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Brahma From Mirpur-Khas
The Brahma from Mirpur Khas is a famous bronze image of Brahma made in Sindh, in modern Pakistan, dated to the 5th or 6th century, during the Gupta period. It is the earliest known metallic image of Brahma and the only known representative of the school it represents. It has been described as "an immense artistic creation" of the Gupta period. It was found in a field near Mirpur-Khas as first reported by Henry Cousens in 1929. Some report it as having been found at Brahmanabad. Description The four-headed Brahma bronze statue has a height over 3 feet. Brahma is shown standing with two hands, wearing a dhoti and a yajnopavita but without any ornaments. Vasudeva Sharana Agrawala calls it "an exceptionally good specimen of the art of metal-casting in this period". Śrīrāma and Śaṅkara Goyala term is "true memorial of Gupta metalsmith's artistic genius". It is said to the best example of Gupta art in Sindh. The object suggests that Sindh was a major center of metalworking. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahma From Mirpur Khas, Cover South Asian Archaeology 1975 Conference
Brahma ( sa, ब्रह्मा, Brahmā) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva.Jan Gonda (1969)The Hindu Trinity Anthropos, Bd 63/64, H 1/2, pp. 212–226. He is associated with creation, knowledge, and the ''Vedas''. Brahma is prominently mentioned in creation legends. In some ''Puranas'', he created himself in a golden embryo known as the Hiranyagarbha. Brahma is frequently identified with the Vedic god Prajapati.;David Leeming (2005), The Oxford Companion to World Mythology, Oxford University Press, , page 54, Quote: "Especially in the Vedanta Hindu Philosophy, Brahman is the Absolute. In the Upanishads, Brahman becomes the eternal first cause, present everywhere and nowhere, always and never. Brahman can be incarnated in Brahma, in Vishnu, in Shiva. To put it another way, everything that is, owes its existence to Brahman. In this sense, Hinduism is ultimately monotheistic or m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sultanganj Buddha
The Sultanganj Buddha is a Gupta Empire, Gupta–Pala Empire, Pala transitional period sculpture, the largest substantially complete copper Buddha figure known from the time. The statue is dated to between 500 and 700 AD (but see below). It is 2.3 m high and 1 m wide and weighs over 500 kg. It was found in the East Indian town of Sultanganj, Bhagalpur district, Bihar in 1861 during the construction of the East Indian Railway. It is now in the Birmingham Museum and Art Gallery, Birmingham, England. Over life-size, this is "the only remaining metal statue of any size" from Gupta art, out of what was at the time probably approximately as numerous a type as stone or stucco statues.Rowland, 237 The metal Brahma from Mirpur-Khas is older, but about half the size. The Jain Akota bronzes and some other finds are much smaller still, probably figures for shrines in well-off homes. In Lalitpur, Nepal the Guita Bahī monastery has a copper Buddha about 1.8 metres tall, of Nepali make and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sindhi Culture
The Culture of Sindhi ( sd, سنڌ جي ثقافت) has its roots in the Indus Valley civilization. Sindh has been shaped by the largely desert region, the natural resources it had available, and continuous foreign influence. The Indus or Sindhu River that passes through the land, and the Arabian Sea (that defines its borders) also supported the seafaring traditions among the local people. The local climate also reflects why the Sindhis have the language, folklore, traditions, customs and lifestyle that are so different from the neighboring regions. The Sindhi culture is also practiced by the Sindhi diaspora. History The roots of Sindhi culture go back to the distant past. Archaeological research during 19th and 20th centuries showed the roots of social life, religion and culture of the people of the Sindh: their agricultural practices, traditional arts and crafts, customs and tradition and other parts of social life, going back to a mature Indus Valley Civilization of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Gods In Art
