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1932 Ballet Premieres
This is a list of ballet premieres in the 1930s, by year. 1932 1933 1934 References {{Ballet premieres, state=collapsed Lists of ballet premieres, 1930s 1930s ballets 1930s-related lists, Ballets ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1930s
File:1930s decade montage.png, From left, clockwise: Dorothea Lange's photo of the homeless Florence Owens Thompson, Florence Thompson shows the effects of the Great Depression; due to extreme drought conditions, farms across the south-central United States become dry and the Dust Bowl spreads; The Empire of Japan Japanese invasion of Manchuria, invades China, which eventually leads to the Second Sino-Japanese War. In 1937, Japanese soldiers Nanjing Massacre, massacre civilians in Nanjing; aviator Amelia Earhart becomes an American flight icon; Ethnic Germans, German dictator Adolf Hitler and the Nazi Party attempt to establish a New Order (political system), New Order of German hegemony in Europe, which culminates in 1939 when Germany Invasion of Poland, invades Poland, leading to the outbreak of World War II. The Nazis also persecute Jews in Germany, specifically with Kristallnacht in 1938; the ''LZ 129 Hindenburg, Hindenburg'' Hindenburg disaster, explodes over a small Lakehurst, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze;, Romanization of Georgian, : April 30, 1983) was a Georgian-American ballet choreographer, recognized as one of the most influential choreographers of the 20th-century. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.'' HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Russia, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway theatre, Broadway and in Cinema of the United States, Hollywood, creating his signature " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Ballets 1933
Les Ballets 1933 was a ballet company started by Boris Kochno and George Balanchine, which Balanchine used to create new works that were completely his own, set to music that no one had yet choreographed. The company ran for less than four weeks in 1933 and tailored itself to small, wealthy audiences in Paris (the Théâtre des Champs-Élysées) and London (Savoy Theatre), but despite its scale, it came out with works that Balanchine later used to instruct at his School of American Ballet, and in the programs of his later companies. Outside a theatre for Les Ballets, Balanchine first met Lincoln Kirstein.Reynolds, Nancy. "Ballets 1933." ''The International Encyclopedia of Dance''. Ed. Selma J. Cohen. Oxford University Press, 2005. Wollman Library, Barnard College. Web. 11 July 2013. History Kochno and Balanchine came directly out of the Ballets Russes de Monte-Carlo, owned by René Blum and Colonel W. de Basil, for which Kochno had been the librettist and Balanchine the chor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky ( ; 7 May 1840 – 6 November 1893) was a Russian composer during the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the '' 1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no public music education system. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching Tchaikovsky received there set him apart from composers of the contemporary nationalist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozartiana (ballet)
''Mozartiana'' is a ballet choreographed by George Balanchine to Tchaikovsky's Orchestral Suite No. 4, ''Mozartiana''. The current version of the ballet was made for New York City Ballet's Tchaikovsky Festival, and premiered on June 4, 1981, at the New York State Theater. It is considered Balanchine's last major work. Balanchine had previously choreographed to the same score in 1933, for his short-lived troupe Les Ballets 1933 in Paris, his first major ballet to music by Tchaikovsky. It had its American premiere the following year, and Balanchine made some changes to the choreography in 1935. This earlier version was performed by several troupes until 1956. This version's choreography and designs are completely different from the 1981 version. Previous versions In 1933, George Balanchine and librettist Boris Kochno co-founded Les Ballets 1933, after being dismissed from the Original Ballet Russe. The company was mainly funded by Edward James, and also backed by friends such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward James
