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Between Scylla And Charybdis
Being between Scylla and Charybdis is an idiom deriving from Greek mythology, which has been associated with the proverbial advice " to choose the lesser of two evils". Several other idioms such as " on the horns of a dilemma", "between the devil and the deep blue sea", and "between a rock and a hard place" express similar meanings. The mythical situation also developed a proverbial use in which seeking to choose between equally dangerous extremes is seen as leading inevitably to disaster. The myth and its proverbial use Scylla and Charybdis were mythical sea monsters noted by Homer; Greek mythology sited them on opposite sides of the Strait of Messina between Sicily and Calabria, on the Italian mainland. Scylla was rationalized as a rock shoal (described as a six-headed sea monster) on the Calabrian side of the strait and Charybdis was a whirlpool off the coast of Sicily. They were regarded as maritime hazards located close enough to each other that they posed an inescapable thre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Heinrich Füssli 054
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name '' Yochanan'' () in turn from its extended form (), meaning "Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: Mononym * Johann, Count of Cleves (died 1368), nobleman of the Holy Roman Empire * Johann, Count of Leiningen-Dagsburg-Falkenburg (1662–1698), German nobleman *Johann, Prince of Hohenzollern-Sigmaringen (1578–1638), German nobleman A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer executed f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Of Châtillon
Walter of Châtillon ( Latinized as Gualterus de Castellione) was a 12th-century French writer and theologian who wrote in the Latin language. He studied under Stephen of Beauvais and at the University of Paris. It was probably during his student years that he wrote a number of Latin poems in the Goliardic manner that found their way into the '' Carmina Burana'' collection. During his lifetime, however, he was more esteemed for a long Latin epic on the life of Alexander the Great, the '' Alexandreis, sive Gesta Alexandri Magni'', a hexameter epic, full of anachronisms; he depicts the Crucifixion of Jesus as having already taken place during the days of Alexander the Great. The ''Alexandreis'' was popular and influential in Walter's own times. Matthew of Vendôme and Alan of Lille borrowed from it and Henry of Settimello imitated it, but it is now seldom read. One line, referring to Virgil's Aeneid, is sometimes quoted: :: Many poems in his style, or borrowing his themes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punch (magazine)
''Punch, or The London Charivari'' was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration. Artists at ''Punch'' included John Tenniel who, from 1850, was the chief cartoon artist at the magazine for over 50 years. The editors took the anarchic puppet Mr Punch, of Punch and Judy, as their mascot—the character appears in many magazine covers—with the character also an inspiration for the magazine's name. With its satire of the contemporary, social, and political scene, ''Punch'' became a household name in Victorian Britain. Sales of 40,000 copies a week by 1850 rose above 100,000 by 1910. After the 1940s, when its circulation peaked, it went into a long decline, closing in 1992. It was revived in 1996, but closed again in 2002. History ''Punch'' was found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Defence Of Poetry
"A Defence of Poetry" is an unfinished essay by Percy Bysshe Shelley written in February and March 1821 that the poet put aside and never completed. The text was published posthumously in 1840 in ''Essays, Letters from Abroad, Translations and Fragments''. Its final sentence expresses Shelley's famous proposition that "Poets are the unacknowledged legislators of the world." Background The essay was written in response to his friend Thomas Love Peacock's article " The Four Ages of Poetry", which had been published in 1820. Shelley wrote to the publishers Charles and James Ollier (who were also his own publishers): :I am enchanted with your ''Literary Miscellany'', although the last article has excited my polemical faculties so violently that the moment I get rid of my ophthalmia, I mean to set about an answer to it.... It is very clever, but I think, very false. To Peacock, Shelley wrote: :Your anathemas against poetry itself excited me to a sacred rage. . . . I had the gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Bysshe Shelley
Percy Bysshe Shelley ( ; 4 August 1792 – 8 July 1822) was an English writer who is considered one of the major English Romantic poets. A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death, and he became an important influence on subsequent generations of poets, including Robert Browning, Algernon Charles Swinburne, Thomas Hardy, and W. B. Yeats. American literary critic Harold Bloom describes him as "a superb craftsman, a lyric poet without rival, and surely one of the most advanced sceptical intellects ever to write a poem." Shelley's reputation fluctuated during the 20th century, but since the 1960s he has achieved increasing critical acclaim for the sweeping momentum of his poetic imagery, his mastery of genres and verse forms, and the complex interplay of sceptical, idealist, and materialist ideas in his work. Among his bes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolism In The French Revolution
Symbolism in the French Revolution was the use of artistic symbols to emphasize and celebrate (or vilify) the main features of the French Revolution and promote public identification with and support for the cause. In order to effectively illustrate the differences between the new Republic and the old regime, revolutionaries implemented new symbols to be celebrated instead of the old religious and monarchical symbolism. To this end, symbols were borrowed from historic cultures and redefined, while those of the old regime were either destroyed or reattributed acceptable characteristics. New symbols and styles were put in place to separate the new, Republican country from the monarchy of the past. These new and revised symbols were used to instill in the public a new sense of tradition and reverence for the Enlightenment and the Republic. Fasces Fasces, like many other symbols of the French Revolution, are Roman in origin. Fasces are a bundle of birch rods containing a sacrific ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Pitt The Younger
William Pitt (28 May 1759 – 23 January 1806) was a British statesman who served as the last prime minister of Kingdom of Great Britain, Great Britain from 1783 until the Acts of Union 1800, and then first Prime Minister of the United Kingdom, prime minister of the United Kingdom from January 1801. He left office in March 1801, but served as prime minister again from 1804 until his death in 1806. He was also Chancellor of the Exchequer for all of his time as prime minister. He is known as "Pitt the Younger" to distinguish him from his father, William Pitt the Elder, who had also previously served as prime minister. Pitt's prime ministerial tenure, which came during the reign of King George III, was dominated by major political events in Europe, including the French Revolution and the Napoleonic Wars. Pitt, although often referred to as a Tory (British political party), Tory, or "new Tory", called himself an "independent Whig (British political party), Whig" and was generally oppo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Gillray
James Gillray (13 August 1756Gillray, James and Draper Hill (1966). ''Fashionable contrasts''. Phaidon. p. 8.Baptism register for Fetter Lane (Moravian) confirms birth as 13 August 1756, baptism 17 August 1756 1June 1815) was a British list of caricaturists, caricaturist and printmaking, printmaker famous for his etching, etched political and social satires, mainly published between 1792 and 1810. Many of his works are held at the National Portrait Gallery, London, National Portrait Gallery in London. Gillray has been called "the father of the political cartoon", with his works satirizing George III, Napoleon, prime ministers and generals. Regarded as one of the two most influential cartoonists, the other being William Hogarth, Gillray's wit and humour, knowledge of life, fertility of resource, keen sense of the ludicrous, and beauty of execution, at once gave him the first place among caricaturists. Early life He was born in Chelsea, London, Chelsea, London. His father had se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scylla And Charybdis, Or The Modern Ulysses By John Tenniel
In Greek mythology, Scylla ( ; , ) is a legendary, man-eating monster that lives on one side of a narrow channel of water, opposite her counterpart, the sea-swallowing monster Charybdis. The two sides of the strait are within an arrow's range of each other—so close that sailors attempting to avoid the whirlpools of Charybdis would pass dangerously close to Scylla and vice versa. Scylla is first attested in Homer's ''Odyssey'', where Odysseus and his crew encounter her and Charybdis on their travels. Later myth provides an origin story as a beautiful nymph who gets turned into a monster. Book Three of Virgil's ''Aeneid'' associates the strait where Scylla dwells with the Strait of Messina between Calabria, a region of Southern Italy, and Sicily. The coastal town of Scilla in Calabria takes its name from the mythological figure of Scylla and it is said to be the home of the nymph. The idiom "between Scylla and Charybdis" has come to mean being forced to choose between two simil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Out Of The Frying Pan Into The Fire
The phrase out of the frying pan into the fire is used to describe the situation of moving or getting from a bad or difficult situation to a worse one, often as the result of trying to escape from the bad or difficult one. It was the subject of a 15th-century fable that eventually entered the Aesopic canon. History The proverb and several similar European proverbs ultimately derive from a Greek saying about running from the smoke or the fire into the flame, the first recorded use of which was in a poem by Germanicus Caesar (15 BCE – 19 CE) in the Greek Anthology. There it is applied to a hare in flight from a dog that attempts to escape by jumping into the sea, only to be seized by a 'sea-dog'. The Latin equivalent was the seafaring idiom of Scylla and Charybdis, 'He runs on Scylla, wishing to avoid Charybdis' (''incidit in scyllam cupiens vitare charybdim''), a parallel pointed out by Edmund Arwaker in the moral that follows his verse treatment of the fable. The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
