Drummond, Clive ...
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Frederick Bradnum
Frederick Bradnum (5 May 1922 – 25 December 2001), was a British radio dramatist, producer, and director who penned over 70 plays and 140 dramatisations of novels for the BBC. Along with the likes of Tom Mallin, Jennifer Phillips, Peter Tegel, and Elizabeth Troop, he was considered one of the elite writers for the BBC. He was a recipient of the Prix Italia in 1957 for his script for '' No Going Home''. Bradnum was a member of BBC North's Drama Department, and, according to BBC, Bradnum was "responsible for some of radio's classier adaptations". Early years Bradnum was born in Fulham, though he was brought up in Roehampton. His father was a Battersea power station clerk, and his younger sister required special care, having been paralysed by poliomyelitis. He worked with an architect in the mid-1930s before becoming a council draughtsman. After joining the Army, he served in France (1939), Narvik (1940), Crete (1941), and Saint-Nazaire raid (1942), before transferring into adm ...
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