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Brancacci Chapel
The Brancacci Chapel (in Italian language, Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine di Firenze, Santa Maria del Carmine in Florence, central Italy. It is sometimes called the "Sistine Chapel of the early Renaissance" for its painting cycle, among the most famous and influential of the period. Construction of the chapel was commissioned by Felice Brancacci and begun in 1422. The paintings were executed over the years 1425 to 1427. Public access is currently gained via the neighbouring convent, designed by Filippo Brunelleschi, Brunelleschi. The church and the chapel are treated as separate places to visit and as such have different opening times and it is quite difficult to see the rest of the church from the chapel. The patron of the pictorial decoration was Felice Brancacci, descendant of Pietro, who had served as the Florentine ambassador to Cairo until 1423. Upon his return to Florence, he hired Masolino da Panicale to paint his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque ( , , ) is a Western Style (visual arts), style of Baroque architecture, architecture, Baroque music, music, Baroque dance, dance, Baroque painting, painting, Baroque sculpture, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassicism, Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran art#Baroque period, Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plastic Arts
Plastic arts are art forms which involve physical manipulation of a ''plastic medium'', such as clay, wax, paint or even plastic in the modern sense of the word (a ductile polymer) to create works of art. The term is used more generally to refer to the visual arts (such as painting, sculpture, ceramics, architecture, film and photography), rather than literature and music. Materials for use in the plastic arts, in the narrower definition, include those that can be carved or shaped, such as stone or wood, concrete, glass, or metal. History The word ''plastic'' draws from the Ancient Greek (''plastikós''), which means 'to mold' or 'to shape'. It has long preceded its dominant modern meaning as a synthetic material. The term ''plastic arts'' has been used historically to denote visual art forms (painting, sculpture, and ceramics) as opposed to literature or music. The related terms ''plasticity'' and ''plasticism'' became more widely used in the early 20th century by cri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Gothic
International Gothic is a period of Gothic art that began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the French art historian Louis Courajod at the end of the 19th century. The spread of ideas and portable works, such as illuminated manuscripts throughout Europe led to consensus among artists and their patrons that considerably reduced variation in national styles. The main influences were northern France, the Duchy of Burgundy, Flanders and Brabant, the Imperial court in Prague, and Italy. Royal marriages such as that between Richard II of England and Anne of Bohemia helped to spread the style. It was initially a style of courtly sophistication, but somewhat more robust versions spread to art commissioned by the emerging mercantile classes and the smaller nobility. In Northern Europe "Late Gothic" continuations of the style, especially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masolino
Lordship of Perugia , death_date = , death_place = Florence, Republic of Florence , nationality = Italian , field = Painting, fresco , training = , movement = Italian Renaissance , works = frescoes in the Brancacci Chapel , patrons = Pipo of OzoraCardinal Branda Castiglione Tommaso di Cristoforo Fini ( – ), known by his nickname Masolino da Panicale (), was an Italian painter. His best known works are probably his collaborations with Masaccio: '' Madonna with Child and St. Anne'' (1424) and the frescoes in the Brancacci Chapel (1424–1428). Biography Masolino was possibly born in Panicale, present-day Umbria. He may have been an assistant to Ghiberti in Florence between 1403 and 1407. In 1423, he joined the Florentine guild ''Arte dei Medici e Speziali'' (Doctors and Apothecaries), which included painters as an independent branch. He may have been the first artist to create oil paintings in the 1420s, rather than J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patron Saint
A patron saint, patroness saint, patron hallow or heavenly protector is a saint who in Catholicism, Anglicanism, Eastern Orthodoxy or Oriental Orthodoxy is regarded as the heavenly advocate of a nation, place, craft, activity, class, clan, family, or person. The term may be applied to individuals to whom similar roles are ascribed in other religions. In Christianity Saints often become the patrons of places where they were born or had been active. However, there were cases in medieval Europe where a city which grew to prominence obtained for its cathedral the remains or some relics of a famous saint who had lived and was buried elsewhere, thus making them the city's patron saint – such a practice conferred considerable prestige on the city concerned. In Latin America and the Philippines, Spanish and Portuguese explorers often named a location for the saint on whose feast or commemoration day they first visited the place, with that saint naturally becoming the area's patron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angelo Rizzoli
Angelo Rizzoli, OML (; 31 October 1889 – 24 September 1970) was an Italian publisher and film producer. Early life Rizzoli was born in Milan on 31 October 1889. Orphaned at a young age and raised in poverty, he rose to prosperity. He apprenticed in the printer trade and later became an entrepreneur in his twenties. Career In 1927, Rizzoli founded the company ''A. Rizzoli & Co.'' (later RCS MediaGroup). In 1927 Rizzoli acquired ''Novella'' magazine, a bi-weekly primarily for women that reached a circulation of 130,000 copies, from ''Mondadori'' an independent publisher who specialized in books and magazines. After his initial purchase, he added several new publications including ''Annabella'', '' Bertoldo'', '' Candido'', '' Omnibus'', and ''Oggi e L'Europeo''. In 1949 he began publishing books including both classics and popular novels. He purchased ''Cartiera di Lama di Reno'' in 1954, the foundation for what would become an Italian publishing empire. His operations were mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Zeri
Federico Zeri (12 August 1921 – 5 October 1998) was an Italian art historian specialised in Italian Renaissance painting. He wrote for the Italian newspaper ''La Stampa'', and was a well known television-personality in Italy. Zeri was born in central Rome, and graduated from Sapienza University of Rome in 1945. Not wishing to enter the academic world, he worked in the Ministry of Public Education until 1952. In 1948 he was nominated director of Galleria Spada in Rome. In 1963 Zeri was among the founding members of the Getty Villa's board of trustees. He left in 1984, after his argument that the Getty kouros was a forgery and should not be bought, was rejected. Following this episode, Zeri became notorious for denouncing forgeries and misattributions. In 1984, when four students in Livorno hoaxed both the city and Modigliani experts into believing that a group of sculptures they have made were authentic, he was one of the few who called on their amateurish style. Zeri also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto, was an List of Italian painters, Italian painter and architect from Florence during the Late Middle Ages. He worked during the International Gothic, Gothic and Italian Renaissance painting#Proto-Renaissance painting, Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break from the prevalent Byzantine art, Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectival
Perspectivism (also called perspectivalism) is the epistemological principle that perception of and knowledge of something are always bound to the interpretive perspectives of those observing it. While perspectivism regard all perspectives and interpretations as being of equal truth or value, it holds that no one has access to an absolute view of the world cut off from perspective. Instead, all such occurs from some point of view which in turn affects how things are perceived. Rather than attempt to determine truth by correspondence to things outside any perspective, perspectivism thus generally seeks to determine truth by comparing and evaluating perspectives among themselves.For the perspectivist divergence between truth and value, and its opposition to correspondence theories of truth, see: Including its pre-Nietzschean forms, perspectivism traditionally holds that: "All seeing occurs from some point of view, in accordance with our interests. There is neither a view from n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
