1960 Ballet Premieres
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1960 Ballet Premieres
This is a list of ballet premieres in the 1960s, by year. 1960 1966 References {{Ballet premieres 1960s File:1960s montage.png, Clockwise from top left: U.S. soldiers during the Vietnam War; the Beatles led the British Invasion of the U.S. music market; a half-a-million people participate in the Woodstock, 1969 Woodstock Festival; Neil Armstrong ... 1960s ballets Ballets ...
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1960s
File:1960s montage.png, Clockwise from top left: U.S. soldiers during the Vietnam War; the Beatles led the British Invasion of the U.S. music market; a half-a-million people participate in the Woodstock, 1969 Woodstock Festival; Neil Armstrong and Buzz Aldrin Apollo 11, walk on the Moon during the Cold War-era Space Race; the Stonewall riots mark the beginning of the Gay liberation movement; China's Mao Zedong initiates the Great Leap Forward plan which fails and brings mass starvation in which Great Chinese Famine, 15 to 55 million people died by 1961, and in 1966, Mao starts the Cultural Revolution, which purged traditional Chinese practices and ideas; John F. Kennedy is Assassination of John F. Kennedy, assassinated in 1963, after serving as Presidency of John F. Kennedy, President for three years; Martin Luther King Jr. makes his famous "I Have a Dream" speech to March on Washington for Jobs and Freedom, a crowd of 250,000., 335x335px, right rect 2 2 237 166 Vietnam War rect ...
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Monumentum Pro Gesualdo
''Monumentum pro Gesualdo'' is a 1960 arrangement and recomposition by Igor Stravinsky of three madrigals by Carlo Gesualdo: 1. Asciugate i begli occhi (Book 5, XIV); 2. Ma tu, cagion di quella (Book 5, XVIII); 3. Beltà poi che t'assenti (Book 6, II). It was composed to commemorate the 400th anniversary of Gesualdo's birth and was intended to complement Stravinsky's similar ''Tres Sacrae Cantiones''. It was premiered on September 27, 1960, at the Venice Biennale, played by the Orchestra del Teatro la Fenice conducted by Stravinsky. It was later choreographed by the New York City Ballet New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's fir ... (NYCB) co-founder and balletmaster George Balanchine. The premiere took place on Wednesday, November 16, 1960, at City Center of Music and Dra ...
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Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include mélodie, songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite ''Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (Poulenc), Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the ''Gloria (Poulenc), Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. He studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively ...
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Germaine Tailleferre
Germaine Tailleferre (; born Marcelle Germaine Taillefesse; 19 April 18927 November 1983) was a French composer and the only female member of the group of composers known as ''Les Six''. Biography Marcelle Germaine Taillefesse was born at Saint-Maur-des-Fossés, Val-de-Marne, France, but as a young woman she changed her last name from "Taillefesse" to "Tailleferre" to spite her father, who had refused to support her musical studies. She studied piano with her mother at home, composing short works of her own, after which she began studying at the Conservatoire de Paris, Paris Conservatory where she met Louis Durey, Francis Poulenc, Darius Milhaud, Georges Auric, and Arthur Honegger. At the Paris Conservatory her skills were rewarded with prizes in several categories. Most notably, Tailleferre wrote 18 short works in the ''Petit livre de harpe de Madame Tardieu'' for Caroline Luigini, the Conservatory's Assistant Professor of harp. With her new friends, she soon was associating wi ...
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Alexis Roland-Manuel
Alexis Roland-Manuel (22 March 18911 November 1966) was a French composer and critic, remembered mainly for his criticism. Biography He was born Roland Alexis Manuel Lévy in Paris, to a family of Belgian and Jewish origins. He studied composition under Vincent d'Indy and Albert Roussel. As a young man he befriended composer Erik Satie, who helped him to make numerous influential connections. In 1911, Satie introduced Roland-Manuel to Maurice Ravel, whose pupil, friend and biographer he soon became. In 1947, he was appointed Professor of Aesthetics at the Conservatoire de Paris, where he remained until his retirement in 1961, making many contributions to musical theory and criticism, even assisting Igor Stravinsky by ghost-writing the theoretical work " The Poetics of Music". In addition to theoretical works, he wrote and composed various works for stage, especially comic operas, and screen, developing a partnership with director Jean Grémillon, for five of whose films he com ...
