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Budd Johnson And The Four Brass Giants
''Budd Johnson and the Four Brass Giants'' is an album by saxophonist Budd Johnson which was recorded in 1960 and released on the Riverside label. Reception Scott Yanow of AllMusic states, "The great Budd Johnson, who takes tenor solos throughout the date and also contributes a bit of clarinet in addition to providing the arrangements, is matched with four distinctive and very different trumpeters ... the group performs four swing standards and four of Johnson's swinging originals. The colorful brassmen, Budd's versatile solos, and the inventive arrangements make this a particularly memorable set. Highly recommended". In JazzTimes, Duck Baker observed "The soloing is inspired, the program is well chosen and Johnson’s arrangements are great. This is modern-mainstream jazz at its best".Baker, DJazzTimes Review Retrieved July 6, 2017 Track listing All compositions by Budd Johnson except where noted. # "All My Love" ( Harry Akst, Saul Chaplin, Al Jolson) – 4:05 # " Blue Lou" ( E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Budd Johnson
Albert J. "Budd" Johnson III (December 14, 1910 – October 20, 1984) was an American jazz saxophonist and clarinetist who worked extensively with, among others, Ben Webster, Benny Goodman, Big Joe Turner, Coleman Hawkins, Dizzy Gillespie, Duke Ellington, Quincy Jones, Count Basie, Billie Holiday and, especially, Earl Hines. Life and career Johnson initially played drums and piano before switching to tenor saxophone. In the 1920s, he performed in Texas and parts of the Midwest, working with Jesse Stone among others. Johnson had his recording debut while working with Louis Armstrong's band in 1932 to 1933, but he is more known for his work, over many years, with Earl Hines. It is contended that he and Billy Eckstine, Hines' long-term collaborator, led Hines to hire "modernists" in the birth of bebop, which came largely out of the Hines band. Johnson was also an early figure in the bebop era, doing sessions with Coleman Hawkins in 1944. Johnson was a key figure in the first beb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Jolson
Al Jolson (born Asa Yoelson, ; May 26, 1886 – October 23, 1950) was a Lithuanian-born American singer, comedian, actor, and vaudevillian. Self-billed as "The World's Greatest Entertainer," Jolson was one of the United States' most famous and highest-paid stars of the 1920s, as well as the first openly Jewish man to become an entertainment star in the United States. He was known for his "shamelessly sentimental, melodramatic approach" towards performing, along with popularizing many of the songs he sang. According to music historian Larry Stempel, "No one had heard anything quite like it before on Broadway." Stephen Banfield wrote that Jolson's style was "arguably the single most important factor in defining the modern musical." Jolson has been referred to by modern critics as "the king of blackface performers". Although best remembered today as the star of the first talking picture, ''The Jazz Singer'' (1927), he starred in a series of successful musical films during the 1930 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to the 2nd Millenium BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, appearing in orchestras, concert bands, chamber music groups, and jazz ensembles. They are also common in popular music and are generally included in school bands. Sound is produced by vibrating the lips in a mouthpiece, which starts a standing wave in the air column of the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B. There is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying valves to it in the 1820s. Initially using Stölzel valves, by the 1830s, Parisian makers were using the improved Périnet piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of classical music. Eighteenth century J. S. Bach frequently made arrangements of his own and other composers' p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Turk
Roy Kenneth Turk (September 20, 1892 – November 30, 1934) was an American songwriter and lyricist, who frequently collaborated with composer Fred E. Ahlert, with whom he wrote their popular 1929 song "Mean to Me (1929 song), Mean to Me", which became a jazz standard. In 1926 he collaborated with Lou Handman on his best known song, the 1927 hit Are You Lonesome Tonight?, whose best version was the Elvis Presley one, released in 1960. He worked with many other composers, including for film lyrics. Turk was elected posthumously to the Songwriters Hall of Fame in 1970. Overview Among his compositions (with music by Fred Ahlert unless otherwise noted): * 1923 – "My Sweetie Went Away" (music by Lou Handman) * 1927 – "Are You Lonesome Tonight?" (music by Lou Handman), popularized in 1960 by Elvis Presley * 1928 – "I'll Get By (As Long as I Have You)" * 1928 – "Mean to Me (1929 song), Mean to Me" * 1931 – "I Don't Know Why (I Just Do)" * 1931 – "Walkin' My Baby Back Hom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred E
