Bewitched (Andy Summers And Robert Fripp Album)
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Bewitched (Andy Summers And Robert Fripp Album)
''Bewitched'' is the second and final collaboration album between English guitarists Andy Summers and Robert Fripp, released in 1984 by A&M Records. As with its predecessor, '' I Advance Masked'' (1982), it contains instrumentals. It contrasted with ''I Advance Masked'' by being more pop-oriented. Summers believes that ''Bewitched'' instead focuses more specifically on the guitarists "meeting on a different mountain and learning how to work together. So much of guitar playing in this sort of situation is human psychology. How do I get the very best out of Robert Fripp in the studio? And we did it. It’s a balanced record." The only single from the album, "Parade", was supported by a music video but it failed to chart. Summers described the finished album in 2024 as "sort of ahead of its time." Legacy John Walker and Mark Fleischmann believed that ''Bewitched'' proves that Summers was not comparable to Brian Eno, and that resultingly the album is inferior to Fripp's 1970s albums w ...
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Andy Summers
Andrew James Summers (born 31 December 1942) is an English guitarist best known as a member of the rock band the Police. Prior to joining the Police, Summers had been a member of several bands during the 1960s, including Zoot Money's Big Roll Band, Dantalian's Chariot, Soft Machine, and the Animals. He spent the first half of the 1970s furthering his musical education, before returning to professional work in 1975, eventually joining the Police two years later. Summers has also recorded solo albums, collaborated with other musicians (including two albums with Robert Fripp during the 1980s), composed film scores, written fiction, and exhibited his photography in galleries. He was inducted into the Rock and Roll Hall of Fame as a member of the Police in 2003. Early life Andrew James Summers was born in Poulton-le-Fylde, Lancashire, England, on 31 December 1942. During his childhood, his family moved to Bournemouth, which was then in Hampshire. After several years of piano lesson ...
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Calypso Music
Calypso is a style of Caribbean music that originated in Trinidad and Tobago from Afro-Trinidadians during the early- to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century. It is characterized by highly rhythmic and harmonic vocals, and was historically most often sung in a French creole and led by a griot. As calypso developed, the role of the griot became known as a '' chantuelle'' and eventually, ''calypsonian''. As English replaced "patois" ( Antillean) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. It allowed the masses to challenge the actions of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. Calypso continued to play an important role in po ...
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Vernon Reid
Vernon Alphonsus Reid (born 22 August 1958) is an American guitarist and songwriter best known as the founder of the rock band Living Colour. Reid was named No. 66 on ''Rolling Stone'' magazine's 2003 list of the 100 Greatest Guitarists of All Time, and in August 2023, was ranked #42 in Rolling Stone Magazine top 250 Greatest Guitarists of all time. Critic Steve Huey writes, " eid'srampant eclecticism encompasses everything from heavy metal and punk to funk, R&B and avant-garde jazz, and his anarchic, lightning-fast solos have become something of a hallmark as well." Early life Reid was born 22 August 1958 in London, England, to parents from Montserrat. In 1959 the family moved to New York City. He attended Brooklyn Technical High School, then New York University. Career Early career He first came to prominence in the 1980s in Ronald Shannon Jackson's avant-jazz-rock band The Decoding Society, and is on six studio and three live albums recorded with that group from 1980-1986. '' ...
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Bill Frisell
William Richard Frisell (born March 18, 1951) is an American jazz guitarist. He first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn. He was also a longtime member of veteran drummer Paul Motian's groups from the early 1980s until Motian's death in 2011. Since the late 1990s, Frisell's output as a bandleader has also integrated prominent elements of folk, country, rock ‘n’ roll and Americana. He has six Grammy nominations and one win. Biography Early life and career Frisell was born in Baltimore, Maryland, United States, but spent most of his youth in the Denver, Colorado area. He studied clarinet with Richard Joiner of the Denver Symphony Orchestra as a youth, but by his teens was more interested in guitar. He graduated from Denver East Hi ...
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Basic (Robert Quine And Fred Maher Album)
''Basic'' is a collaboration album by American musicians Robert Quine and Fred Maher, released in July 1984 by E.G. Records. Produced by the duo in Quine's living room, the record followed their tenure in Lou Reed's backing band, and provided Quine with a different working environment from the underground music scene of New York City, with which he had become disenchanted. The record features ten instrumentals built around electric guitars, bass guitars and programmed drums. Simplicity was key to the recording, which was taped using a four-track recorder, with an emphasis on improvisation, texture, color and concise guitar and drum parts. The beats, largely programmed by Maher, are polyrhytmic in Latin and African styles, while Quine's guitar lines favour drones, inflection and a jagged phrasing. The latter used the album to incorporate a wide array of influences, including styles of blues, minimalism, psychedelia and country, and musicians such as Miles Davis, Scotty M ...
