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Bohemian Rhapsody
"Bohemian Rhapsody" is a song by the British rock music, rock band Queen (band), Queen, released as the lead single from their fourth studio album, ''A Night at the Opera (Queen album), A Night at the Opera'' (1975). Written by Queen's lead singer Freddie Mercury, the song is a six-minute suite (music), suite, notable for its lack of a refrain, refraining chorus and consisting of several sections: an Introduction (music), intro, a ballad segment, an operatic passage, a hard rock part and a reflective Coda (music), coda. It is one of the only progressive rock songs of the 1970s to have proved accessible to a mainstream audience. Mercury referred to "Bohemian Rhapsody" as a "mock opera" that resulted from the combination of three songs he had written. It was recorded by Queen and co-producer Roy Thomas Baker at five studios between August and September 1975. Due to recording logistics of the era, the band had to ping-pong recording, bounce the tracks across eight generations of 2 ...
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A Night At The Opera (Queen Album)
''A Night at the Opera'' is the fourth studio album by the British rock band Queen, released on 28 November 1975, by EMI Records in the United Kingdom and Elektra Records in the United States. Produced by Roy Thomas Baker and Queen, it was reportedly the most expensive album ever recorded at the time of its release. Named after the Marx Brothers' film of the same name, ''A Night at the Opera'' was recorded at various studios across a four-month period in 1975. Due to management issues, Queen had received almost none of the money they earned for their previous albums. Subsequently, they ended their contract with Trident Studios and did not use their studios for the album (the sole exception being "God Save the Queen", which had been recorded the previous year). They employed a complex production that extensively used multitrack recording, and the songs incorporated a wide range of styles, such as ballads, music hall, sea shanties, dixieland, hard rock and progressive rock inf ...
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Queen (band)
Queen are a British Rock music, rock band formed in London in 1970 by Freddie Mercury (lead vocals, piano), Brian May (guitar, vocals), and Roger Taylor (Queen drummer), Roger Taylor (drums, vocals), later joined by John Deacon (bass). Their earliest works were influenced by progressive rock, hard rock and Heavy metal music, heavy metal, but the band gradually ventured into more conventional and radio-friendly works by incorporating further styles, such as arena rock and pop rock. Before forming Queen, May and Taylor had played together in the band Smile (band), Smile. Mercury was a fan of Smile and encouraged them to experiment with more elaborate stage and recording techniques. He joined in 1970 and suggested the name "Queen". Deacon was recruited in February 1971, before the band released their Queen (Queen album), self-titled debut album in 1973. Queen first charted in the UK with their second album, ''Queen II'', in 1974. ''Sheer Heart Attack'' later that year and ''A Ni ...
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The Barber Of Seville (play)
''The Barber of Seville or the Useless Precaution'' () is a French Play (theatre), play by Pierre Beaumarchais, with original music by Antoine-Laurent Baudron. It was initially conceived as an ''opéra comique'', and was rejected as such in 1772 by the Opéra-Comique, Comédie-Italienne. The play as it is now known was written in 1773, but, due to legal and political problems of the author, it was not performed until February 23, 1775, at the Comédie-Française in the Théâtre des Tuileries, Tuileries. It is the first play in a trilogy of which the other constituents are ''The Marriage of Figaro (play), The Marriage of Figaro'' and ''The Guilty Mother''. Though the play was poorly received at first, Beaumarchais worked some fast editing of the script, turning it into a roaring success after three days. The play's title might be a pun on Tirso de Molina's earlier play ''The Trickster of Seville and the Stone Guest, El Burlador de Sevilla'' (''The Trickster of Seville''). Wolfg ...
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Galileo Galilei
Galileo di Vincenzo Bonaiuti de' Galilei (15 February 1564 – 8 January 1642), commonly referred to as Galileo Galilei ( , , ) or mononymously as Galileo, was an Italian astronomer, physicist and engineer, sometimes described as a polymath. He was born in the city of Pisa, then part of the Duchy of Florence. Galileo has been called the father of observational astronomy, modern-era classical physics, the scientific method, and modern science. Galileo studied speed and velocity, gravity and free fall, the principle of relativity, inertia, projectile motion and also worked in applied science and technology, describing the properties of the pendulum and "hydrostatic balances". He was one of the earliest Renaissance developers of the thermoscope and the inventor of various sector (instrument), military compasses. With an improved telescope he built, he observed the stars of the Milky Way, the phases of Venus, the Galilean moons, four largest satellites of Jupiter, Saturn's r ...
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Fandango
Fandango is a lively partner dance originating in Portugal and Spain, usually in triple metre, triple meter, traditionally accompanied by guitars, castanets, tambourine or hand-clapping. Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated. The meter of fandango is similar to that of the bolero and seguidilla. It was originally notated in time, of slow tempo, mostly in the minor, with a trio in the major; sometimes, however, the whole was in a major key. Later it took the 3-4 tempo, and the characteristic Spanish rhythm. Origins The earliest fandango melody is found in the anonymous "Libro de diferentes cifras de guitarra" from 1705, and the earliest description of the dance itself is found in a 1712 letter by M ...
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Scaramouche
Scaramouche () or Scaramouch (; Italian: Scaramuccia ; ) is a stock clown character of the 16th-century commedia dell'arte (comic theatrical arts of Italian literature). The role combined characteristics of the Zanni (servant) and il Capitano (masked henchman), with some assortment of villainous traits. Usually attired in black Spanish dress and burlesquing a don, he was often beaten by Harlequin for his boasting and cowardice. History Although Tiberio Fiorillo (1608–1694) was not the first to play the role, he greatly developed and popularized it. He removed the mask, used white powder on his face, and employed grimaces. He was small, had a long beard, and wore a predominantly black costume with a white ruff. In France, he became known as Scaramouche. In the 19th century, the English actor Joseph Grimaldi and his son J. S. Grimaldi made numerous appearances as Scaramouche. Character Scaramouche influences the audience to do his bidding. Rosa says that Coviello (like ...
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Overdub
Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final mix will contain ...
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Ping-pong Recording
Ping-pong recording (also called ping-ponging, bouncing tracks, or reduction mixing) is a method of sound recording. It involves combining multiple track stems into one, allowing more room for overdubbing when using tape recorders with a limited set of tracks. It is also used to simplify mixdowns. The two most common methods consist of * Dubbing tracks between two tape recorders (or tracks on a multitrack recorder) connected through a mixing console * Dubbing tracks internally, through the onboard mixer of many machines, including Portastudios and similar multitrackers. In both cases, a new instrument, voice, or other material may be added with each bounce, depending on the setup's mixing capabilities. In analog recording, the audio quality normally decreases with each generation, while in digital recording, the quality is usually preserved. In either case, the most leeway comes with having the best possible source material. Early examples The method was employed by Beach B ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog) is a broad genre of rock music that primarily developed in the United Kingdom through the mid- to late 1960s, peaking in the early-to-mid-1970s. Initially termed " progressive pop", the style emerged from psychedelic bands who abandoned standard pop or rock traditions in favour of instrumental and compositional techniques more commonly associated with jazz, folk, or classical music, while retaining the instrumentation typical of rock music. Additional elements contributed to its " progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock includes a fusion of styles, approaches and genres, and tends to be diverse and eclectic. Progressive rock is often associated with long solos, exte ...
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Coda (music)
In music, a coda (; ; plural ) is a passage (music), passage that brings a piece (or a movement (music), movement) to an end. It may be as simple as a few bar (music), measures, or as complex as an entire section (music), section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and Variation (music), variation movements during the Classical era. In a sonata form movement, the recapitulation (music), recapitulation section will, in general, follow the exposition (music), exposition in its thematic content, while adhering to the home key (music), key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last va ...
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Opera
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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Ballad
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. While ballads have no prescribed structure and may vary in their number of lines and stanzas, many ballads employ quatrains with ABCB or ABAB rhyme schemes, the key being a rhymed second and fourth line. Contrary to a popular conception, it is rare if not unheard-of for a ballad to contain exactly 13 lines. Additionally, couplets rarely appear in ballads. Many ballads were written and sold as single-sheet Broadside (music), broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song ...
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