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Body Art
Body art is art in which the artist uses their human body as the primary medium.Oxford Dictionary of Modern and Contemporary Art, Oxford University, p. 88 Emerging from the context of Conceptual Art during the 1970s, Body art may include performance art. Body art is likewise utilized for investigations of the body in an assortment of different media including painting, casting, photography, film and video. More extreme body art can involve mutilation or pushing the body to its physical limits. In more recent times, the body has become a subject of much broader discussion and treatment than can be reduced to body art in its common understanding. Important strategies that question the human body are: implants, body in symbiosis with the new technologies, virtual avatar bodies, among others. Popular use of the term Body art has been expanded into the popular culture and now covers a wide spectrum of usage, including tattoos, body piercings, scarification, and body painting. Phot ...
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Yonga Arts 4
Samba Yonga is a Zambian journalist and media consultant. She has worked a long time as editor for ''Big Issue Zambia'' and has written for several other publications. Yonga is the founder of Ku-Atenga Media, a media consultancy firm and was named one of ''Destiny (magazine), Destiny's'' "Power of 40" most influential women in Africa in 2017. Career Samba Yonga first became interested in journalism after she won a prize for a short story she had written. She attended college and whilst there worked part-time for a local newspaper. After graduation Yonga found work developing ideas for TV and radio programmes. She was then appointed to run the relaunched ''Trendsetters'' youth magazine. Yonga has also written for ''Okay Africa'' magazine and ''The Guardian''. Yonga was editorial director of ''The Big Issue Zambia'' magazine, which was launched by the International Network of Street Papers in 2007. The magazine was published in six countries and Yonga travelled frequently ...
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Scarification
Scarification involves scratching, etching, burning/ branding, or superficially cutting designs, pictures, or words into the skin as a permanent body modification or body art. The body modification can take roughly 6–12 months to heal. In the process of body scarification, scars are purposely formed by cutting or branding the skin by various methods (sometimes using further sequential aggravating wound-healing methods at timed intervals, like irritation). Scarification is sometimes called '' cicatrization''. History Scarification has been traditionally practiced by darker skinned cultures, possibly because it is usually more visible on darker skinned people than tattoos. It was common in indigenous cultures of Africa (especially in the west), Melanesia, and Australia. Some indigenous cultures in North America also practiced scarification, including the ancient Maya. Africa In Africa, European colonial governments and European Christian missionaries criminalized and sti ...
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Günter Brus
Günter Brus (27 September 1938 – 10 February 2024) was an Austrian painter, performance artist, graphic artist, experimental filmmaker, and writer. Biography Brus grew up in Mureck, attended the Kunstgewerbeschule Graz and went to Vienna in 1956, where he studied painting and met his lifelong friend Alfons Schilling. In fall of 1960, influenced by German expressionism, Edvard Munch, Vincent van Gogh, abstract expressionism, and artists such as Emilio Vedova, he began to create artwork that was not confined to visual media. His companion Otto Muehl, who met him at the time, said of his work: “The color sometimes exploded like a bomb when it hit the picture. That was total creative excess. ..The entire room was covered with paint splatters, and the dried paint sludge lay inches high on the floor.” Shortly before his first major exhibition together with Schilling, he was conscripted into the military in May 1961. After completing his military service, he fell into a ...
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Otto Mühl
Otto Muehl (16 June 1925 – 26 May 2013) was an Austrian artist and convicted sex criminal, who was known as one of the co-founders as well as a main participant of Viennese Actionism and for founding the Friedrichshof Commune. In 1943, Muehl had to serve in the German Wehrmacht. There he registered for officer training. He was promoted to lieutenant, and in 1944 he took part in infantry battles in the course of the Ardennes Offensive. After the war, he studied teaching German and History, and Pedagogy of Art at the Wiener Akademie der bildenden Künste. In 1972 he founded the Friedrichshof Commune, which has been viewed by some as an authoritarian sect, and that existed for several years before falling apart in the 1990s. In 1991, Muehl was convicted of sexual offences with minors and drugs offences and sentenced to 7 years imprisonment. He was released in 1997, after serving six and a half years, and set up a smaller commune in Portugal. After his release, he also publis ...
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Hermann Nitsch
Hermann Nitsch (29 August 1938 – 18 April 2022) was an Austrian contemporary artist and composer. His art encompassed wide-scale Performance art, performances incorporating theater, multimedia, rituals and acted violence. He was a leading figure of Viennese Actionism. Life Born in Vienna, Nitsch received training in painting when he studied at the Höhere Graphische Bundes-Lehr- und Versuchsanstalt, Wiener Graphische Lehr-und Versuchanstalt, during which time he was drawn to religious art.Hermann Nitsch
Discogs.
Hermann Nitsch
Art Directory.
He is associated with the Vienna Actionists—a loosely affiliated group of Austrian artists intere ...
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Viennese Actionism
Viennese Actionism was a short-lived art movement in the late 20th-century that spanned the 1960s into the 1970s. It is regarded as part of the independent efforts made during the 1960s to develop the issues of performance art, Fluxus, happening, action painting, and body art. Its main participants were Günter Brus, Otto Mühl, Hermann Nitsch, and Rudolf Schwarzkogler. Others involved in the movement include Anni Brus, Heinz Cibulka and Valie Export. Many of the Actionists have continued their artistic work independently of Viennese Actionism movement. Art and the politics of transgression The work of the Actionists developed concurrently with—but largely independently from—other '' avant garde'' movements of the era that shared an interest in rejecting object-based or otherwise commodifiable art practices. The practice of staging precisely scored "Actions" in controlled environments or before audiences bears similarities to the Fluxus concept of enacting an "event scor ...
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Natalia Goncharova
Natalia Sergeevna Goncharova (, ; 3 July 188117 October 1962) was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. Goncharova's lifelong partner was fellow Russian avant-garde artist Mikhail Larionov. She was a founding member of both the Jack of Diamonds (artists), Jack of Diamonds (1909–1911), Moscow's first radical independent exhibiting group, the more radical Donkey's Tail (1912–1913), and with Larionov invented Rayonism (1912–1914). She was also a member of the German-based art movement Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death. Her painting vastly influenced the Avant-garde, avant-garde in Russia. Her exhibitions held in Moscow and St Petersburg (1913 and 1914) were the first promoting a "new" artist by an independent gallery. When it came to the pre-revolutionary period in Russia, where decorative painting and icons were a secure profession, her modern approach to rende ...
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Mikhail Larionov
Mikhail Fyodorovich Larionov (; – May 10, 1964) was a Russian avant-garde painter who worked with radical exhibitors and pioneered the first approach to abstract Russian art. He was founding member of two important artistic groups Knave of Diamonds and the more radical Donkey's Tail. His lifelong partner was fellow avant-garde artist, Natalia Goncharova, with whom they worked on Sergei Diaghilev's Ballets Russes in France and Switzerland. Life and work Larionov was born at Tiraspol, in the Kherson Governorate of the Russian Empire. In 1898 he entered the Moscow School of Painting, Sculpture and Architecture under Isaac Levitan and Valentin Serov. He was suspended three times for his radical outlook. In 1900 he met fellow avant-garde artist Natalia Goncharova and formed a lifelong relationship with her. From 1902 his style was Impressionism. After a visit to Paris in 1906 he moved into Post-Impressionism and then a Neo-primitive style which derived partly from ...
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David Burliuk
David Davidovich Burliuk (; 21 July 1882 – 15 January 1967) was a Russian poet, artist and publicist of Ukrainian origin associated with the Futurism (art), Futurist and Neo-Primitivist movements. Burliuk has been described as "the father of Russian Futurism." Biography Early life David Burliuk was born on 21 July 1882 in the village of in the Kharkov Governorate of the Russian Empire. Burliuk's family was artistically inclined; two of his brothers were talented artists as well, Nikolai Burliuk, Nikolai and Vladimir Burliuk. The Burliuk family partly descended from Ukrainian Cossacks on their father's side, who held premier positions in the Cossack Hetmanate, Hetmanate. His mother, Ludmyla Mikhnevich, was of ethnic Belarusian descent.Pg. 77, ''Nabokov and his fiction: new perspectives'' by Julian W. Connolly Education, career From 1898 to 1904, he studied at Kazan and Grekov Odessa Art school, Odessa art schools, as well as at the Royal Academy in Munich. His exuberant, ex ...
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Ilia Zdanevich
Ilia Mikhailovich Zdanevich ( ka, ილია ზდანევიჩი, (April 21, 1894 – December 25, 1975), known as Iliazd ( ka, ილიაზდ), was a Georgian-Polish and French writer, artist and publisher, and an active participant in such avant-garde movements as Futurism and Dada. Early life He was born in Tbilisi to a Polish father, Michał Zdaniewicz, who taught French in a gymnasium and a Georgian mother, Valentina Gamkrelidze, who was a pianist and student of Tchaikovsky. (His older brother Kiril Zdanevich also became an artist.) He studied in the Faculty of Law of Saint Petersburg State University. In 1912 he and his brother, along with their friend Mikhail Le-Dantyu, became enthusiastic about the Tbilisi painter Niko Pirosmanashvili; Ilya's article about him, "Khudozhnik-samorodok" ("A natural-born artist"), his first publication, appeared in the February 13, 1913, issue of ''Zakavkazskaia Rech. Later in 1913 he published a monograph ''Natalia Goncharov ...
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Russian Futurism
Russian Futurism is the broad term for a movement of Russian poets and artists who adopted the principles of Filippo Marinetti's "Futurist Manifesto, Manifesto of Futurism", which espoused the rejection of the past, and a celebration of speed, machinery, violence, youth, industry, destruction of academies, museums, and urbanism; it also advocated for modernization and cultural rejuvenation. Russian Futurism began roughly in the early 1910s; in 1912, a year after Ego-Futurism began, the literary group "Hylea"—also spelt "Guilée" and "Gylea"—issued the manifesto ''A Slap in the Face of Public Taste''. The 1912 movement was originally called Cubo-Futurism, but this term is now used to refer to the style of art produced. Russian Futurism ended shortly after the Russian Revolution of 1917, after which former Russian Futurists either left the country, or participated in the new art movements. Notable Russian Futurists included Natalia Goncharova, Mikhail Larionov, David Burliuk, ...
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Natalia Goncharova (1913)
Natalia Sergeevna Goncharova (, ; 3 July 188117 October 1962) was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. Goncharova's lifelong partner was fellow Russian avant-garde artist Mikhail Larionov. She was a founding member of both the Jack of Diamonds (1909–1911), Moscow's first radical independent exhibiting group, the more radical Donkey's Tail (1912–1913), and with Larionov invented Rayonism (1912–1914). She was also a member of the German-based art movement Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death. Her painting vastly influenced the avant-garde in Russia. Her exhibitions held in Moscow and St Petersburg (1913 and 1914) were the first promoting a "new" artist by an independent gallery. When it came to the pre-revolutionary period in Russia, where decorative painting and icons were a secure profession, her modern approach to rendering icons was both transgressive and ...
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