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Beuys
Joseph Heinrich Beuys ( , ; 12 May 1921 – 23 January 1986) was a German artist, teacher, performance artist, and art theorist whose work reflected concepts of humanism, sociology, and anthroposophy. He was a founder of a provocative art movement known as Fluxus and was a key figure in the development of Happenings. Beuys is known for his "extended definition of art" in which the ideas of social sculpture could potentially reshape society and politics. He frequently held open public debates on a wide range of subjects, including political, environmental, social, and long-term cultural issues. Biography Childhood and early life in the Third Reich (1921–1941) Joseph Beuys was born in Krefeld, Germany, on 12 May 1921, to Josef Jakob Beuys (1888–1958), a merchant, and Johanna Maria Margarete Beuys née Hülsermann (1889–1974). Soon after his birth, the family moved from Krefeld to Kleve, an industrial town in Germany's Lower Rhine region, close to the Dutch border. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Social Sculpture
Social sculpture is a phrase used to describe an expanded concept of art that was invented by the artist and co-founder of the German Green Party, Joseph Beuys. Beuys created the term "social sculpture" to embody his understanding of art's potential to transform society. As a work of art, a social sculpture includes human activity that strives to structure and shape society or the environment. The central idea of a social sculptor is an artist who creates structures in society using language, thoughts, actions, and objects. Concept During the 1960s, Beuys formulated his central theoretical concepts concerning the social, cultural and political function and potential of art. Indebted to Romantic writers such as Novalis and Schiller, Beuys was motivated by a utopian belief in the power of universal human creativity and was confident in the potential for art to bring about revolutionary change. These ideas were founded in the social ideas of anthroposophy and the work of Rudolf Ste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How To Explain Pictures To A Dead Hare
''How to Explain Pictures to a Dead Hare'' (german: Wie man dem toten Hasen die Bilder erklärt , italic=yes) was a performance piece enacted by the German artist Joseph Beuys on 26 November 1965 at the Galerie Schmela in Düsseldorf. While it was only Beuys’s first solo exhibition in a private gallery, it is sometimes referred to as his best known action. Process At the beginning of the performance Beuys locked the gallery doors from the inside, leaving the gallery-goers outside. They could observe the scene within only through the windows. With his head entirely coated in honey and gold leaf, he began to explain pictures to a dead hare. Whispering to the dead animal on his arm in an apparent dialog, he processed through the exhibit from artwork to artwork. Occasionally he would stop and return to the center of the gallery, where he stepped over a dead fir tree that lay on the floor. After three hours the public was let into the room. Beuys sat upon a stool in the entrance are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fettecke
The ''Fettecke'' (Ger: ''"Fat Corner"'') was an abstract work of art from the German artist Joseph Beuys. On April 28, 1982, Beuys placed five kilograms of butter in a corner of his art room about two meters below the ceiling in the main building of the Kunstakademie Düsseldorf (Düsseldorf Academy of Art). His motivation for the artwork came from the anticipation of Lama Sogyal Rinpoche, whom Beuys had invited on behalf of the Dalai Lama in Europe, and a seminar of the Free International University. In the Period that followed, the plastic served as "a constant demonstration object."Johannes AmEnde, Joseph Beuys: Joseph Beuys und die Fettecke: eine Dokumentation zur Zerstörung der Fettecke in der Kunstakademie Düsseldorf, Edition Staeck, Heidelberg 1987, The end of the ''Fettecke'' In 1986, a custodian in the Art Academy of Düsseldorf cleaned up the butter about nine months after Beuys' death. Johannes Stuettgen Johannes is a Medieval Latin form of the personal name that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fluxus
Fluxus was an international, interdisciplinary community of artists, composers, designers and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product. Fluxus is known for experimental contributions to different artistic media and disciplines and for generating new art forms. These art forms include intermedia, a term coined by Fluxus artist Dick Higgins; conceptual art, first developed by Henry Flynt, an artist contentiously associated with Fluxus; and video art, first pioneered by Nam June Paik and Wolf Vostell. Dutch gallerist and art critic describes Fluxus as "the most radical and experimental art movement of the sixties".. 1979. ''Fluxus, the Most Radical and Experimental Art Movement of the Sixties'' Amsterdam: Editions Galerie A. They produced performance "events", which included enactments of scores, "Neo-Dada" noise music, and time-based works, as well as concrete poetry, visual art, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kunstakademie Düsseldorf
The Kunstakademie Düsseldorf is the academy of fine arts of the state of North Rhine Westphalia at the city of Düsseldorf, Germany. Notable artists who studied or taught at the academy include Joseph Beuys, Gerhard Richter, Magdalena Jetelová, Gotthard Graubner, Nam June Paik, Nan Hoover, Katharina Fritsch, Tony Cragg, Ruth Rogers-Altmann, Sigmar Polke, Anselm Kiefer, Rosemarie Trockel, Thomas Schütte, Katharina Grosse and photographers Thomas Ruff, Thomas Demand, Thomas Struth, Andreas Gursky and Candida Höfer. In the stairway of its main entrance are engraved the Words: "Für unsere Studenten nur das Beste" ("For our Students only the Best"). Early history The school was founded by Lambert Krahe in 1762 as a school of drawing. The first female professor, Catharina Treu, was appointed in 1766. In 1773, it became the "Kurfürstlich-Pfälzische Academie der Maler, Bildhauer- und Baukunst" (Academy of Painting, Sculpture and Architecture of the Electorate of the Pala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happening
