|
Breakfast Dance And Barbecue
''Breakfast Dance and Barbecue'' is a live album by pianist, composer and bandleader Count Basie and his Orchestra with vocalist Joe Williams featuring tracks recorded at a Disc Jockey convention in Florida in 1959 and originally released on the Roulette label.Kitora, R.Count Basie Discography accessed November 5, 2015 Reception AllMusic awarded the album 3 stars and its review by Scott Yanow states, "Their first of three sets took place at 2 a.m. but the late hour if anything kept the band loose". Track listing # "The Deacon" (Thad Jones) – 5:52 Bonus track on CD reissue # "Cute" (Neal Hefti) – 4:09 Bonus track on CD reissue # "In a Mellow Tone" (Duke Ellington, Milt Gabler) – 6:53 # " No Moon at All" ( David Mann, Redd Evans) – 2:57 Bonus track on CD reissue # "Cherry Red" ( Pete Johnson, Big Joe Turner) – 2:39 Bonus track on CD reissue # "Roll 'Em Pete" (Johnson, Turner) – 2:38 Bonus track on CD reissue # "Cherry Point" (Hefti) – 4:10 Bonus track on CD reissue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, his minimalist piano style, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Dennis Rowland, Thelma Carpenter, and Joe Williams (jazz singer), Joe Williams. As a composer, Basie is known for writing such jazz standards as "Blue and Sentimental", "Jumpin' at the Woodside" and "One O'Clock Jump" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Redd Evans
Redd Evans (July 6, 1912 – August 29, 1972) was a lyricist whose songs have been recorded by Nat King Cole, Frank Sinatra, Doris Day, and many others. He may be best known for " There! I've Said It Again", a song that Bobby Vinton took to the top of the ''Billboard'' Hot 100 chart on January 4, 1964; this song was co-written with David Mann. His other well known compositions include "Don't Go to Strangers", "Rosie the Riveter Rosie the Riveter is an allegorical cultural icon in the United States who represents the women who worked in factories and shipyards during World War II, many of whom produced munitions and war supplies. These women sometimes took entirely n ...", and " The Frim-Fram Sauce". References External linksArtist: Redd Evansat Second Hand SongsLyrics to The Frim-Fram Sauce 1912 births 1972 deaths American male composers Musicians from Meridian, Mississippi 20th-century American composers 20th-century American male musicians {{US-songwriter- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Snooky Young
Eugene Edward "Snooky" Young (February 3, 1919 – May 11, 2011) was an American jazz trumpeter. He was known for his mastery of the plunger mute, with which he was able to create a wide range of sounds. Biography Young was lead trumpeter of the Jimmie Lunceford band from 1939 to 1942. He played with Count Basie (three stints totalling eight years), Gerald Wilson and Lionel Hampton, among others, and was an original member of the Thad Jones/Mel Lewis Big Band. His longest engagement was with NBC, where, as a studio trumpeter, he joined ''The Tonight Show'' Band in 1967 and remained with them until 1992, when the band was replaced by a new, smaller group. He was part of the touring ensemble, the "Now Generation Brass", that traveled with Doc Severinsen, which included other jazz greats such as reed man Lew Tabackin, drummer Ed Shaughnessy, and saxophonist and arranger Tommy Newsom, as well as singer Robert Ozn. Young went on to performing live concert dates, corporate e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Newman (trumpeter)
Joseph Dwight Newman (September 7, 1922 – July 4, 1992) was an American jazz trumpeter, composer, and educator, best known as a musician who worked with Count Basie during two periods. Early life and education Newman was born in New Orleans, Louisiana, to Dwight, (pianist) and Louise Newman, a musical family, having his first music lessons from David Jones. He attended Alabama State College, where he joined the college band (the Bama State Collegians), became its leader, and took it on tour. There he was discovered by Lionel Hampton. Career In 1941, he joined Lionel Hampton for two years, before signing with Count Basie, with whom he stayed for a total of thirteen years, interrupted by short breaks and a long period (1947–1952) spent first with saxophonist Illinois Jacquet and then drummer J. C. Heard. During his second period with Basie, which lasted for about nine years, he made a number of small-group recordings as the leader. He also played on Benny Goodman's 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thad Jones
Thaddeus Joseph Jones (March 28, 1923 – August 20, 1986) was an American jazz trumpeter, composer and bandleader who has been called "one of the all-time greatest jazz trumpet soloists". Early life, family and education Thad Jones was born in Pontiac, Michigan, to Henry and Olivia Jones, a musical family of 10 (an older brother was pianist Hank Jones and a younger brother was drummer Elvin Jones). A self-taught musician, Thad began performing professionally at the age of 16. He served in U.S. Army bands during World War II (1943–1946). Many years later, while teaching jazz at the Royal Danish Academy of Music, Royal Danish Conservatory in Copenhagen, Jones studied composition formally during this period. He also began learning the valve trombone. Career After his military service, which included an association with the United States Armed Forces School of Music, US Military School of Music and working with area bands in Des Moines, Iowa; and Oklahoma City, Oklahoma, Jones ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wendell Culley
Wendell Philips Culley (January 8, 1906 in Worcester, Massachusetts – May 8, 1983 in Los Angeles, CA) was an American jazz trumpeter and occasional multi instrumentalist. Growing up in Worcester, Culley played regularly at the AME Zion Church, in the Commerce High School band, and occasionally with Mamie Moffitt and Her Five Jazz Hounds. He also played in Boots Ward's Nite Hawks, and in working groups with his brother Ray, a drummer and singer. His older sister is actress, Zara Cully, best known for her role as Olivia 'Mother Jefferson' Jefferson on the CBS sitcom The Jeffersons. His sister Agnes Cully Brown was a fashion designer for opera singer Marian Anderson. In 1931, he moved to New York City, where he found early work playing with Horace Henderson and Cab Calloway. He then spent 11 years in the employ of Noble Sissle, recording with him extensively. Following this, he played French horn with Harry James and His Orchestra on a 1942 recording, then tenor saxophone on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One O'Clock Jump
"One O'Clock Jump" is a jazz standard; a 12-bar blues instrumental, written by Count Basie in 1937. Background The melody derived from band members' riffs—Basie rarely wrote down musical ideas, so Eddie Durham and Buster Smith helped him crystallize his ideas. The original 1937 recording of the tune by Basie and his band is noted for the saxophone work of Herschel Evans and Lester Young, trumpet by Buck Clayton, Walter Page on bass, and Basie himself on piano. The song is typical of Basie's early riff style. The song was called One O'Clock Jump because the band practiced usually late at 1 AM. The instrumentation is based on " head arrangements" where each section makes up their part based on what the other sections are playing. Individuals take turns improvising over the top of the entire sound. Basie recorded "One O'Clock Jump" several times after the original performance for Decca in June 1937. Notable live radio transcriptions of the song also exist, such as Basie's N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ray Charles
Ray Charles Robinson (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential musicians in history, and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians, he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma. Charles pioneered the soul music genre during the 1950s by combining elements of blues, jazz, rhythm and blues, and Gospel music, gospel into his music during his time with Atlantic Records. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two ''Modern Sounds'' albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company. Charles' 1960s hit "Georgia on My Mind" was the first of his three career No. 1 hits ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hallelujah I Love Her So
"Hallelujah I Love Her So" is a single by American musician Ray Charles. The rhythm and blues song was written and released by Charles in 1956 on the Atlantic label, and in 1957 it was included on his self-titled debut LP, also released on Atlantic. The song peaked at number five on the ''Billboard'' R&B chart. It is loosely based on 'Get It Over Baby' by Ike Turner (1953). The song incorporates Gospel music. "Hallelujah I Love Her So" is a testament to the joyous release of love, featuring a sophisticated horn arrangement and memorable tenor sax solo by Don Wilkerson. Several artists, including Stevie Wonder, Peggy Lee, Eddie Cochran, and Humble Pie have covered the song. Personnel * Ray Charles – lead vocal * Don Wilkerson – tenor saxophone solo *The Ray Charles Orchestra – instrumentation * Jerry Wexler – producer Beatles cover versions According to biographer Mark Lewisohn (in ''The Complete Beatles Chronicle'', p. 362), the Beatles (first as the Quarry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bennie Moten
Benjamin Moten (November 13, 1893 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. He led his Kansas City Orchestra, the most important of the regional, blues-based orchestras active in the Midwest in the 1920s, and helped to develop the riffing style that would come to define many of the 1930s big bands. The jazz standard " Moten Swing" bears his name. Career Moten started making music from an early age and developed as a pianist, pulling together other musicians in a band. His first recordings were made (for OKeh Records) on September 23, 1923, and were rather typical interpretations of the New Orleans style of King Oliver and others. They also showed the influence of the ragtime that was still popular in the area, as well as the stomping beat for which his band was famous. These OKeh sides (recorded 1923–1925) are some of the more valuable acoustic jazz 78s of the era; they are treasured records in m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moten Swing
"Moten Swing" (originally "Moten's Swing") is a 1932 jazz standard by Bennie Moten and his Kansas City Orchestra. It was an important jazz standard in the move towards a freer form of orchestral jazz and the development of Swing music. Moten and his Orchestra, which included Count Basie on piano, achieved much success with it, although the song is most associated with Basie's Count Basie Orchestra, who recorded it in 1940. Original The song, already an anthem of Kansas City, had its origins in an earlier composition, when Buster Moten and trombonist Thamon Hayes composed "Moten Stomp" in 1927, and it was in the charts for two weeks the following year. Count Basie has stated that he and guitarist Eddie Durham deserved the most credit for it and that it was essentially his, although he didn't join the band until 1929. The 1932 "Moten Swing", written by Bennie and Buster Moten, recorded at Camden, New Jersey, on December 13, 1932, gained much acclaim in the jazz community and is seen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Memphis Slim
John Len Chatman (September 3, 1915 – February 24, 1988), known professionally as Memphis Slim, was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 sound recording and reproduction, recordings. He was Posthumous recognition, posthumously inducted into the Blues Hall of Fame in 1989. Biography Memphis Slim was born John Len Chatman, in Memphis, Tennessee. For his first recordings, for Okeh Records in 1940, he used the name of his father, Peter Chatman (who sang, played piano and guitar, and operated juke joints); it is commonly believed that he did so to honor his father. He started performing under the name "Memphis Slim" later that year but continued to Music publisher (popular music), publish songs under the name Pete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
