Building A Character
''Building a Character'' () is the second of stage actor/director Constantin Stanislavski's three books on his method for learning the art of acting. It was first published in Russian in 1948; Elizabeth Reynolds Hapgood's seminal English translation was published by Theatre Art Books of New York the following year. In Stanislavski's most widely read work, ''An Actor Prepares'', he describes a process by which an actor imagines the character he will become. In ''Building a Character'', he explains that the outward expressions of character must flow from that character's inner life: his memories, beliefs, preoccupations, and so on. He then elaborates ways in which the actor's manner of speech, dress, and movement (gestures, facial expressions, etc.) evidence the character's inner experience. ''Creating a Role'', the final book in the trilogy, followed ''Building a Character'' in 1957. Contents # Toward a Physical Characterization # Dressing a Character # Characters and Types # M ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Constantin Stanislavski
Konstantin Sergeyevich Stanislavski ( rus, Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈɡʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj, links=yes; ; 7 August 1938) was a seminal Russian and Soviet theatre practitioner. He was widely recognized as an outstanding character actor, and the many productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and the US (1923–24), and its landmark productions of ''The Seagull'' (1898) and ''Hamlet'' (1911–12), established his reputation and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Soviet Union
The Union of Soviet Socialist Republics. (USSR), commonly known as the Soviet Union, was a List of former transcontinental countries#Since 1700, transcontinental country that spanned much of Eurasia from 1922 until Dissolution of the Soviet Union, it dissolved in 1991. During its existence, it was the list of countries and dependencies by area, largest country by area, extending across Time in Russia, eleven time zones and sharing Geography of the Soviet Union#Borders and neighbors, borders with twelve countries, and the List of countries and dependencies by population, third-most populous country. An overall successor to the Russian Empire, it was nominally organized as a federal union of Republics of the Soviet Union, national republics, the largest and most populous of which was the Russian SFSR. In practice, Government of the Soviet Union, its government and Economy of the Soviet Union, economy were Soviet-type economic planning, highly centralized. As a one-party state go ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Acting
Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode. Acting involves a broad range of skills, including a well-developed imagination, emotional facility, physical expressivity, vocal projection, clarity of speech, and the ability to interpret drama. Acting also demands an ability to employ dialects, accents, improvisation, observation and emulation, mime, and stage combat. Many actors train at length in specialist programs or colleges to develop these skills. The vast majority of professional actors have gone through extensive training. Actors and actresses will often have many instructors and teachers for a full range of training involving singing, scene-work, audition techniques, and acting for camera. Most early sources in the West that examine the art of acting (, ''hypokrisis'') discuss it as part of rhetoric. Hist ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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An Actor Prepares
''An Actor Prepares'' () is the first of Konstantin Stanislavski's books on acting, followed by '' Building a Character'' and '' Creating a Role''. Stanislavski intended to publish the contents of ''An Actor Prepares'' and ''Building a Character'' as a single volume, and in the Russian language. However, ''An Actor Prepares'' was first published as a single volume in English, and World War II delayed the publication of ''Building a Character'' for more than ten years. Summary ''An Actor Prepares'' is the diary of a fictional student named Kostya during his first year of training in Stanislavski's system. Kostya and his fellow students have little to no experience in acting. As they go through the class, Tortsov, their teacher and theatre director, addresses the many assumptions they have formed that do not coincide with the 'system'. Stanislavski relates his message with examples. He argues that his system is not a particular method, but a systematic analysis of the 'natural' ord ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Creating A Role
''Creating a Role'' is theatre actor/director Constantin Stanislavski's third and final book on his method for learning the art of acting. It was first published in Russian in 1957; Theatre Art Books published an English-language edition, translated by Elizabeth Reynolds Hapgood, in 1961. In the two preceding installments, ''An Actor Prepares'' (1936) and '' Building a Character'' (1948), Stanislavski describes ways in which an actor imagines the lived experience of their character, and then expresses that inner life and persona through speech and movement. ''Creating a Role'' applies these principles to rehearsal, in which the actor improves their understanding of the role, and how it fits the script. Contents Part I: Griboyedov's ''Woe from Wit'' Part II: Shakespeare's ''Othello'' Part III: Gogol's ''The Inspector General'' Appendices See also * Stanislavski's system * Method acting Method acting, known as the Method, is a range of rehearsal techniques, as formulat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Stanislavski's System
Stanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the "art of representation").Benedetti (1999a, 201), Carnicke (2000, 17), and Stanislavski (1938, 16—36 "art of representation" corresponds to Mikhail Shchepkin's "actor of reason" and his "art of experiencing" corresponds to Shchepkin's "actor of feeling"; see Benedetti (1999a, 202). It mobilises the actor's conscious thought and will in order to activate other, less-controllable psychological processes—such as emotional experience and subconscious behaviour—sympathetically and indirectly. In rehearsal, the actor searches for inner motives to justify action and the definition of what the character seeks to achieve at any given moment (a "task"). Later, Stanislavski further elaborated what he called 'the Sy ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Acting
Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode. Acting involves a broad range of skills, including a well-developed imagination, emotional facility, physical expressivity, vocal projection, clarity of speech, and the ability to interpret drama. Acting also demands an ability to employ dialects, accents, improvisation, observation and emulation, mime, and stage combat. Many actors train at length in specialist programs or colleges to develop these skills. The vast majority of professional actors have gone through extensive training. Actors and actresses will often have many instructors and teachers for a full range of training involving singing, scene-work, audition techniques, and acting for camera. Most early sources in the West that examine the art of acting (, ''hypokrisis'') discuss it as part of rhetoric. Hist ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Elizabeth Reynolds Hapgood
Elizabeth or Elisabeth may refer to: People * Elizabeth (given name), a female given name (including people with that name) * Empress Elisabeth (other), lists various empresses named ''Elisabeth'' or ''Elizabeth'' * Princess Elizabeth (other), lists various princesses named ''Elizabeth'' * Queen Elizabeth (other), lists various queens named ''Elizabeth'' * Saint Elizabeth (other), lists various saints named ''Elizabeth'' or ''Elisabeth'' ** Elizabeth (biblical figure), mother of John the Baptist Film and television * ''Elizabeth R'', 1971 * ''Elizabeth'' (TV series), 1980 * ''Elizabeth'' (film), 1998 * '' Elizabeth: The Golden Age'', 2007 Music * ''Elisabeth'' (Elisabeth Andreassen album) * ''Elisabeth'' (Zach Bryan album) * Elizabeth (band), an American psychedelic rock/progressive rock band active from 1967 to 1970 * ''Elizabeth'' (Lisa album) * ''Elizabeth'', an album by Killah Priest * "Elizabeth" (Ghost song) * "Elizabeth" (The S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Theatre Art Books
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminolog ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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My Life In Art
''My Life in Art'' is the autobiography of the Russian actor and theatre director Konstantin Stanislavski. It was first commissioned while Stanislavski was in the United States on tour with the Moscow Art Theatre, and was first published in Boston, Massachusetts in English in 1924. It was later revised and published in a Russian-language edition in Moscow under the title '. It is divided into 4 sections entitled: 1-Artistic Childhood, 2-Artistic Youth, 3-Artistic Adolescence and 4-Artistic Adulthood. Contents Stanislavski divides the work into four sections representing different stages of his life: childhood, adolescence, youth, and adulthood. Artistic Childhood This section, comprising 11 chapters, begins with Stanislavski's birth in 1863 and ends in his early twenties. He first describes his family life and upbringing, discussing his early trips to the circus, the Italian opera, the ballet and his introduction to the Russian theatre. He describes the professional Puppet Show ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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World War I
World War I or the First World War (28 July 1914 – 11 November 1918), also known as the Great War, was a World war, global conflict between two coalitions: the Allies of World War I, Allies (or Entente) and the Central Powers. Fighting took place mainly in European theatre of World War I, Europe and the Middle Eastern theatre of World War I, Middle East, as well as in parts of African theatre of World War I, Africa and the Asian and Pacific theatre of World War I, Asia-Pacific, and in Europe was characterised by trench warfare; the widespread use of Artillery of World War I, artillery, machine guns, and Chemical weapons in World War I, chemical weapons (gas); and the introductions of Tanks in World War I, tanks and Aviation in World War I, aircraft. World War I was one of the List of wars by death toll, deadliest conflicts in history, resulting in an estimated World War I casualties, 10 million military dead and more than 20 million wounded, plus some 10 million civilian de ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Method Acting
Method acting, known as the Method, is a range of rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, understanding, and experiencing a character's inner motivation and emotions. These techniques are built on Stanislavski's system, developed by the Russian and Soviet actor and director Konstantin Stanislavski and captured in his books '' An Actor Prepares'', '' Building a Character'', and '' Creating a Role''. Among those who have contributed to the development of the Method, three teachers are associated with "having set the standard of its success", each emphasizing different aspects of the approach: Lee Strasberg (the psychological aspects), Stella Adler (the sociological aspects), and Sanford Meisner (the behavioral aspects).Krasner (2000b, 129). The approach was first developed when the three of them worked together at the Group Theatre (New York City), ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |