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1769 In Music
Events *Luigi Boccherini goes to Madrid as the court chamber music composer to the Infante Don Luis. *Wenzel Pichl becomes musical director for Count Ludwig Hartig in Prague *Charles Burney receives an honorary doctorate in music from the University of Oxford. * Antonio Maria Gaspare Sacchini arrives in Venice. *The ''Concert des Amateurs'' is founded by François-Joseph Gossec in Paris. * James Hook is appointed composer to Marylebone Gardens. *December – 13-year-old Mozart embarks on a tour of Italy with his father, beginning in Verona. In Rome he hears Allegri's ''Miserere'' for the first time, returns home and copies it down note for note. Opera * Jean-François Cailhava – '' Les Etrenes de l'amour'' *Christoph Willibald von Gluck – ''Le feste d'Apollo'' *André Grétry **'' Lucile'' **'' Le tableau parlant'' *Pierre-Alexandre Monsigny – '' Le déserteur'' *Wolfgang Amadeus Mozart – ''La finta semplice'' *Josef Mysliveček – '' Demofoonte'' *Giovanni Paisie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Etrenes De L'amour
LES or Les may refer to: People * Les (given name) * Les (surname) * L.E.S. (producer), hip hop producer Space flight * Launch Entry Suit, worn by Space Shuttle crews * Launch escape system, for spacecraft emergencies * Lincoln Experimental Satellite series, 1960s and 1970s Biology and medicine * Lazy eye syndrome, or amblyopia, a disorder in the human optic nerve * The Liverpool epidemic strain of ''Pseudomonas aeruginosa'' * Lower esophageal sphincter * Lupus erythematosus systemicus Places * The Lower East Side neighborhood of Manhattan, New York City * Les, Catalonia, a municipality in Spain * Leş, a village in Nojorid Commune, Bihor County, Romania * ''Les'', the Hungarian name for Leșu Commune, Bistriţa-Năsăud County, Romania * Les, a village in Tejakula district, Buleleng regency, Bali, Indonesia * Lesotho, IOC and UNDP country code * Lès, a word featuring in many French placenames Transport * Leigh-on-Sea railway station, National Rail station code * Leyton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Friedrich Abel
Carl Friedrich Abel (22 December 1723 – 20 June 1787) was a German composer of the pre-Classical period (music), Classical era. He was a renowned player of the viol, viola da gamba, and produced significant compositions for that instrument. He was director of music at the Dresden court from 1743, and moved to London in 1759, becoming chamber-musician to Queen Charlotte in 1764. He founded a subscription concert series there with Johann Christian Bach. According to the ''Catalogue of Works of Carl Friedrich Abel'' (AbelWV), he left 420 compositions, with a focus on chamber music. Life Abel was born in Köthen, where his father, Christian Ferdinand Abel, had worked for years as the principal viol, viola da gamba and cello player in the court orchestra of Leopold, Prince of Anhalt-Köthen. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach, moved to Leipzig. The young Abel later boarded at St. Thomas School, Leipzig, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Piccinni
Niccolò Piccinni (; 16 January 1728 – 7 May 1800) was an Italian composer of symphonies, sacred music, chamber music, and opera. Although he is somewhat obscure today, Piccinni was one of the most popular composers of opera—particularly the Neapolitan opera buffa—of the Classical period. Life Piccinni was born in Bari, in the Apulia region. From the age of fourteen, he was educated at the Conservatory of San Onofrio by Leonardo Leo and Francesco Durante,. thanks to the intervention of the Bishop of Bari (his father, although himself a musician, was opposed to his son following the same career). Piccinni's first opera, ''Le donne dispettose'', was produced in 1755 with the patronage of Prince Vintimille. In 1760 he composed, at Rome, the ''chef d'œuvre'' of his early life, '' La Cecchina, ossia la buona Figliuola'', an ''opera buffa'' with a libretto by Carlo Goldoni, which "enjoyed a two-year run in Rome and was played in all the important European capitals. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paisiello
Giovanni Paisiello (or Paesiello; 9 May 1740 – 5 June 1816) was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini. Life Paisiello was born in Taranto in the Apulia region and educated by the Jesuits there. He became known for his beautiful singing voice and in 1754 was sent to the Conservatorio di S. Onofrio at Naples, where he studied under Francesco Durante, and eventually became assistant master. For the theatre of the Conservatorio, which he left in 1763, he wrote some intermezzi, one of which attracted so much notice that he was invited to write two operas, ''La Pupilla'' and ''Il Mondo al Rovescio'', for Bologna, and a third, ''Il Marchese di Tidipano'', for Rome. His reputation now firmly established, he settled for some years at Naples, where, despite the popularity of Niccolò Piccinni, Domenico Cimarosa and Pietro Guglielmi, of whose triumphs he was bitterly je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demofoonte (Mysliveček, 1769)
''Demofoonte'' is an opera in three acts by the Czech composer Josef Mysliveček. It was the composer's first setting of this popular libretto by Metastasio first produced in 1733 (it was common in the second half of the eighteenth century for composers to set Metastasian texts two or more times over). This setting stays remarkably close to the original drama for its day (it was customary to alter Metastasian texts considerably so long after their original performances), but the role of Timante was augmented in order to highlight the talents of its interpreter, the distinguished male soprano Gaetano Guadagni. All of Mysliveček's operas are of the serious type in Italian referred to as opera seria. Performance history The opera was first performed at the Teatro San Benedetto in Venice on 17 January 1769. It was very successful when it appeared. Indeed, the composer's first biographer, František Martin Pelcl, claimed that Venetian nobles stood in line outside of the theater to appl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Mysliveček