Hindus (; ) are people who religiously adhere to Hinduism. Jeffery D. Long (2007), A Vision for Hinduism, IB Tauris, , pages 35–37 Historically, the term has also been used as a geographical, cultural, and later religious identifier for people living in the Indian subcontinent. The term ''"Hindu"'' traces back to Old Persian which derived these names from the Sanskrit name ''Sindhu'' (सिन्धु ), referring to the river Indus. The Greek cognates of the same terms are "''Indus''" (for the river) and "''India''" (for the land of the river). The term "''Hindu''" also implied a geographic, ethnic or cultural identifier for people living in the Indian subcontinent around or beyond the Sindhu (Indus) River. By the 16th century CE, the term began to refer to residents of the subcontinent who were not Turkic or Muslims. Hindoo is an archaic spelling variant, whose use today is considered derogatory. The historical development of Hindu self-identity within the local I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pakistani Art
] Pakistani art ( ur, ) has a long tradition and history. It consists of a variety of art forms, including painting, sculpture, calligraphy, pottery, and textile arts such as woven silk. Geographically, it is a part of Indian subcontinent art, including what is now Pakistan. History After independence in 1947, there were only two major art schools in Pakistan - the Mayo School of Art and the Department of Fine Arts at the Punjab University. Early pioneers of Pakistani art include Abdur Rahman Chughtai who painted with Mughal and Islamic styles, and Ahmed Parvez who was among the early modernists of Pakistan. In the 1960s and 1970s, calligraphic styles emerged in Pakistan, with notable artists being Iqbal Geoffrey and Sadequain. The Karachi School of Art, the first art institution in Karachi, was founded in 1964 by Rabia Zuberi. In the 21st century, graffiti started becoming popular in Pakistan, with the emergence of artists such as Sanki King, and Asim Butt. The latter al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kahu-Jo-Darro
Kahu-Jo-Darro, also known as Mirpur Khas stupa, is an ancient Buddhist stupa found at the Mirpurkhas archaeological site in Sindh, Pakistan. The site is spread over . Excavations completed before 1910 revealed this large brick-based stupa and numerous terracotta reliefs now displayed in major world museums.Relief Panel: 5th century - 6th Century from Mirpur Khas Pakistan Victoria & Albert Museum, UK The Mirpur Khas site is notable because historic Indian and Arab coins were found during its excavation. This has led scholars such as Derryl MacLean to suggest that Buddhism was thriving in Sindh region around the 10th-century and became extinct in these parts of the west and northwest South Asia after the Islamic conquest. Early estimates placed th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akota Bronzes
The Akota Bronzes represent a rare and important set of 68 Jain images, dating to between the 6th and 12th centuries AD, which were found in the vicinity of Akota near Baroda in the Indian state of Gujarat. It includes rare Gupta period bronzes that have been widely used for comparison of Gupta period art. Akota (formerly Ankottaka) was a major centre of Jainism in the 5th century AD and is mentioned in texts. The hoard provides information on metallic art and development of metal technology during Gupta, post-Gupta and medieval period. Discovery The images were dug out sometime before June 1951. A University of Baroda professor brought five of them to archaeologist U.P. Shah for examination. Umakant Premanand Shah eventually purchased most of the images from local individuals and presented them to M.S. University, which are now in the Baroda Museum. Only two of the images are dated. U.P. Shah dated the rest of them on palaeographic basis. They range from the 5th to 12th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sant Nenuram Ashram
Sant Nenuram Ashram is an Ashram located in Islamkot city in the Tharparkar District in the Sindh province of Pakistan. It is one of the most revered temples of the Hindu community in Pakistan. It is 45 km away from the district capital Mithi. The ashram is spread over a 10-acre land containing temples and resting places. The ashram was established by the Hindu saint Sant Nenuram. The Ashram provides food to hundreds of people every day irrespective of their religion and caste. The Sant Nenuram Mela- three day festival commemorating the death anniversary of Sant Nenuram is visited by a large number of Hindus and Muslims About The Sant Neenu Ram was born in 1898 in the Islamkot. He was very inspired by the teachings of Hindu saint Poorun Bharti whose shrine is 7 km away from Islamkot. He spent years at that shrine and then came back to his Islamkot to spread the teachings of Pooran Bharti and built the ashram. He built a community kitchen in ashram to serve food for e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chausa Hoard
