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Bo Diddley (Bo Diddley Song)
"Bo Diddley" is a song by American rock and roll pioneer Bo Diddley. It introduced the rhythm that became known as the Bo Diddley beat and topped the Billboard R&B chart for two weeks in 1955. The song is included on many of Diddley's compilation albums including ''Bo Diddley'' (1958) and '' His Best'' (1997). Buddy Holly recorded a version that posthumously became his 2nd highest-charting single in the UK after " It Doesn't Matter Anymore". Composition and recording The song is rhythmically similar to hambone, a technique of dancing and slapping various parts of the body to create a rhythm and song. Diddley's electric guitar along with his backup musicians on maracas and drums contributed to the patted juba rhythm. This fusion of rock and roll, African rhythms, and guitar was a breakthrough and became known as the Bo Diddley Beat. Lyrically, it is similar to the traditional lullaby " Hush Little Baby". "Bo Diddley" was recorded in Chicago at his first formal session for Leon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Diddley
Ellas Otha Bates (December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist and singer who played a key role in the transition from the blues to rock and roll. He influenced many artists, including Buddy Holly, the Beatles, the Rolling Stones, the Animals, George Thorogood, Syd Barrett, and the Clash. His use of Music of Africa, African rhythms and a Bo Diddley beat, signature beat, a simple five-Accent (music), accent clave (rhythm), hambone rhythm, is a cornerstone of hip hop music, hip hop, rock music, rock, and pop music. In recognition of his achievements, he was inducted into the Rock and Roll Hall of Fame in 1987, the Blues Hall of Fame in 2003, and the Rhythm and Blues Music Hall of Fame in 2017. He received a Lifetime Achievement Award from the Rhythm and Blues Foundation and the Grammy Lifetime Achievement Award. Diddley is also recognized for his technical innovations, including his use of tremolo and reverb effects to enhance t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maraca
A maraca ( , , ), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas, also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round '' Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the ( scarlet ibis). It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also made of leather, wood or plastic. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Hall Of Fame Award
The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts. It is compiled by The Recording Academy in the United States, and was established in 1973. Recordings (singles and albums) in all genres are eligible for selection, and must be over 25 years old to be considered. Additions to the list are chosen annually by a committee of recording arts professionals. Alphabetical listing by title: *List of Grammy Hall of Fame Award recipients (A–D) *List of Grammy Hall of Fame Award recipients (E–I) *List of Grammy Hall of Fame Award recipients (J–P) *List of Grammy Hall of Fame Award recipients (Q–Z) See also *Grammy Lifetime Achievement Award *Latin Grammy Hall of Fame Award *National Recording Registry References External linksOfficial website {{Authority control Awa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nursery Rhyme
A nursery rhyme is a traditional poem or song for children in Britain and other European countries, but usage of the term dates only from the late 18th/early 19th century. The term Mother Goose rhymes is interchangeable with nursery rhymes. From the mid-16th century nursery rhymes began to be recorded in English plays, and most popular rhymes date from the 17th and 18th centuries. The first English collections, '' Tommy Thumb's Song Book'' and a sequel, '' Tommy Thumb's Pretty Song Book'', were published by Mary Cooper in 1744. Publisher John Newbery's stepson, Thomas Carnan, was the first to use the term Mother Goose for nursery rhymes when he published a compilation of English rhymes, ''Mother Goose's Melody, or Sonnets for the Cradle'' (London, 1780). History Lullabies The oldest children's songs for which records exist are lullabies, intended to help a child fall asleep. Lullabies can be found in every human culture. The English term lullaby is thought to come from "lu, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tremolo (electronic Effect)
Tremolo, in electronics, is the variation in amplitude of sound achieved through electronic means, sometimes mistakenly called vibrato, and producing a sound somewhat reminiscent of flanging, referred to as an "underwater effect". A variety of means are available to achieve the effect. For further information about the use of tremolo in music, including notation, see Tremolo. History The first self-standing electronic tremolo effects unit may have been produced by DeArmond, in which a motor shakes a canister containing a "hydro-fluid" (not mercury as some people assume), oscillating the canister containing an electrolytic fluid that sends the signal to ground. Earliest references to DeArmond's tremolo unit date to 1941. Starting in the 1950s many companies began incorporating the effect into guitar amplifiers, including the Fender Tremolux and Vibrolux: Leo Fender marked the effect on Fender amplifiers as "vibrato", conversely calling the vibrato arm on his Fender Stratocaster a t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richie Unterberger
