Breaking Point (Between The Lines)
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Breaking Point (Between The Lines)
''Between the Lines'' is a television police drama series created by J. C. Wilsher and produced by World Productions for the BBC. It was first shown on BBC1 between 4 September 1992 and 21 December 1994, running for three series. The show centred on the eventful life of Detective Superintendent Tony Clark, played by Neil Pearson. Clark was an ambitious member of the Complaints Investigation Bureau (CIB), an internal organisation of the Metropolitan Police that investigates complaints against officers as well as claims of corruption inside the police force. Along the way Clark had to overcome strong influence from his superiors and problems in his private life, most notably the break-up of his marriage following an affair with WPC Jenny Dean ( Lesley Vickerage). Throughout the series Clark was assisted by colleagues Harry Naylor (Tom Georgeson) and Maureen 'Mo' Connell (Siobhan Redmond). The show became a surprise hit for the BBC, winning a British Academy Television Award (BA ...
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Crime Drama
Crime film is a film belonging to the crime fiction genre. Films of this genre generally involve various aspects of crime and fiction. Stylistically, the genre may overlap and combine with many other genres, such as Drama (film and television), drama or gangster film, but also include Comedy film, comedy, and, in turn, is divided into many sub-genres, such as Mystery film, mystery, suspense or Film noir, noir. Screenwriter and scholar Eric R. Williams identified crime film as one of eleven super-genres in his Screenwriters Taxonomy, claiming that all feature-length narrative films can be classified by these super-genres.  The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. ''China ...
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Directorate Of Professional Standards
The Metropolitan Police of Greater London, England is organised into five main directorates, each headed by an Assistant Commissioner, and four civilian-staffed support departments previously under the umbrella of Met Headquarters, each headed by a Chief Officer, the equivalent civilian grade to Assistant Commissioner. Each business groups or directorate has differing responsibilities. The commands are Frontline Policing (formerly Territorial Policing), Met Operations (formerly Specialist Crime & Operations), Specialist Operations and Professionalism. The Management Board, responsible for the strategic direction of the MPS, is composed of the senior police leadership including the Commissioner, Deputy Commissioner, the five Assistant Commissioners (for Met Operations, Frontline Policing, Specialist Operations and Professionalism) and four Chief Officers. Leadership the senior leadership rank-holders of the MPS are: The highest rank in the MPS is that of the Commissioner, ...
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Police Complaints Authority (United Kingdom)
The Police Complaints Authority (PCA) was an independent body in the United Kingdom with the power to investigate public complaints against the Police in England and Wales as well as related matters of public concern. It was formed in 1985, replacing the Police Complaints Board and was then itself replaced by the Independent Police Complaints Commission (IPCC) in April 2004. The IPCC was also, in Northern Ireland, the successor body to Office of the Police Ombudsman for Northern Ireland, set up in 2000 to investigate complaints against the Royal Ulster Constabulary and its successor the Police Service of Northern Ireland (PSNI). It had its own teams of civilian investigators and was completely independent of the Police. In addition to the PSNI it also covered the Belfast Harbour Police and the Larne Harbour Police, the Belfast International Airport Constabulary, and the MoD Police (not the same as the Royal Military Police). Unlike the IPCC the Ombudsman's office could investigat ...
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Police Complaints Board
The Police Complaints Board (PCB) was the British government organisation tasked with overseeing the system for handling complaints made against police forces in England and Wales from 1 June 1977 until it was replaced by the Police Complaints Authority on 29 April 1985. Like its replacement, the Police Complaints Authority, its successor the Independent Police Complaints Commission, and the present Independent Office for Police Conduct, the Police Complaints Board was operationally independent of the British police. Creation Until the creation of the PCB in June 1977, complaints against police officers were handled directly by the forces concerned, although the Home Secretary could refer a serious complaint to another police force for investigation under a mechanism set out in Section 49 of the Police Act 1964. The investigating force would forward a report to the Director of Public Prosecutions (DPP), who could decide to prosecute the offending policemen. Following a ser ...
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Royal Ulster Constabulary
The Royal Ulster Constabulary (RUC) was the police force in Northern Ireland from 1922 to 2001. It was founded on 1 June 1922 as a successor to the Royal Irish Constabulary (RIC) Richard Doherty, ''The Thin Green Line – The History of the Royal Ulster Constabulary GC'', pp. 5, 17, 27, 93, 134, 271; Pen & Sword Books; following the partition of Ireland. At its peak the force had around 8,500 officers, with a further 4,500 who were members of the RUC Reserve. The RUC policed Northern Ireland from the aftermath of the Irish War of Independence until after the turn of the 21st century and played a major role in the Troubles between the 1960s and the 1990s. Due to the threat from the Provisional Irish Republican Army (IRA), who saw the RUC as enforcing British rule, the force was heavily armed and militarised. Officers routinely carried submachine guns and assault rifles, travelled in armoured vehicles, and were based in heavily fortified police stations.Weitzer, Ronald. ...