Edward Frank Willis James (16 August 1907 – 2 December 1984) was a British poet known for his patronage of the surrealist art movement. Early life and marriage James was born on 16 August 1907, the only son of William James (who had inherited a fortune from his father, merchant Daniel James) and Evelyn Forbes, a Scots socialite. He was reputedly fathered by the Prince of Wales (later Edward VII) and in his anecdotal reminiscences, recorded in ''Swans Reflecting Elephants – My Early Years'', Edward James also puts forward this hypothesis. In his memoirs he wrote "I was not, I was, in fact, his grandson" saying that it was his grandmother that had an affair with the Prince of Wales. However, there was also popular belief that Forbes was one of the Prince of Wales's mistresses and there was a much-quoted ballad by Hilaire Belloc intimating this at the time. Edward James had four older sisters: Audrey, Millicent, Xandra, and Silvia. He was educated at Lockers Park School ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Kochno
Boris Evgenievich Kochno or Kokhno (; 3 January 1904 – 8 December 1990) was a Russian poet, dancer, and librettist. Early life Kochno was born in Moscow, Russia, on 3 January 1904. His father served as a colonel in the hussars. He studied at the Imperial Lyceum in Moscow before emigrating to Paris in 1920. Career He was close with Karol Szymanowski, who gave him as a gift a Russian translation of the chapter ''The Symposium'' from his unpublished novel ''Efebos''.Stephen Downes, "Eros and Paneuropeanism", in Harry White and Michael Murphy, eds., ''Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Culture, 1800-1945'' (Cork University Press, 2001), 51-71, esp. 52, 66-7 Szymanowski also dedicated four poems to him. In 1920 he became Sergei Diaghilev's secretary, librettist, and eventually main collaborator. They were also briefly lovers. Kochno wrote the libretto of Stravinsky's '' Mavra'' (1921), George Auric's '' Les Fâcheux'' (192 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Weill
Kurt Julian Weill (; ; March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, ''The Threepenny Opera'', which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose,Kurt Weill Cjschuler.net. Retrieved on August 22, 2011. '' Gebrauchsmusik''. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen in 1943. Family and childhood W ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seven Deadly Sins (ballet Chanté)
''The Seven Deadly Sins'' (, ) is a satirical ''ballet chanté'' ("sung ballet") in seven scenes (nine movements, including a Prologue and Epilogue) composed by Kurt Weill to a German libretto by Bertolt Brecht in 1933 under a commission from Boris Kochno and Edward James. It was translated into English by W. H. Auden and Chester Kallman and more recently by Michael Feingold. It was the last major collaboration between Weill and Brecht. Origins With the Nazi seizure of power following the Reichstag fire of 27 February 1933, Brecht and Weill–especially Weill as a Jew–recognized that Berlin could no longer serve as their artistic home. Brecht left Berlin and traveled to Paris, stayed briefly in Prague, and then in Vienna. Less than a month later he was in Zurich and then moved to less expensive lodgings in Lugano, Switzerland. There a patron offered him living quarters in his summer home in Carona, outside Lugano. Weill spent time in Paris in December 1932, where he obtained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include mélodie, songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite ''Trois mouvements perpétuels'' (1919), the ballet ''Les biches'' (1923), the ''Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (Poulenc), Organ Concerto (1938), the opera ''Dialogues des Carmélites'' (1957), and the ''Gloria (Poulenc), Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. He studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until his retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the The Royal Ballet, Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade (ballet), Fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Masques
''Les Masques, ou Changement de dames'' is a short ballet of 1933 choreographed by Frederick Ashton to music by Francis Poulenc.Vaughan D. ''Frederick Ashton and his Ballets.'' A & C Black Ltd, London, 1977, p84-7. Ashton's biographer describes it as a miniature masterpiece, an inspired fusion of scenery, steps and music.Kavanagh J. ''Secret Muses: The Life of Frederick Ashton.'' Faber & Faber Ltd, London, 1996, p153-155. The ballet reflected the social and sexual manners of Ashston's world, and the limited size of the Mercury Theatre obliged Ashton to understate the dancers' gestures and moves. A Personage is seen at a masked ball with his lady friend. They meet another couple, and they turn out to be his wife and her lover. After some changing of partners, at the end the wife and husband are a pair while the lover and mistress are also united. The black and white costumes (made by Matilda Etches) and scenery (evoking an Arts Club Ball) were by Sophie Fedorovitch, who worked with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