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Jean-Yves Daniel-Lesur
Daniel Jean-Yves Lesur (19 November 1908 – 2 July 2002) was a French organist and composer. He was the son of the composer Alice Lesur. Biography Born in Paris, he entered the Conservatoire de Paris at age 11, studying solfège with Emile Schwartz, harmony with Jean Gallon, and composition with Georges Caussade. He also took private lessons in piano with Armand Ferté and composition with Charles Tournemire. From 1935 to 1964, he was professor of counterpoint at the Schola Cantorum under director Nestor Lejeune, becoming director himself in 1957. In 1936, he co-founded the group '' La Jeune France'' along with composers Olivier Messiaen (with whom he would remain a lifelong friend), André Jolivet and Yves Baudrier, who were attempting to re-establish a more human and less abstract form of composition. ''La Jeune France'' developed from the avant-garde chamber music society ''La spirale'', formed by Jolivet, Messiaen, and Daniel-Lesur the previous year. That same year ...
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Arthur Honegger
Arthur Honegger (; 10 March 1892 – 27 November 1955) was a Swiss-French composer who was born in France and lived a large part of his life in Paris. Honegger was a member of Les Six. For Halbreich, '' Jeanne d'Arc au bûcher'' is "more even than '' Le Roi David'' or '' Pacific 231'', his most universally popular work". Biography Born Oscar-Arthur Honegger (the first name was never used) to Swiss parents in Le Havre, France, he initially studied harmony with Robert-Charles Martin (to whom he dedicated his first published work) and violin in Le Havre. He then moved to Switzerland, where he spent two years (September 1909 – June 1911) at the Zurich Conservatory being taught by Lothar Kempter and Friedrich Hegar. In 1911, he enrolled in the Paris Conservatoire from 1911 to 1918 (except for a brief period during the winter of 1914–1915, when he was mobilised in Switzerland), studying with Charles-Marie Widor, Lucien Capet, André Gédalge and Vincent d'Indy. Gédal ...
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John Taras
John Taras (April 18, 1919 – April 2, 2004) was an American ballet master, repetiteur, and choreographer. Early life and education Born on the Lower East Side of New York City to Ukrainian parents, he was sent at age 16 to study ballet with Michel Fokine, Anatole Vilzak, Pierre Vladimiroff and Ludmila Shollar, and later to the School of American Ballet. Career He first appeared professionally with Opera on Tour for which Fokine arranged dance. He performed at the 1939 New York World's Fair with Ballet Caravan at the Ford Pavilion and joined Catherine Littlefield's Philadelphia Ballet for a 1941 tour of the southern states, and in 1942 was in the Broadway revival of J. M. Barrie's '' A Kiss for Cinderella''. He then toured South America with American Ballet Caravan. Taras joined Ballet Theatre in 1942 and rose to soloist. He rehearsed the ballets of Lichine, DeMille, Nijinska, Balanchine and Tudor, and in 1946 choreographed his first ballet, ''Graziana''. H ...
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New York State Theater
The David H. Koch Theater is a theater for ballet and dance at Lincoln Center in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011. The theater occupies the south side of the main plaza of Lincoln Center, opposite David Geffen Hall near 63rd Street and Columbus Avenue. History The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York. The City leases the theater to Lincoln Center for the Performing Arts, Inc., which subleases it to ...
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Arnold Schoenberg
Arnold Schoenberg or Schönberg (13 September 187413 July 1951) was an Austrian and American composer, music theorist, teacher and writer. He was among the first Modernism (music), modernists who transformed the practice of harmony in 20th-century classical music, and a central element of his music was its use of motive (music), motives as a means of coherence. He propounded concepts like developing variation, the emancipation of the dissonance, and the "unified field, unity of musical space". Schoenberg's early works, like ''Verklärte Nacht'' (1899), represented a Brahmsian–Wagnerian synthesis on which he built. Mentoring Anton Webern and Alban Berg, he became the central figure of the Second Viennese School. They consorted with visual artists, published in ''Der Blaue Reiter'', and wrote atonal, expressionist music, attracting fame and stirring debate. In his String Quartets (Schoenberg)#String Quartet No. 2, Op. 10, String Quartet No. 2 (1907–1908), ''Erwartung'' (1909), ...
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Brahms–Schoenberg Quartet
''Brahms–Schoenberg Quartet'' is a one-act ballet by George Balanchine, to Johannes Brahms's Piano Quartet No. 1, orchestrated by Arnold Schoenberg. The ballet premiered on April 21, 1966 at the New York State Theater, performed by the New York City Ballet. Background and production Arnold Schoenberg's orchestration of Johannes Brahms's Piano Quartet No. 1 premiered in 1937. According to the George Balanchine Trust, Balanchine had said the chamber music were "too long, with too many repeats, and meant for small rooms", therefore went with the Schoenberg version. The ballet is plotless and has four movements, titled Allegro, Intermezzo, Andante and Rondo Alla Zingarese. In the original production, Barbara Karinska, Peter Harvey and Ronald Bates designed the costumes, sets and lighting respectively. In 1985, two years after Balanchine died, NYCB switched to a new set designed by David Mitchell, Mark Stanley later redesigned the lighting. ''Brahms–Schoenberg Quartet'' premier ...
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