Bhavai Dance
Bhavai is a genre of folk dance popular in Rajasthan state in northern India. The male or female performers balance a number of earthen pots or brass/metal pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass bottles, on the edge of the sword, on the rim of a brass/metal ''thali'' (plate) and on the broken glass during the performance. The first Bhavai Dancer of India was Mrs. Krishna Vyas Chhangani, who was born in Jodhpur (Rajasthan). The Dance form consists of veiled women dancers balancing up to 22 brass/metal pitchers on their head with lit the fire up to 9 pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass or on the edge of the sword. There is a sense of cutting-edge suspense and nail-biting acts in the dance. The accompaniment to the dance is provided by the male performers singing melodious songs and playing a number of musical instrum ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bhavai Is A Genre Of Folk Dance Popular In Rajasthan
Bhavai, also known as ''Vesha'' or ''Swang'', is a popular folk theatre form of western India, especially in Gujarat. Etymology ''Bhavai'' may derive from the Sanskrit word ''Bhava'', meaning expression or emotion. It is also associated with Hindu goddess Amba. ''Bhav'' means universe and ''Aai'' means mother, so it may be also considered an art form dedicated to the Mother of the Universe, Amba. Bhavai is also known as ''Vesha'' or ''Swang'', which literally means 'get-up'. History Bhavai is believed to have originated in the 14th century. Asaita Thakar is traditionally credited for its origin. Folklore In 14th century, Ganga, daughter of Unjha headman Hema Patel, was kidnapped by Muslim subedar. Their family priest, Asaita Thakar who was a brahmin, went to subedar claiming Ganga as his daughter. To prove, subedar asked him to dine with Ganga as during those time, brahmins did not dine with lower castes. He dined with her to save her but upon return, he was outcaste b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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India
India, officially the Republic of India ( Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago., "Y-Chromosome and Mt-DNA data support the colonization of South Asia by modern humans originating in Africa. ... Coalescence dates for most non-European populations average to between 73–55 ka.", "Modern human beings—''Homo sapiens''—originated in Africa. Th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dholak
The ''dholak'' is a two-headed hand drum, a folk percussion instrument. The instrument is about 45 cm in length and 27 cm in breadth and is widely used in '' qawwali'', ''kirtan'', ''lavani'' and '' bhangra''. The drum has two different sized drumheads. The smaller drumhead is made of goat skin for sharp notes while the bigger drumhead is made of buffalo skin for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak is made of sheesham or mango wood. The larger membrane has a compound ( Syahi) applied which helps to lower the pitch and produce the sound. The smaller drumhead is played with the left hand which produces a high pitch. A cotton rope lacing and screw-turnbuckle are used to release tension while playing. Steel rings/pegs are twisted inside the laces to attain fine tuning. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one kne ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sarangi
The sārangī is a bowed, short-necked string instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, and Boro folk music (there known as the ''serja'') – in Pakistan, India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as '' gamaks'' (shakes) and '' meends'' (sliding movements). The sarangi (Nepali) is a different instrument, traditional to Nepal. History Sarangi derives its name from the bow of Lord Vishnu and probably as it is played with a bow it is named sarangi. According to some musicians, the word ''sarangi'' is a combination of two words: ''seh'' ('three' in Persian) and ''rangi'' ('coloured' in Persian) or Persian ''sad-rangi'', ''sad'' for 'hundred' in Persian ('hundred coloured) corrupted as ''sarangi''. The term ''seh-rangi'' represents the three melody strings. However, the most common folk etymology is that ''sarangi'' is derived f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pump Organ
The pump organ is a type of free-reed organ that generates sound as air flows past a vibrating piece of thin metal in a frame. The piece of metal is called a reed. Specific types of pump organ include the reed organ, harmonium, and melodeon. The idea for the free reed was imported from China through Russia after 1750, and the first Western free-reed instrument was made in 1780 in Denmark. More portable than pipe organs, free-reed organs were widely used in smaller churches and in private homes in the 19th century, but their volume and tonal range were limited. They generally had one or sometimes two manuals, with pedal-boards being rare. The finer pump organs had a wider range of tones, and the cabinets of those intended for churches and affluent homes were often excellent pieces of furniture. Several million free-reed organs and melodeons were made in the US and Canada between the 1850s and the 1920s, some of which were exported. The Cable Company, Estey Organ, and Mason ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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