A happening is a performance, event, or situation art, usually as performance art. The term was first used by Allan Kaprow during the 1950s to describe a range of art-related events. History Origins Allan Kaprow first coined the term "happening" in the spring of 1959 at an art picnic at George Segal's farm to describe the art pieces that were going on. The first appearance in print was in Kaprow's famous "Legacy of Jackson Pollock" essay that was published in 1958 but primarily written in 1956. "Happening" also appeared in print in one issue of the Rutgers University undergraduate literary magazine, ''Anthologist''. The form was imitated and the term was adopted by artists across the U.S., Germany, and Japan. Jack Kerouac referred to Kaprow as "The Happenings man", and an ad showing a woman floating in outer space declared, "I dreamt I was in a happening in my Maidenform brassiere". Happenings are difficult to describe, in part because each one is unique. One definitio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theory Of Art
A theory of art is intended to contrast with a definition of art. Traditionally, ''definitions'' are composed of necessary and sufficient conditions and a single counterexample overthrows such a definition. ''Theorizing'' about art, on the other hand, is analogous to a theory of a natural phenomenon like gravity. In fact, the intent behind a theory of art is to treat art as a natural phenomenon that should be investigated like any other. The question of whether one can speak of a theory of art without employing a concept of art is also discussed below. The motivation behind seeking a theory, rather than a definition, is that our best minds have not been able to find definitions without counterexamples. The term 'definition' assumes there are concepts, in something along Platonic lines, and a definition is an attempt to reach in and pluck out the essence of the concept and also assumes that at least some of us humans have intellectual access to these concepts. In contrast, a 'c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthroposophy
Anthroposophy is a spiritualist movement founded in the early 20th century by the esotericist Rudolf Steiner that postulates the existence of an objective, intellectually comprehensible spiritual world, accessible to human experience. Followers of anthroposophy aim to engage in spiritual discovery through a mode of thought independent of sensory experience. While much of anthroposophy is pseudoscientific, proponents claim to present their ideas in a manner that is verifiable by rational discourse and say that they seek precision and clarity comparable to that obtained by scientists investigating the physical world. Anthroposophy has its roots in German idealism, mystical philosophies, and pseudoscience including racist pseudoscience. Steiner chose the term ''anthroposophy'' (from Greek , 'human', and '' sophia'', 'wisdom') to emphasize his philosophy's humanistic orientation. He defined it as "a scientific exploration of the spiritual world", Others have variously called it a "ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Düsseldorf
Düsseldorf ( , , ; often in English sources; Low Franconian and Ripuarian: ''Düsseldörp'' ; archaic nl, Dusseldorp ) is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second-largest city in the state and the seventh-largest city in Germany, with a population of 617,280. Düsseldorf is located at the confluence of two rivers: the Rhine and the Düssel, a small tributary. The ''-dorf'' suffix means "village" in German (English cognate: '' thorp''); its use is unusual for a settlement as large as Düsseldorf. Most of the city lies on the right bank of the Rhine. Düsseldorf lies in the centre of both the Rhine-Ruhr and the Rhineland Metropolitan Region. It neighbours the Cologne Bonn Region to the south and the Ruhr to the north. It is the largest city in the German Low Franconian dialect area (closely related to Dutch). Mercer's 2012 Quality of Living survey ranked Düsseldorf the sixth most livable city in the world. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculpture
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kleve
Kleve (; traditional en, Cleves ; nl, Kleef; french: Clèves; es, Cléveris; la, Clivia; Low Rhenish: ''Kleff'') is a town in the Lower Rhine region of northwestern Germany near the Dutch border and the River Rhine. From the 11th century onwards, Cleves was capital of a county and later a duchy. Today, Cleves is the capital of the district of Cleves in the German state of North Rhine-Westphalia. The city is home to one of the campuses of the Rhine-Waal University of Applied Sciences. Territory of the municipality In addition to the inner city, the territory of Kleve comprises fourteen villages and populated places: Bimmen, Brienen, Donsbrüggen, Düffelward, Griethausen, Keeken, Kellen, Materborn, Reichswalde, Rindern, Salmorth, Schenkenschanz, Warbeyen and Wardhausen. History The name ''Kleff'' probably derives from Middle Dutch ''clef'', ''clif'' 'cliff, bluff', referring to the promontory on which the Schwanenburg castle was constructed. Since the city's coat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krefeld
Krefeld ( , ; li, Krieëvel ), also spelled Crefeld until 1925 (though the spelling was still being used in British papers throughout the Second World War), is a city in North Rhine-Westphalia, Germany. It is located northwest of Düsseldorf, its center lying just a few kilometers to the west of the river Rhine; the borough of Uerdingen is situated directly on the Rhine. Because of its economic past, Krefeld is often referred to as the "Velvet and Silk City". It is accessed by the autobahns A57 (Cologne–Nijmegen) and A44 ( Aachen–Düsseldorf–Dortmund–Kassel). Krefeld's residents now speak ', or standard German, but the native dialect is a Low Franconian variety, sometimes locally called ', ', ', or sometimes simply '. The Uerdingen line isogloss, separating general dialectical areas in Germany and neighboring Germanic-speaking countries, runs through and is named after Krefeld's Uerdingen district, originally an independent municipality. History Early history Reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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