Richie Unterberger (born 1962) is an American author and journalist whose focus is popular music and travel writing. Life and writing Unterberger attended the University of Pennsylvania, where he wrote for the university newspaper '' The Daily Pennsylvanian'' and in the early 1980s was a deejay on the Penn radio station, WXPN-FM. Just prior to graduating in late 1982, he started reviewing records for '' Op'' magazine, which marked the start of his career as a freelance writer. From 1985 to 1991, Unterberger was an editor for '' Option''. Since 1993, he has been a prolific contributor to AllMusic, the on-line database of music biographies and album reviews, for which he has written thousands of entries, and many of his on-line contributions have been printed in the AllMusic guide series. Unterberger contributes to various local and national publications, including '' Mojo'', ''Record Collector'', ''Rolling Stone'', ''Oxford American'', and '' No Depression''. He has written lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Research
Joel Carver Whitburn (November 29, 1939 – June 14, 2022) was an American author and music historian, responsible for setting up the Record Research, Inc. series of books on record chart placings. Early life Joel Carver Whitburn was born in Wauwatosa, Wisconsin, on November 29, 1939."Joel (Carver) Whitburn". '' Contemporary Authors''. Detroit: Gale. 2002. He started collecting records in his teens, first subscribed to '' Billboard'' in 1953, and when the Hot 100 was introduced in 1958 started recording the chart placings of records on index cards. After graduating from Menomonee Falls High School in 1957, he attended Elmhurst College and the University of Wisconsin–Milwaukee, but did not receive a degree from either institution. Career Whitburn worked on record distribution for RCA in the mid 1960s, using his chart statistics to inform radio stations, before founding his own company, Record Research, Inc., in Menomonee Falls, Wisconsin, in 1970. He put together a tea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miller Freeman, Inc
A miller is a person who operates a mill, a machine to grind a grain (for example corn or wheat) to make flour. Milling is among the oldest of human occupations. "Miller", "Milne" and other variants are common surnames, as are their equivalents in other languages around the world (" Melnyk" in Russian, Belarusian & Ukrainian, " Meunier" in French, "Müller" or " Mueller" in German, " Mulder" and " Molenaar" in Dutch, "Molnár" in Hungarian, " Molinero" in Spanish, "Molinaro" or "Molinari" in Italian, "Mlinar" in South Slavic languages etc.). Milling existed in hunter-gatherer communities, and later millers were important to the development of agriculture. The materials ground by millers are often foodstuffs and particularly grain. The physical grinding of the food allows for the easier digestion of its nutrients and saves wear on the teeth. Non-food substances needed in a fine, powdered form, such as building materials, may be processed by a miller. Quern-stone The mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Definitive Guide To The Blues
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Boy Arnold
William "Billy Boy" Arnold (born September 16, 1935) is an American blues harmonica player, singer and songwriter. Arnold is a self-taught harmonica player and has worked with blues legends such as Bo Diddley, Johnny Shines, Otis Rush, Earl Hooker, Howlin' Wolf, Muddy Waters and others. Biography Born in Chicago, Illinois, as one of 16 children, he began playing harmonica as a child, and in 1948 received informal lessons from his near neighbour John Lee "Sonny Boy" Williamson, shortly before the latter's death. Arnold made his recording debut in 1952 with "Hello Stranger" on the small Cool label, the record company giving him the nickname "Billy Boy". In the early 1950s, he joined forces with street musician Bo Diddley and played harmonica on the March 2, 1955 recording of the Bo Diddley song " I'm a Man" released by Checker Records. The same day as the Bo Diddley sessions, Billy Boy recorded the self-penned "You Got to Love Me" which was not released until the box set ''C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maracas
A maraca ( , , ), sometimes called shaker or chac-chac, is a rattle which appears in many genres of Caribbean and Latin music. It is shaken by a handle and usually played as part of a pair. Maracas, also known as tamaracas, were rattles of divination, an oracle of the Brazilian Tupinamba people, found also with other Indigenous ethnic groups, such as the Guarani, Orinoco and in Florida. Rattles made from ''Lagenaria'' gourds are being shaken by the natural grip, while the round '' Crescentia'' calabash fruits are fitted to a handle. Human hair is sometimes fastened on the top, and a slit is cut in it to represent a mouth, through which their shamans (''payes'') made it utter its responses. A few pebbles are inserted to make it rattle and it is crowned with the red feathers of the ( scarlet ibis). It was used at their dances and to heal the sick. Andean curanderos (healers) use maracas in their healing rites. Modern maraca balls are also made of leather, wood or plastic. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Green
Jerome Green () was an American percussionist and occasional lyricist and vocalist, known for playing maracas and acting as Bo Diddley's foil in his performances and on his recordings in the 1950s and early 1960s. Biography Green grew up in Chicago, and was a neighbor of Ellas McDaniel, later known as Bo Diddley, who was older by a few years. According to some sources, Green played tuba, but, when Bo Diddley performed on street corners and outside theaters from about 1950, he used Green to collect money from bystanders. Needing to add percussion to boost his sound, but not wanting to have to carry a drum kit between venues, he recruited Green to play maracas, which he made out of toilet floats filled with black-eyed peas. Bo Diddley said: "I taught Jerome how to play those maracas... They gave.. the unique sound, that jungle-type rhythm feel..". Referring to himself, Green, and bassist Roosevelt Jackson, he commented: "We used to be three dudes going down the street with a wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