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Fred Maher
Frederick J. Maher is an American drummer, music programmer and record producer. He was a member of the bands Massacre (1980–81), the Dance, Material, Scritti Politti, and has recorded and toured with Lou Reed. In 1984 he released ''Basic'', an instrumental collaboration album with ex- Voidoids guitarist Robert Quine. Maher's credits as a producer include Lou Reed's ''New York'' (1989), Trip Shakespeare's ''Across the Universe'' (1990), Matthew Sweet's ''Girlfriend'' (1991), Information Society's self-titled album (1988, which achieved platinum sales status), their 1990 album ''Hack'', and a track on 1997's '' Don't Be Afraid''. Maher co-produced Lloyd Cole's self-titled debut solo album. He was nominated for a Grammy for his work on Fuel's ''Natural Selection'' album. Maher regularly works as a studio drummer, and he has often collaborated with entertainment producer Ron Baldwin. Discography Solo * ''Basic'' (1984, with Robert Quine Robert Wolfe Quine (December 3 ...
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Robert Quine
Robert Wolfe Quine (December 30, 1942 – May 31, 2004) was an American guitarist. A native of Akron, Ohio, Quine worked with a wide range of musicians, though he himself remained relatively unknown. Critic Mark Deming wrote that "Quine's eclectic style embraced influences from jazz, rock, and blues players of all stripes, and his thoughtful technique and uncompromising approach led to rewarding collaborations with a number of visionary musicians." His collaborators included Richard Hell & the Voidoids, Lou Reed (notably on ''The Blue Mask''), Brian Eno, John Zorn, Ikue Mori, Marc Ribot, Marianne Faithfull (''Strange Weather (Marianne Faithfull album), Strange Weather''), Lloyd Cole, Matthew Sweet and Tom Waits. Lester Bangs wrote that he was a "pivotal figure" and "the first guitarist to take the breakthroughs of early Lou Reed and James Williamson (musician), James Williamson and work through them to a new, individual vocabulary, driven into odd places by obsessive attention t ...
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Who Needs Enemies? (album)
''Who Needs Enemies?'' is a 1983 studio album of improvised experimental music by Henry Kaiser and Fred Frith. It was recorded in October 1983, and was released on LP by Metalanguage Records later that year. It was Kaiser and Frith's second collaborative album, following on from their first, ''With Friends Like These'' in 1979. In 1987 SST Records released ''With Enemies Like These, Who Needs Friends?'', a CD with five tracks from ''With Friends Like These'', seven tracks from ''Who Needs Enemies?'', and four additional tracks from an unreleased live album by Frith and Kaiser. In 1999 Cuneiform Records released '' Friends & Enemies'', a double-CD containing all the tracks from ''With Friends Like These'' and ''Who Needs Enemies?'', plus unreleased live and studio material. Background Frith and Kaiser began working together in 1978 when English avant-rock group Henry Cow, with whom Frith played guitar, lost their bass player. Frith decided to switch to bass guitar and recruited Ka ...
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Henry Kaiser
Henry John Kaiser (May 9, 1882 – August 24, 1967) was an American industrialist who became known for his shipbuilding and construction projects, then later for his involvement in fostering modern American health care. Prior to World War II, Kaiser was involved in the construction industry; his company was one of those that built the Hoover Dam. He established the Kaiser Shipyards, which built Liberty ships during World War II, after which he formed Kaiser Aluminum and Kaiser Steel. Kaiser organized Kaiser Permanente health care for his workers and their families. He led Kaiser-Frazer followed by Kaiser Motors, automobile companies known for the safety of their designs. Kaiser was involved in large construction projects such as civic centers and dams, and invested in real estate, later moving into television broadcasting with Kaiser Broadcasting. Early life, family and education Kaiser was born on May 9, 1882, in Sprout Brook, New York, the son of Franz (a shoemaker) and ...
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Fred Frith
Jeremy Webster "Fred" Frith (born 17 February 1949) is an English multi-instrumentalist, composer, and improviser. Probably best known for his guitar work, Frith first came to attention as a founding member of the English avant-rock group Henry Cow. He was also a member of the groups Art Bears, Massacre (experimental band), Massacre, and Skeleton Crew (band), Skeleton Crew. He has collaborated with numerous musicians, including Robert Wyatt, Derek Bailey (guitarist), Derek Bailey, the Residents, Lol Coxhill, John Zorn, Brian Eno, Mike Patton, Lars Hollmer, Bill Laswell, Iva Bittová, Jad Fair, Kramer (musician), Kramer, the ARTE Quartett, and Bob Ostertag. He has also composed several long works, including ''Traffic Continues'' (1996, performed 1998 by Frith and Ensemble Modern) and ''Freedom in Fragments'' (1993, performed 1999 by Rova Saxophone Quartet). Frith produces most of his own music, and has also produced many albums by other musicians, including Curlew (band), Curlew, ...
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Overdubbing
Overdubbing (also known as layering) is a technique used in audio recording in which audio Music track, tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final Audio ...
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Drum Machine
A drum machine is an electronic musical instrument that creates percussion sounds, drum beats, and patterns. Drum machines may imitate drum kits or other percussion instruments, or produce unique sounds, such as synthesized electronic tones. A drum machine often has pre-programmed beats and patterns for popular genres and styles, such as pop music, rock music, and dance music. Most modern drum machines made in the 2010s and 2020s also allow users to program their own rhythms and beats. Drum machines may create sounds using Analog synthesizer, analog synthesis or play prerecorded Sampling (music), samples. While a distinction is generally made between drum machines (which can play back pre-programmed or user-programmed beats or patterns) and electronic drums (which have pads that can be struck and played like an acoustic drum kit), there are some drum machines that have buttons or pads that allow the performer to play drum sounds "live", either on top of a programmed drum beat or ...
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