Fred or FRED may refer to: People * Fred (name), including a list of people and characters with the name Mononym * Fred (cartoonist) (1931–2013), pen name of Fred Othon Aristidès, French * Fred (footballer, born 1949) (1949–2022), Frederico Rodrigues de Oliveira, Brazilian * Fred (footballer, born 1979), Helbert Frederico Carreiro da Silva, Brazilian * Fred (footballer, born 1983), Frederico Chaves Guedes, Brazilian * Fred (footballer, born 1986), Frederico Burgel Xavier, Brazilian * Fred (footballer, born 1993), Frederico Rodrigues de Paula Santos, Brazilian * Fred Again (born 1993), British songwriter known as FRED Television and movies * ''Fred'' (2014 film), a 2014 documentary film * Fred Figglehorn, a YouTube character created by Lucas Cruikshank ** ''Fred'' (franchise), a Nickelodeon media franchise ** '' Fred: The Movie'', a 2010 independent comedy film * '' Fred the Caveman'', French Teletoon production from 2002 * Fred Flintstone, of the 1966 TV carto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'll Get By (As Long As I Have You)
"I'll Get By (As Long as I Have You)" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk that was published in 1928. Versions by Nick Lucas, Aileen Stanley and, most successfully, Ruth Etting, all charted in America in 1929. 1944 recordings *In 1944 the song achieved its biggest success with a version by Harry James and His Orchestra featuring vocalist Dick Haymes – an April 1941 recording re-released owing to a stipulation by the 1942–44 musicians' strike that prevented recording of new material. The single debuted in April 1944 on ''Billboard'''s National Best Selling Retail Records chart and reached number one in the chart dated June 10, 1944 – the seventh of Harry James's nine US number ones; it stayed at number one for four non-consecutive weeks. The single topped ''Billboards Most Played Juke Box Records chart for six weeks. *A recording by The Ink Spots featuring tenor Bill Kenny also reached ''Billboards Top Ten in 1944. A version by the King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote more than 400 songs for Broadway musicals and films. Her best-known pieces include " The Way You Look Tonight" (1936), "A Fine Romance" (1936), " On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), " Pick Yourself Up" (1936), " I'm in the Mood for Love" (1935), " You Couldn't Be Cuter" (1938) and " Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Marlene Dietrich, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, The Everly Brothers, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts, United States, where he published about a dozen songs with local publishers. His first success was with the World War I song " Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this also came near the start of a decade-long collaboration with lyricist Jack Caddigan. After struggling in a variety of jobs, including rehearsal pianist for the Boston Opera House and pianist- song plugge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Blame Me (Dorothy Fields And Jimmy McHugh Song)
"Don't Blame Me" is a popular song with music by Jimmy McHugh and lyrics by Dorothy Fields. The song was part of the 1932 show ''Clowns in Clover'' and was published in 1933. Popular versions that year were recorded by: Ethel Waters (US No. 6), Guy Lombardo, and Charles Agnew. Later recordings *It was a No. 21 hit for Nat King Cole in 1948. *The song received two significant "rock era" remakes: a ballad version by the Everly Brothers in 1961 which reached No. 20 on ''Billboard'', and an up-tempo version by Frank Ifield which reached No. 8 on the UK Singles Chart on 15 February 1964, as well as in New Zealand. In the U.S., Ifield's version reached No. 128. Other recordings * Charles Agnew and his Hotel Stevens Orchestra (1933). ''The New Yorker'' magazine reviewed this recording as "richly played." * Ethel Waters with the Dorsey Brothers Orchestra – 1933 * Teddy Wilson – 1937 * Nat "King" Cole October 1938, July 1944,The King Cole Trio: The MacGregor Years, 1941-1945, Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
