|
Buselik Pitch Class Set (Turkish Makam Theory)
In Turkish classical music, the Buselik pitch class set is a set of scales that are named after the Bûselik makam Maqam, makam, maqaam or maqām (plural maqāmāt) may refer to: Musical structures * Arabic maqam, melodic modes in traditional Arabic music ** Iraqi maqam, a genre of Arabic maqam music found in Iraq * Persian maqam, a notion in Persian class .... For Buselik, there is the Buselik tetrachord and the Buselik pentachord. Buselik pentachord in 53-TET The intervals of the Buselik pentachord and Buselik tetrachord within 53 Tone Equal Temperament are given in the table: Makams that use the Buselik pentachord or Buselik tetrachord References {{Turkish makam theory, state=collapsed Pitch class sets in Turkish makam music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Classical Music
Ottoman music () or Turkish classical music (, or more recently ) is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic and Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called '' makam'', '' dastgah'' or '' echos'', is a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' systems, which determine time signatures and accents respectively. A wide variety o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale (music)
In music theory, a scale is "any consecutive series of notes that form a progression between one note and its octave", typically by order of pitch or fundamental frequency. The word "scale" originates from the Latin ''scala'', which literally means "ladder". Therefore, any scale is distinguishable by its "step-pattern", or how its intervals interact with each other. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Makam
The Turkish makam ( Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ''maqām'' ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam specifies a unique intervalic structure (''cinsler'' meaning genera) and melodic development (''seyir''). Whether a fixed composition ('' beste'', '' şarkı'', '' peşrev'', '' âyin'', etc.) or a spontaneous composition ('' gazel'', '' taksim'', recitation of '' Kuran-ı Kerim'', '' Mevlid'', etc.), all attempt to follow the melody type. The rhythmic counterpart of makam in Turkish music is usul. Geographic and cultural relations The Turkish makam system has some corresponding relationships to maqams in Arabic music and '' echos'' in Byzantine music. Some theories suggest the origin of the makam to be the city of Mosul in Iraq. "Mula Othman Al-Musili," in reference to his city of origin, is said to have served in the Ottoman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
53 Equal Temperament
In music, 53 equal temperament, called 53 TET, 53 EDO, or 53 ET, is the tempered scale derived by dividing the octave into 53 equal steps (equal frequency ratios) (). Each step represents a frequency ratio of or 22.6415 cents (), an interval sometimes called the Holdrian comma. 53 TET is a tuning of equal temperament in which the tempered perfect fifth is 701.89 cents wide, as shown in Figure 1, and sequential pitches are separated by 22.642 cents. The 53-TET tuning equates to the unison, or ''tempers out'', the intervals known as the schisma, and known as the kleisma. These are both 5 limit intervals, involving only the primes 2, 3, and 5 in their factorization, and the fact that 53 TET tempers out both characterizes it completely as a 5 limit temperament: It is the only regular temperament tempering out both of these intervals, or commas, a fact which seems to have first been recognized by Japanese musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hicaz Pitch Class Set
In Turkish music, the hicaz pitch class set is a set of scales that are named after the Hicaz Turkish makam. For Hicaz, there is the Hicaz tetrachord and Hicaz pentachord A pentachord in music theory may be either of two things. In pitch-class set theory, a pentachord is defined as any five pitch classes, regarded as an unordered collection . In other contexts, a pentachord may be any consecutive five-note sectio .... Hicaz tetrachord and pentachord in 53-TET The intervals of the Hicaz tetrachord and Rast pentachord within 53 Tone Equal Temperament are given in the table: Makams that use the Hicaz pentachord or Hicaz tetrachord References {{Turkish makam theory, state=collapsed Pitch (music) Pitch class sets in Turkish makam music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikriz (Turkish Makam)
Nikriz is the implementation of the Nikriz scale in Turkish makam music. It is in 53 Tone Equal Temperament. Nikriz in 53-TET Comparison with Western scales Since the makam is based on 53-TET, it is impossible to directly tie it to 12-TET Western scales. However, using the 48-TET An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequencies of any adjacent pair of notes is the same. This system y ... model, while worse than many other models in approximation, allows for such comparisons. This is because 48 is divisible by 12. The approximation of Nikriz within 48-TET would be: * Ukrainian Dorian (3, 7 included along with 7) Usage Songs that use the Nikriz scale * Tanrıya Feryat * Sevda Çiçeği tr">:tr:Sevda_Çiçeği">tr Notes References {{Turkish makam theory, state=collapsed Modes (music) Makams in Turkish music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikriz Pitch Class Set (Turkish Makam Theory)
In Turkish classical music, the Nikriz pitch class set is a set of scales that are named after the Nikriz makam. For Nikriz, there is only the pentachord, as the 4th is raised. The Nikriz pentachord is the same as putting the 53-TET equivalent of a whole step In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (). A second is a musical interval encompassing two adjacent staff positions (see Interval number for more deta ... in the beginning of the Hicaz tetrachord. Nikriz pentachord in 53-TET The intervals of the Nikriz pentachord within 53 Tone Equal Temperament are given in the table: Makams that use the Nikriz pentachord References {{Turkish makam theory, state=collapsed Pitch class sets in Turkish makam music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rast Pitch Class Set (Turkish Makam Theory)
The Rast pitch class set is a set of scales that are named after the Rast makam. For Rast, there is the Rast tetrachord and Rast pentachord. It is used as a Çeşni in many makams. Rast tetrachord and pentachord in 53-TET The intervals of the Rast tetrachord and Rast pentachord within 53 Tone Equal Temperament are given in the table: Makams that use the Rast pentachord or Rast tetrachord References See also *Rast (Turkish makam) Rast is the implementation of the Rast (maqam), Rast scale in Turkish makam music. It is in 53 equal temperament, 53 Tone Equal Temperament. Rauf Yekta, Rauf Yekta Bey's model places the Rast Makam as the gamme naturale of Turkish Classical Music ... {{Turkish makam theory, state=collapsed Pitch class sets in Turkish makam music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
