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Bentvueghels
The Bentvueghels (Dutch for "Birds of a Feather") were a society of mostly Dutch and Flemish artists active in Rome from about 1620 to 1720. They are also known as the Schildersbent ("painters' clique"). Activities The members, which included painters, etchers, sculptors and poets, all lived in different parts of the city (mostly the parishes of Santa Maria del Popolo and San Lorenzo in Lucina in the north of the city) and came together for social and intellectual reasons. The group was well known for its drunken, Bacchic initiation rituals (paid for by the initiate). These celebrations, sometimes lasting up to 24 hours, concluded with group marching to the church of Santa Costanza, known popularly at the time as the Temple of Bacchus. There they made libations to Bacchus before the porphyry sarcophagus of Constantina (now in the Vatican Museums), which was considered to be his tomb because of its Bacchic motifs. A list of its members may still be seen in one of this church ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Simon Ardé
Simon Ardé (also Simon Ardi, Symon van Antwerpen and nickname Tovenaer) (probably Antwerp, 1594 - Rome, 1638) was a Flemish Baroque painter who was active in Italy for most part of his life.Biographical details at The Netherlands Institute for Art History Biography Nothing is known about his background and training. He was in Rome from 1620, and maybe as early as 1617. He was one of the co-founders in 1623 of the , which was set up as a social club of principally[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Cornelis Schut
Cornelis Schut (13 May 1597 – 29 April 1655) was a Flemish painter, draughtsman, engraver and tapestry designer who specialized in religious and mythological scenes. Presumed to have trained under Rubens, he treated Counter-Reformation subjects in a High-Baroque style. After a stay in Italy, he worked mainly in Antwerp where he was one of the leading history painters in the first half of the 17th century.Hans Vlieghe, ''Cornells Schut in Italy'' in Hoogsteder & Hoogsteder, 11 May 2010 Life [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Pieter Van Laer
Pieter Bodding van Laer (christened 14 December 1599, Haarlem – 1641 or later) was a Dutch painter and printmaker. He was active in Rome for over a decade and was known for genre scenes, animal paintings and landscapes placed in the environs of Rome.Pieter van Laer at the Pieter van Laer was an active member of the association of Flemish and Dutch artists in Rome known as the Bentvueghels. His nickname in this group ("bent name") was Il Bamboccio. The style of genre painting he introduced was followed by other Northern and Italian painters. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Willem Van Aelst
Willem van Aelst (16 May 1627 – buried 22 May 1683)Aelst, Willem van at the RKD was a artist who specialized in with flowers or game. Biography Van Aelst was born in to a family of prominent city ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Paulus Bor
Paulus Bor (10 August 1669; ) was a Dutch artist, representative of the "Golden Age", member of the art society "Bentvueghels". Biography Bor, who was born and died in Amersfoort, was descended from a notable Catholic family. He made a study trip to Rome, where he was one of the founders of the ''Bentvueghels'', taking the nickname Orlando. He returned in 1626 to Amersfoort and joined Jacob van Campen in the decoration of the palace Honselaarsdijk belonging to Frederik Hendrik.; In 1635, painted after a stay in Rome, significant is the work "La Maddalena". In 1656, he became regent of the godshuis "De Armen de Poth" in Amersfoort. Bor's style of painting was rather at odds with that of contemporary painters from Utrecht. He initially painted rather Caravaggisti-like history paintings, but his works fast became marked by a classicism related to that of his townsman van Campen. Through unusual compositions and primitive technique, his paintings depict strange and mysteri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Cornelis Van Poelenburch
Cornelis van Poelenburgh or Cornelis van Poelenburch (1594 – 12 August 1667),Cornelis van Poelenburch in the RKD was a landscape painter and draughtsman. He was the leading representative of the first generation of Dutch who were active in in the early 17th century. He was known for small-scale paintings depicting Italianate landscapes with small f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Cornelis De Bruijn
Cornelis de Bruijn or Cornelius de Bruyn (; 16521726/7), also formerly known in English by his French name Corneille Le Brun, was a Dutch artist and traveler. He made two large tours and published illustrated books with his observations of people, buildings, plants and animals. Biography De Bruijn was born in The Hague. During his first tour, he visited Rome, where he became a member of the Bentvueghels with the nickname ''Adonis'', which is how he signed the ''bentbrief'' of Abraham Genoels II. He travelled in Egypt and climbed to the top of a pyramid where he left his signature. De Bruijn made secret drawings of Jerusalem, then part of the Ottoman Empire. His drawings of Palmyra are copies. De Bruijn reached Cyprus and stayed among the Dutch merchants in Smyrna and Constantinople. From 1684 he worked in Venice with the painter Johann Carl Loth, returning in 1693 to The Hague, where he sold his souvenirs. In 1698 he published his book with drawings, which was a success and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Joachim Von Sandrart
Joachim von Sandrart (12 May 1606 – 14 October 1688) was a German Baroque art-historian and painter, active in Amsterdam during the Dutch Golden Age. He is most significant for his collection of biographies of Dutch and German artists the ''Teutsche Academie'', published between 1675 and 1680. Biography Sandrart was born in Frankfurt am Main, but the family originated from Mons. According to his dictionary of art called the ''Teutsche Academie'', he learned to read and write from the son of Theodor de Bry, Johann Theodoor de Brie and his associate Matthäus Merian, but at age 15 was so eager to learn more of the art of engraving, that he walked from Frankfurt to Prague to become a pupil of Aegidius Sadeler of the Sadeler family. Sadeler in turn urged him to paint, whereupon he travelled to Utrecht in 1625 to become a pupil of Gerrit van Honthorst, and through him he met Rubens when he brought a visit to Honthorst in 1627, to recruit him for collaboration on part of his Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Bartholomeus Breenbergh
Bartholomeus Breenbergh (before 13 November 1598 – after 3 October 1657) was a Dutch Golden Age painter of Italian and Italianate landscapes, in Rome (1619-1630) and Amsterdam (1630-1657). Biography Little is known of his early life. In his three-volume ''Schouburg'', Arnold Houbraken mentioned him in his first volume with an entreaty to readers to write to him with more news of Breenbergh's biography.Bartholomeus Breenbergh Biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by , courtesy of the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Dirck Van Baburen
Dirck Jaspersz. van Baburen (c. 1595 – 21 February 1624) was a Dutch painter and one of the Utrecht Caravaggisti. Biography Dirck van Baburen was probably born in Wijk bij Duurstede, but his family moved to Utrecht when he was still young. He was also known as Teodoer van Baburen and Theodor Baburen. The earliest reference to the artist is in the 1611 records of the Utrecht Guild of St. Luke as a pupil of Paulus Moreelse. Sometime between 1612 and 1615, he travelled to Rome. There, he collaborated with fellow countryman David de Haen and befriended the close follower of Caravaggio, Bartolomeo Manfredi. Baburen also came to the attention of the art collectors and patrons Vincenzo Giustiniani and cardinal Scipione Borghese, and possibly under their influence he received the commission to paint the altarpiece of the ''Entombment'' for the chapel of the Pietà in San Pietro in Montorio around 1617. Baburen was one of the earliest artists to belong to the group of Dutch-spea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Valentin De Boulogne
Valentin de Boulogne (before 3 January 1591 – 19 August 1632), sometimes referred to as Le Valentin, was a French painter in the tenebrist style. Origins Valentin was born in Coulommiers, France, where he was baptised in the parish of Saint-Denys on 3 January 1591, making 1590 his likely year of birth. The family name, also spelled Boullogne and Boulongne, appears to originate from Boulogne-sur-Mer, a city in northern France in the colony of Pas-de-Calais, though the family had dwelt at Coulommiers since at least 1489. His father, also named Valentin, and his uncle Jean were both painters. In Italy It can be presumed that Valentin would have first started painting in his father's studio prior to moving to Paris or Fontainebleau, and before leaving for Italy. Valentin is recorded in Italy in the ''stati d'anime'' for 1620, when he was living in the parish of Santa Maria del Popolo. While studying in Italy under Simon Vouet, Valentin came under the influence of Michelang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Karel Van Mander
Karel van Mander (I) or Carel van Mander I (May 1548 – 2 September 1606) was a Flemish painter, poet, art historian and art theoretician, who established himself in the Dutch Republic in the latter part of his life. He is mainly remembered as a biographer of Early Netherlandish painters and Northern Renaissance artists in his '' Schilder-boeck''. As an artist and art theoretician he played a significant role in the spread and development of Northern Mannerism in the Dutch Republic.Painting in the Dutch Golden Age - A Profile of the Seventeenth Century, National Gallery of Art, 2007, p. 119 Life Most of the information about Karel van Mander's life is based on a brief and anonymous biographical sketch included in the posthumous second edition of the Schilder-boeck published in 1618 by Jacob Pietersz Wachter. It is not certain who wrote this biographical sketch and various candidates have been proposed. Most recently it has been argued that it was written by his son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |