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Brazilian Academic Art
Brazilian Academic art was a major art style in Brazil from the early 19th century to the early 20th century, based on European academic art and produced in official institutions of professional art education. Brazilian academic art was not affiliated with only one art movement, but rather with several different ones during its course. At first, it was part of the Neoclassicism movement, being one of its main forces of local diffusion. Later, it also incorporated the romanticism, realism and symbolism movements, as well as others that were typical of the 20th century turn, while cleansing them of any characteristic that did not fit academic formality. The main official institution of Brazilian academic art was the Escola Real de Ciências, Artes e Ofícios (Royal School of Sciences, Arts and Crafts), founded in 1816 by Dom João VI, later renamed Academia Imperial de Belas Artes (Imperial Academy of Fine Arts) and finally Escola Nacional de Belas Artes (National School of Fine ...
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Modernism
Modernism was an early 20th-century movement in literature, visual arts, and music that emphasized experimentation, abstraction, and Subjectivity and objectivity (philosophy), subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in a "growing Marx's theory of alienation, alienation" from prevailing "morality, optimism, and Convention (norm), convention" and a desire to change how "social organization, human beings in a society interact and live together". The modernist movement emerged during the late 19th century in response to significant changes in Western culture, including secularization and the growing influence of science. It is characterized by a self-conscious rejection of tradition and the search for newer means of cultural expressions, cultural expression. Modernism was influenced by widespread technological innovation, industrialization, and urbanization, as well as the cul ...
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Brazilian Art
The creation of art in the geographic area now known as Brazil begins with the earliest records of its human habitation. The original inhabitants of the land, pre-Cabraline Indigenous or Natives peoples, produced various forms of art; specific cultures like the Marajoara left sophisticated painted pottery. This area was colonized by Portugal in the 16th century and given the modern name of Brazil. Brazilian art is most commonly used as an umbrella term for art created in this region post Portuguese colonization. Pre-Cabraline traditions The oldest known art in Brazil is the cave paintings in Serra da Capivara National Park in the state of Piauí, dating back to c. 13,000 BC. More recent examples have been found in Minas Gerais and Goiás, showing geometric patterns and animal forms. One of the most sophisticated kinds of Pre-Cabraline artifact found in Brazil is the sophisticated Marajoara pottery (c. 800–1400 AD), from cultures flourishing on Marajó Island and around ...
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Emperor Dom Pedro I
''Don (honorific), Dom'' Pedro I (12 October 1798 – 24 September 1834), known in Brazil and in Portugal as "the Liberator" () or "the Soldier King" () in Portugal, was the founder and List of monarchs of Brazil, first ruler of the Empire of Brazil from 1822 to 1831 (under the name of Pedro I) and List of Portuguese monarchs#House of Braganza (1640–1910), King of Portugal in 1826 (under the name of Pedro IV). Born in Lisbon, Pedro was the fourth child of King Dom John VI of Portugal and Queen Carlota Joaquina, and thus a member of the House of Braganza. When the country was Invasion of Portugal (1807), invaded by French troops in 1807, he and his family fled to Portugal's largest and wealthiest colony, Brazil. The outbreak of the Liberal Revolution of 1820 in Lisbon compelled Pedro I's father to return to Portugal in April 1821, leaving him to rule Brazil as regent. He had to deal with challenges from revolutionaries and insubordination by Portuguese troops, all of whi ...
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Joachim Lebreton
Joachim Lebreton (1760–1819) was a French professor, public administrator and legislator. Biography Lebreton began his career as professor of Rhetoric at the Collège de Tulle. He was appointed administrator of Fine Arts of the Ministry of Interior during the French Revolution, at the time of the French Directory. Then, he took part in the 18 Brumaire coup, becoming member of the Revolutionary in the year VIII of the Revolution, a member of Institut de France a society for the propagation of science and the arts, in the year XI, and also a member of Légion d'honneur from the year XII. He later became the secretary of the Institut National, "but resigned in 1815, having opposed the repatriation of works of art looted by Napoleon." He was removed from office and forced into exile with the European Restoration, coming to get refuge in Brazil under the protection of the Portuguese royal family, who was residing there since 1808. Lebreton docked in Rio de Janeiro in 1816 and ...
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Carpentry
Carpentry is a skilled trade and a craft in which the primary work performed is the cutting, shaping and installation of building materials during the construction of buildings, Shipbuilding, ships, timber bridges, concrete formwork, etc. Carpenters traditionally worked with natural wood and did rougher work such as framing, but today many other materials are also used and sometimes the finer trades of cabinetmaking and furniture building are considered carpentry. In the United States, 98.5% of carpenters are male, and it was the fourth most male-dominated occupation in the country in 1999. In 2006 in the United States, there were about 1.5 million carpentry positions. Carpenters are usually the first tradesmen on a job and the last to leave. Carpenters normally framed post-and-beam buildings until the end of the 19th century; now this old-fashioned carpentry is called timber framing. Carpenters learn this trade by being employed through an apprenticeship training—normally ...
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Decorative Arts
] The decorative arts are arts or crafts whose aim is the design and manufacture of objects that are both beautiful and functional. This includes most of the objects for the interiors of buildings, as well as interior design, but typically excludes architecture. Ceramic art, metalwork, furniture, jewellery, fashion, various forms of the textile arts and glassware are major groupings. Applied arts largely overlap with the decorative arts, and in modern parlance they are both often placed under the umbrella category of design. The decorative arts are often categorized in distinction to the "fine arts", namely painting, drawing, photography, and large-scale sculpture, which generally produce objects solely for their aesthetic quality and capacity to stimulate the intellect. Distinction from the fine arts The distinction between the decorative and fine arts essentially arose from the post-renaissance art of the West, where the distinction is for the most part meaningful. Thi ...
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Model (art)
An art model is a person who poses, often nude, for visual artists as part of the creative process, providing a reference for the human body in a work of art. As an occupation, modeling requires the often strenuous ' physical work' of holding poses for the required length of time, the 'aesthetic work' of performing a variety of interesting poses, and the ' emotional work' of maintaining a socially ambiguous role. While the role of nude models is well-established as a necessary part of artistic practice, public nudity remains transgressive, and models may be vulnerable to stigmatization or exploitation. Family and friends may pose for artists, in particular for works with costumed figures. Much of the public perception of art models and their role in the production of artworks is based upon mythology, the conflation of art modeling with fashion modeling or erotic performances, and representations of art models in popular media. One of the perennial tropes is that in addi ...
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Missão Artística Francesa
The French Artistic Mission in Brazil () was a group of French artists and architects that came to Rio de Janeiro, then the capital city of the United Kingdom of Portugal, Brazil and the Algarves, in March 1816, under the auspices of the royal court of Portugal, which had been transferred to Brazil since 1808 due to Portugal's invasion by Napoleon Bonaparte. The Mission, led by Joachim Lebreton, had the mission of establishing the Escola Real de Ciências, Artes e Ofícios (Royal School of Sciences, Arts and Crafts), which later became the Escola Nacional de Belas Artes (National School of Fine Arts). The Imperial period in Brazil, which spanned from the early 1800’s until the end of the century, was a crucial time in the nation’s developing identity. During this era, Brazil emerged as a prominent global contender; politically, economically, and artistically. The French Artistic Mission was critical in establishing Brazil’s artistic identity and altered the concept of prod ...
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Académie Des Beaux-Arts
The (; ) is a French learned society based in Paris. It is one of the five academies of the . The current president of the academy (2021) is Alain-Charles Perrot, a French architect. Background The academy was created in 1816 in Paris as a merger of the Académie de peinture et de sculpture (Academy of Painting and Sculpture, founded 1648), the Académie de musique (Academy of Music, founded in 1669) and the Académie d'architecture (Academy of Architecture, founded in 1671). Awards Currently, the provides several awards including five dedicated prizes:
. Prix et Concours. * Liliane Bettencourt Prize for Choral Singing *
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Academies
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of tertiary education. The name traces back to Plato's school of philosophy, founded approximately 386 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and Skills, skill, north of Ancient Athens, Athens, Greece. The Royal Spanish Academy defines academy as scientific, literary or artistic society established with public authority and as a teaching establishment, public or private, of a professional, artistic, technical or simply practical nature. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the Gymnasium (ancient Greece), gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive Grove (nature), grove, hence the expression "the groves of Academe". In these gardens, the philos ...
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