This was the first known bronze hoard discovered in the Gangetic valley and consists of a set of 18 Jain bronzes. The Chausa hoard, thus named after the place of discovery: Chausa or Chausagarh is located in the Buxar district of Bihar state, India. History This was the first known bronze hoard discovered in the Gangetic valley and consists of a set of 18 Jain bronzes. The oldest of such bronzes to be found in India, experts date them between the Shunga and the Gupta period, (from 2nd, or possibly the 1st century BC, to the 6th Century AD). Patrick Krueger in his classification of Jain bronzes, regards them to be early type, characterized by portrayal of a single Tirthankara without a parikara. Major Idols The hoard includes a Dharmachakra showing Dharmachakra supported by two yakshis supported by makaras; a kalpavriksha and sixteen tirthankaras. Among the tirthankaras, those of Rishabha are easily identified by the locks of hair.Indian bronze masterpieces: the great t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yajnopavita
''Upanayana'' ( sa, उपनयनम्, lit=initiation, translit=Upanāyanam) is a Hindu educational sacrament, one of the traditional saṃskāras or rites of passage that marked the acceptance of a student by a preceptor, such as a ''guru'' or ''acharya'', and an individual's initiation into a school in Hinduism. Some traditions consider the ceremony as a spiritual rebirth for the child or future ''dvija'', twice born. It signifies the acquisition of the knowledge of God and the start of a new and disciplined life as a brahmachari. According to the given community and region, it is also known by numerous terms such as ''janai'' or ''janea'', ''poita/paita'', ''logun/nagun'', y''agnopavita'', ''bratabandha'', ''bratopanayan.'' The ''Upanayanam'' ceremony is arguably the most important rite for the Brahmin male, ensuring his rights and responsibilities as a Brahmin and signifying his advent into adulthood. The tradition is widely discussed in ancient Sanskrit texts of Hinduism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum Of Pakistan
The National Museum of Pakistan ( ur, ) is located in Karachi, Pakistan. History The National Museum of Pakistan was established in Frere Hall on 17 April 1950, replacing the defunct Victoria Museum. Frere Hall itself was built in 1865 as a tribute to Sir Bartle Frere, a commissioner of Sind during the 19th century. Once the museum was inaugurated the government of Pakistan deemed it wise to constitute an Advisory Council in 1950 with a primary duty to counsel the museum on the issues of enriching its collection through new acquisitions and purchase of antiquities and works of arts. The museum was shifted to the present premises (located in Burns Garden, Dr. Zia-ud-din Ahmed Road) in 1970. Galleries In 1970 there were only four galleries in the museum. Over time the museum grew, with the building currently housing a total of eleven galleries including a “Quran Gallery”. The National Museum has more than 300 copies of the Quran, out of which around 52 rare manuscripts a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhoti
The dhoti, also known as veshti, vetti, dhuti, mardani, chaadra, dhotar, jaiñboh, panchey, is a type of sarong, tied in a manner that outwardly resembles "loose trousers". It is a lower garment forming part of the ethnic costume for men in the Indian subcontinent. The ''dhoti'' is fashioned out of a rectangular piece of unstitched cloth, usually around long, wrapped around the waist and the legs and knotted, either in the front or the back. The ''dhoti'' is touted as the male counterpart of the ''sari'' worn by females to religious and secular ceremonies ( functions). is a yellow silk dhoti, worn on auspicious occasions. The dhoti which is worn around the lower waist and drawn up in between the legs, is a 5-yard-long piece of woven fabric; it must not be confused with pre- stitched "dhoti pants", which are a new ready to wear trend these days, popular among women and typical of children. Etymology The word ''dhoti'' is derived from ''dhauti'' (Sanskrit: धौती), tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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