Josef Mysliveček (9 March 1737 – 4 February 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant compositional models in the genres of symphony, Italian serious opera, and violin concerto; both Wolfgang and his father Leopold Mozart considered him an intimate friend from the time of their first meetings in Bologna in 1770 until he betrayed their trust over the promise of an operatic commission for Wolfgang to be arranged with the management of the Teatro San Carlo in Naples. His closeness to the Mozart family resulted in frequent references to him in the Mozart correspondence. Biography Mysliveček was born in Prague, one of twin sons of a prosperous mill owner, and studied philosophy at Charles-Ferdinand University before following in the footsteps of his father. No documentation exists to support claims that he was actually born in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Finta Semplice
''La finta semplice'' (''The Fake Innocent''), K. 51 (46a) is an opera buffa in three acts for seven voices and orchestra, composed in 1768 by then 12-year-old Wolfgang Amadeus Mozart. Young Mozart and his father Leopold were spending the year in Vienna, where Leopold was trying to establish his son as an opera composer. He was acting on a suggested request from the Emperor Joseph II that the young boy should write an opera. Leopold chose an Italian libretto by the Vienna court poet Marco Coltellini, which was based on an early work by Carlo Goldoni. During rehearsals, the opera was the victim of intrigues from competing composers claiming that the work was not from the 12-year-old boy, but from his father. Threatened with a sabotaged first night by the impresario Giuseppe Affligio, Leopold prudently decided to withdraw. The opera was never staged in Vienna. It was probably performed the following year in Salzburg at the request of the Prince-Archbishop. Mozart produced a full ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Déserteur (opera)
''Le déserteur'' (, ''The Deserter'') is a ''drame mélé de musique'' (''opéra comique'') by the French composer Pierre-Alexandre Monsigny with a libretto by Michel-Jean Sedaine. It was first performed on 6 March 1769 by the Comédie-Italienne at their public theatre, the Hôtel de Bourgogne in Paris. The work was Monsigny's greatest musical success and is one of the key operas of late 18th-century French ''opéra comique''. It was performed in Amsterdam (1769), Copenhagen (1770), Germany in German translation (1770: Hamburg and Brunswick; 1771: Frankfurt), London on 2 November 1773 in an English version by Charles Dibdin, who added music of his own and two numbers by Philidor, and was performed in New York City on 8 June 1787 in French and in Philadelphia on 11 July 1787 in English (London version). It was revived by the Paris Opéra-Comique on 28 July 1802 at the Salle Feydeau and on 30 October 1843 at the second Salle Favart, in a revised version re-orchestrated by Adolphe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Alexandre Monsigny
Pierre-Alexandre Monsigny (; – ) was a French composer and a member of the French Académie des Beaux-Arts (1813). He is considered alongside André Grétry and François-André Danican Philidor to have been the founder of a new musical genre, the ''opéra comique'', laying a path for other French composers such as François-Adrien Boieldieu, Daniel Auber, Daniel-François-Esprit Auber, Charles Gounod, Georges Bizet, and Jules Massenet in this genre. Biography Pierre-Alexandre Monsigny was born at Fauquembergues, near Saint-Omer, in the former Artois region of France (now Pas-de-Calais), four months before the marriage of his parents, Marie-Antoinette Dufresne and Nicolas Monsigny. He was educated at the Walloon Collége des Jésuites in Saint-Omer. It was here that he first discovered his aptitude for music. As the eldest child, in 1749, a few months after his father's death, he left for Paris with only a few coins in his pocket, a violin and a recommendation letter, in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Tableau Parlant
''Le tableau parlant'' (, ''The Talking Picture'') is an opéra comique, described as a ''comédie-parade'', in one act by André Grétry, The French libretto was by Louis Anseaume. Performance history It was first performed on 20 September 1769 by the Comédie-Italienne at the Hôtel de Bourgogne in Paris. Roles Synopsis In the absence of Isabelle's lover Léandre, Cassandre persuades Isabelle to marry him instead. Cassandre leaves and in the meantime Léandre returns and Isabelle changes her mind. She asks Cassandre's portrait for his agreement to the changed state of affairs, only to find that Cassandre himself is concealed behind the picture. References Further reading * "Tableau parlant, Le" by Michael Fend, in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucile (opera)
''Lucile'' is an opéra comique, described as a '' comédie mêlée d'ariettes'', in one act by the composer André Grétry, It was first performed at the Comédie-Italienne, Paris on 5 January 1769. The French text is by Jean-François Marmontel, and the characters in the opera, though not the actual story, were derived from "L'école des pères", one of Marmontel's ''Contes moraux'' ("Moral Tales"). The melody from "Où peut-on être mieux qu'au sein de sa famille?" was later reused in Vieuxtemps' Violin Concerto No. 5, Op.37. Performance history ''Lucile'' was first performed at the Comédie-Italienne, Paris on 5 January 1769 and became Grétry's most popular opera during the following decade. By 1780 it had reached a total of 195 performances but it was less successful thereafter.Charlton, ''Grétry and the Growth of Opéra Comique'', p. 49 Roles Synopsis Lucile is enjoying a morning preparing for her wedding. She is joined by her fiancé young Dorval, her father Timante a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