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The Cops (British TV Series)
''The Cops'' is a British television police procedural drama series created by Jimmy Gardner, Robert Jones, and Anita J. Pandolfo, first broadcast on BBC Two on 19 October 1998. Produced by World Productions, the series follows the lives of one shift of uniform officers based at Christie Road Police Station in the fictional town of Stanton, Greater Manchester. Billed as another attempt by the BBC to rival ''The Bill'', the series was notable for its documentary-style camerawork and uncompromising portrayal of the police force. Although the series featured a number of notable actors across three series, Katy Cavanagh, Rob Dixon, and John Henshaw remained as the principal cast throughout. The series was primarily filmed in Bolton, Greater Manchester. The first series was so controversial in its depiction of the police force that official police advice was withdrawn before the second series went into production. Twenty-four episodes were broadcast in three series, although the thi ...
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Ballykissangel
''Ballykissangel'' is a BBC television drama created by Kieran Prendiville and set in Ireland, produced in-house by BBC Northern Ireland. The original story revolved around a young English Roman Catholic priest as he became part of a rural community. It ran for six series, which were first broadcast on BBC One in the United Kingdom from 11 February 1996 to 15 April 2001. It aired in Ireland on RTÉ One and in Australia on ABC TV from 1996 to 2001. Repeats have been shown on Drama in the United Kingdom and the series also has been shown in the United States on some PBS affiliates. The series was made and set during the Celtic Tiger economic period in Ireland and this features mainly through Tony Doyle’s character, Brian Quigley. The show is also set amid the backdrop of the Catholic Church scandal and explores controversial themes of the time such as divorce (which had only been legalised a year before the series began), and pre-marital sex. Dervla Kirwan’s and Niall ...
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This Life (1996 TV Series)
''This Life'' is a BBC television drama that was produced by World Productions and screened on BBC Two. Two series were broadcast from 18 March 1996 to 7 August 1997, with a later reunion special on 2 January 2007. It centres on a group of law graduates in their twenties, embarking upon their careers while sharing a house in south London. There are no courtroom scenes in either the first or second series, and only one brief scene in the TV sequel. The show became a popular word-of-mouth hit and was included on BFI's list of the 100 greatest British television programmes. Production The series was created by Amy Jenkins, who was also its principal writer. Other writers contributed scripts, including Joe Ahearne (who also directed some episodes—the only person to do both on the series), Ian Iqbal Rashid, Amelia Bullmore, and Matthew Graham. Tony Garnett was the executive producer and Jane Fallon worked as a producer on both series. When the first series was screened it was a ...
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Play For Today
''Play for Today'' is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were (with a few exceptions noted below) between fifty and a hundred minutes in duration. A handful of these plays, including ''Rumpole of the Bailey'', subsequently became television series in their own right. History The strand was a successor to ''The Wednesday Play'', the 1960s anthology series, the title being changed when the day of transmission moved to Thursday to make way for a sport programme. Some works, screened in anthology series on BBC2, like Willy Russell's '' Our Day Out'' (1977), were repeated on BBC1 in the series. The producers of ''The Wednesday Play'', Graeme MacDonald and Irene Shubik, transferred to the new series. Shubik continued with the series until ...
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The Wednesday Play
''The Wednesday Play'' is an anthology series of United Kingdom, British television plays which ran on BBC One, BBC1 for six seasons from October 1964 to May 1970. The plays were usually original works written for television, although dramatic adaptations of fiction (and occasionally stage plays) also featured. The series gained a reputation for presenting contemporary social dramas, and for bringing issues to the attention of a mass audience that would not otherwise have been discussed on screen. Some of British television drama's most influential, and controversial, plays were shown in this slot, including ''Up the Junction (The Wednesday Play), Up the Junction'' and ''Cathy Come Home''. The earliest television plays of Dennis Potter were featured in this slot. History Origins and early series The series was suggested to the BBC's Head of Drama, Sydney Newman, by the corporation's director of television Kenneth Adam after his cancellation of the two previous series of single ...
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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves filmmaking and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Activities Purpose The BFI was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history, heritage and culture of the United Kingdom. Archive The BFI maintain ...
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100 Greatest British Television Programmes
The BFI TV 100 is a list of 100 television programmes or series that was compiled in 2000 by the British Film Institute (BFI), as chosen by a poll of industry professionals, with the aim to determine the best British television programmes of any genre that had been screened up to that time. Selection and criteria The British Film Institute television programme poll was conducted in the year 2000, and its results are reflected in the list that appears in a following section. Initially, a 'big list' of 650 programmes was drawn up by BFI personnel. Television programmes no longer extant in the archives were excluded from consideration. The provisional list was split into six categories: Single Dramas, Drama Series and Serials, Comedy and Variety, Factual, Children's/Youth, and Lifestyle & Light Entertainment. Some programmes were represented in the list by an entire series; however, for some series—e.g., the anthology ''The Wednesday Play'' and the current affairs programme '' T ...
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