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Acting Techniques
The following is a partial list of major acting techniques. Techniques * Classical acting is an umbrella term for a philosophy of acting that integrates the expression of the body, voice, imagination, personalizing, improvisation, external stimuli, and script analysis. It is based on the theories and systems of select classical actors and directors including Konstantin Stanislavski and Michel Saint-Denis. * In Stanislavski's system, also known as Stanislavski's method, actors draw upon their own feelings and experiences to convey the "truth" of the character they are portraying. The actor puts themselves in the mindset of the character finding things in common in order to give a more genuine portrayal of the character. * Method acting is a range of techniques used to assist acting persons in understanding, relating to and the portrayal of their character(s), as formulated by Lee Strasberg. Strasberg's method is based upon the idea that in order to develop an emotional and cogni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acting
Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode. Acting involves a broad range of skills, including a well-developed imagination, emotional facility, physical expressivity, vocal projection, clarity of speech, and the ability to interpret drama. Acting also demands an ability to employ dialects, accents, improvisation, observation and emulation, mime, and stage combat. Many actors train at length in specialist programs or colleges to develop these skills. The vast majority of professional actors have gone through extensive training. Actors and actresses will often have many instructors and teachers for a full range of training involving singing, scene-work, audition techniques, and acting for camera. Most early sources in the West that examine the art of acting (, ''hypokrisis'') discuss it as part of rhetoric. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yul Brynner
Yuliy Borisovich Briner (; July 11, 1920 – October 10, 1985), known professionally as Yul Brynner (), was a Russian-born actor. He was known for his portrayal of King Mongkut in the Rodgers and Hammerstein stage musical ''The King and I'' (1951), for which he won two Tony Awards, and later an Academy Award for Best Actor for the 1956 The King and I (1956 film), film adaptation. He played the role 4,625 times on stage, and became known for his shaved head, which he maintained as a personal trademark long after adopting it for ''The King and I''. Considered one of the first Russian-American film stars, he was honored with a ceremony to put his handprints in front of Grauman's Chinese Theatre in Hollywood in 1956. He also received a star on the Hollywood Walk of Fame in 1960. In 1956, Brynner received the National Board of Review Award for Best Actor for his portrayals of Rameses II in the Cecil B. DeMille epic ''The Ten Commandments (1956 film), The Ten Commandments'' and Gener ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uta Hagen
Uta Thyra Hagen (12 June 1919 – 14 January 2004) was a German-American actress and theatre practitioner. She originated the role of Martha in the 1962 Broadway premiere of '' Who's Afraid of Virginia Woolf?'' by Edward Albee, who called her "a profoundly truthful actress." Because Hagen was on the Hollywood blacklist, in part because of her association with Paul Robeson, her film opportunities dwindled and she focused her career on New York theatre. She later became a highly influential acting teacher at New York's Herbert Berghof Studio and authored best-selling acting texts, '' Respect for Acting'', with Haskel Frankel, and ''A Challenge for the Actor''. Her most substantial contributions to theatre pedagogy were a series of "object exercises" that built on the work of Konstantin Stanislavski and Yevgeny Vakhtangov. She was elected to the American Theater Hall of Fame in 1981. She twice won the Tony Award for Best Actress in a Play and received a Special Tony Award for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ion Cojar
Ion Cojar (January 9, 1931 – October 18, 2009) was a Romanian acting teacher, researcher, and theatre director. He is the founder of a unique method that revolutionised the Romanian school of acting. Ion Cojar as acting teacher Cojar was born in Recaș, a town in Timiș County. He changed the old way of understanding acting in Romania, when the actor was taught how to play theatre, to act, to fake, imitate or mimic life, emotions or characters, with a new one that demands actors, directors and teachers to create the circumstances in which the truth of life can occur, and the actor to go onstage or during filming through authentic psychologically-realistic processes that cannot be anticipated or consciously controlled, at the end of which they would be actually changed as a person, so that the audiences may be able to follow the lifelike processes, to understand and believe what they see and hear, to empathise with the actors. Ion Cojar argued that in order to have an authen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Elisabeth Hauptmann and Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, Brecht wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . When the Nazi Party, Nazis came to power in Germany in 1933, Brecht fled his home country, initially to Scandinavia. During World War II he moved to Southern California where he established himself as a screenwriter, while also being surveilled by the FBI. In 1947, he was part of the first group of Hollywood film artists to be subpoenaed by the Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''NYT'') is an American daily newspaper based in New York City. ''The New York Times'' covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one of the longest-running newspapers in the United States, the ''Times'' serves as one of the country's Newspaper of record, newspapers of record. , ''The New York Times'' had 9.13 million total and 8.83 million online subscribers, both by significant margins the List of newspapers in the United States, highest numbers for any newspaper in the United States; the total also included 296,330 print subscribers, making the ''Times'' the second-largest newspaper by print circulation in the United States, following ''The Wall Street Journal'', also based in New York City. ''The New York Times'' is published by the New York Times Company; since 1896, the company has been chaired by the Ochs-Sulzberger family, whose current chairman and the paper's publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epictetus
Epictetus (, ; , ''Epíktētos''; 50 135 AD) was a Greek Stoic philosopher. He was born into slavery at Hierapolis, Phrygia (present-day Pamukkale, in western Turkey) and lived in Rome until his banishment, when he went to Nicopolis in northwestern Greece, where he spent the rest of his life. Epictetus studied Stoic philosophy under Musonius Rufus and after manumission, his formal emancipation from slavery, he began to teach philosophy. Subject to the banishment of all philosophers from Rome by Emperor Domitian toward the end of the first century, Epictetus founded a school of philosophy in Nicopolis. Epictetus taught that philosophy is a way of life and not simply a theoretical discipline. To Epictetus, all external events are beyond our control; he argues that we should accept whatever happens calmly and dispassionately. However, he held that individuals are responsible for their own actions, which they can examine and control through rigorous self-discipline. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stoicism
Stoicism is a school of Hellenistic philosophy that flourished in ancient Greece and Rome. The Stoics believed that the universe operated according to reason, ''i.e.'' by a God which is immersed in nature itself. Of all the schools of ancient philosophy, Stoicism made the greatest claim to being utterly systematic. The Stoics provided a unified account of the world, constructed from ideals of logic, monistic physics, and naturalistic ethics. These three ideals constitute virtue which is necessary for 'living a well reasoned life', seeing as they are all parts of a logos, or philosophical discourse, which includes the mind's rational dialogue with itself. Stoicism was founded in the ancient Agora of Athens by Zeno of Citium around 300 BC, and flourished throughout the Greco-Roman world until the 3rd century AD, and among its adherents was Roman Emperor Marcus Aurelius. Along with Aristotelian term logic, the system of propositional logic developed by the Stoics was one of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William H
William is a masculine given name of Germanic origin. It became popular in England after the Norman conquest in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will or Wil, Wills, Willy, Willie, Bill, Billie, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie). Female forms include Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germanic name is a compound of *''wiljô'' "will, wish, desire" and *''helmaz'' "helm, helmet".Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Mamet
David Alan Mamet (; born November 30, 1947) is an American playwright, author, and filmmaker. He won a Pulitzer Prize and received Tony Award, Tony nominations for his plays ''Glengarry Glen Ross'' (1984) and ''Speed-the-Plow'' (1988). He first gained critical acclaim for a trio of 1970s off-Broadway plays: ''The Duck Variations'', ''Sexual Perversity in Chicago'', and ''American Buffalo (play), American Buffalo''. His plays ''Race (play), Race'' and ''The Penitent (play), The Penitent'', respectively, opened on Broadway theater, Broadway in 2009 and previewed off-Broadway in 2017. Feature films that Mamet both wrote and directed include ''House of Games'' (1987), ''Homicide (1991 film), Homicide'' (1991), ''The Spanish Prisoner'' (1997), and his biggest commercial success, ''Heist (2001 film), Heist'' (2001). His screenwriting credits include ''The Postman Always Rings Twice (1981 film), The Postman Always Rings Twice'' (1981), ''The Verdict'' (1982), ''The Untouchables (film), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meisner Technique
The Meisner technique is an approach to acting developed by American theatre practitioner Sanford Meisner. The goal of the Meisner approach is for the actor to not focus on themselves and instead concentrate on the other actors in the immediate environment. To this end, some exercises for the Meisner technique are rooted in repetition so that the words are deemed insignificant compared to the underlying emotion. In the Meisner technique, there is a greater focus on the other actor as opposed to one's internal thoughts or feelings associated with the character. The Meisner technique is different from method acting taught by Lee Strasberg, although both developed from the early teachings of Konstantin Stanislavski. Components Meisner training is an interdependent series of training exercises that build on one another. The more complex work supports a command of dramatic text. Students work on a series of progressively complex exercises to develop an ability to first improvise, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
