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Best Of The Soul Years
''Best of the Soul Years'' is a 2015 compilation album by Australian singer-songwriter, Jimmy Barnes. The album is compiled from his three platinum-selling albums of soul and R&B classics; '' Soul Deep'' (1991), '' Soul Deeper... Songs from the Deep South'' (2000) and ''The Rhythm and the Blues'' (2009). The album also includes two new recordings, "In the Midnight Hour" and "Mustang Sally". The album was released in Australia on 14 August 2015 and peaked at number 3. Track listing ;CD (Disc 1)/Digital download # " River Deep – Mountain High" # " I Gotcha" # "In the Midnight Hour" # "(Your Love Keeps Lifting Me) Higher and Higher" # " Land of 1000 Dances" # " Mustang Sally" # " Chain of Fools" # "Red Hot" # "Hallelujah I Love Her So" # " Hold On, I'm Comin'" # " Shake, Rattle and Roll" # "What Becomes of the Broken Hearted" # " Signed, Sealed, Delivered I'm Yours" # " Ain't No Mountain High Enough" # " When Something Is Wrong with My Baby" (with John Farnham John Peter Farn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Barnes
James Dixon "Jimmy" Barnes (née Swan; born 28 April 1956) is a Scottish-born Australian rock singer. His career, both as a solo performer and as the lead vocalist with the rock band Cold Chisel, has made him one of the most popular and best-selling Australian music artists of all time. Barnes has achieved 15 solo number one albums in Australia, more than any other artist. Additionally Barnes achieved 5 more as lead singer of Cold Chisel, bringing his combined sum to 20 number one albums in Australia, comfortably eclipsing the Beatles (with 14), Madonna (12), Eminem and U2 (11). Early life Barnes was born James Dixon Swan in the Cowcaddens area of Glasgow, the son of Dorothy and Jim Swan. His father was a prizefighter. His maternal grandmother was Jewish, but he was raised Protestant. He called his childhood environment a "slum" of alcohol and violence, saying that his mother had him and his four siblings (John, Dorothy, Linda, and Alan) before she was 21. His older broth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mustang Sally (song)
"Mustang Sally" is a rhythm and blues (R&B) song written and first recorded by Mack Rice in 1965. It was released on the Blue Rock label (4014) in May 1965 with "Sir Mack Rice" as the artist. The song uses an AAB layout with a 24-bar structure. It gained greater popularity when Wilson Pickett covered it the following year on a single, a version that was also released on the 1966 album ''The Wicked Pickett''. Also in 1966, John Lee Hooker recorded an entirely different song with a similar title — "Mustang Sally & GTO." Personnel Credits are adapted from the liner notes of ''The Muscle Shoals Sound: 3614 Jackson Highway''. *Gilbert Caples – tenor saxophone * Charlie Chalmers – tenor saxophone *Tommy Cogbill – bass guitar * Roger Hawkins – drums * Jimmy Johnson – rhythm guitar *Ed Logan – tenor saxophone *Gene "Bowlegs" Miller – trumpet *Chips Moman – lead guitar * Floyd Newman – baritone saxophone *Spooner Oldham – organ *Wilson Pickett – lead vocals *Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2015 Greatest Hits Albums
Fifteen or 15 may refer to: * 15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album ''Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mushroom Records Compilation Albums
A mushroom or toadstool is the fleshy, spore-bearing fruiting body of a fungus, typically produced above ground, on soil, or on its food source. ''Toadstool'' generally denotes one poisonous to humans. The standard for the name "mushroom" is the cultivated white button mushroom, '' Agaricus bisporus''; hence the word "mushroom" is most often applied to those fungi (Basidiomycota, Agaricomycetes) that have a stem ( stipe), a cap ( pileus), and gills (lamellae, sing. lamella) on the underside of the cap. "Mushroom" also describes a variety of other gilled fungi, with or without stems, therefore the term is used to describe the fleshy fruiting bodies of some Ascomycota. These gills produce microscopic spores that help the fungus spread across the ground or its occupant surface. Forms deviating from the standard morphology usually have more specific names, such as " bolete", " puffball", " stinkhorn", and "morel", and gilled mushrooms themselves are often called " agarics" in r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reflections (The Supremes Song)
"Reflections" is a 1967 song recorded by The Supremes for the Motown label. It was the first Supremes record released under the new billing, ''Diana Ross & the Supremes'', and is among their last hit singles to be written and produced by Motown's main production team Holland–Dozier–Holland (H–D–H). It peaked at number 2 on the United States ''Billboard'' Hot 100 pop singles chart and number 5 on the UK Singles Chart in September 1967. Background This single, released at the height of the Summer of Love of 1967 and the Vietnam War, was the first Supremes' release to delve into psychedelic pop; H–D–H's production of the song, influenced by the psychedelic rock sounds of bands such as The Beatles and The Beach Boys, represented a shift in Motown's pop sound during the latter half of the 1960s. The psychedelic influence is apparent in the song's arrangement. Although it is sometimes cited as one of the first mainstream pop recordings to feature a Moog synthesizer, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Farnham
John Peter Farnham AO (born 1 July 1949) is a British born Australian singer. Farnham was a teen pop idol from 1967 until 1979, billed then as Johnny Farnham, but has since forged a career as an adult contemporary singer.McFarlane (1999). Encyclopedia entry for ; retrieved 24 January 2010. His career has mostly been as a solo artist, although he replaced Glenn Shorrock as lead singer of Little River Band from 1982 to 1985. In September 1986, his solo single "You're the Voice" peaked at No. 1 on the Australian singles charts. NOTE: Used for Australian Singles and Albums charting until ARIA created their own charts in mid-1988. The associated album, ''Whispering Jack'', held the No. 1 position for a total of 25 weeks and is the second-highest-selling album in Australian history. Both the single and the album had top-ten success internationally, including No. 1 in Sweden. Farnham has become one of his country's best-known and most popular performers, and he is the only Austral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain't No Mountain High Enough
"Ain't No Mountain High Enough" is a song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the ''Billboard'' Hot 100 chart and was nominated for the Grammy Award for Best Female Pop Vocal Performance. Background The song was written by Ashford and Simpson prior to joining Motown. British soul singer Dusty Springfield wanted to record the song but the duo declined, hoping it would give them access to the Detroit-based label. As Valerie Simpson later recalled, "We played that song for her (Springfield) but wouldn't give it to her, because we wanted to hold that back. We felt like that could be our entry to Motown. Nick called it the 'golden egg'." Springfield recorded a similar verse melody ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signed, Sealed, Delivered I'm Yours
"Signed, Sealed, Delivered (I'm Yours)" is a soul song, by American musician Stevie Wonder, released in June 1970 as a single on Motown's Tamla label. It spent six weeks at number one on the U.S. R&B chart and peaked at number three on the U.S. Pop chart. In the same year, the song was also released on the album ''Signed, Sealed & Delivered''. The song was arranged by Paul Riser and features an electric sitar played by Eddie "Chank" Willis. In the lyrics, the singer has left his girlfriend but realizes it was a mistake. "I've done a lot of foolish things that I really didn't mean." Now he has returned, making the commitment that he's back, similar to a special delivery package from the post office, "signed, sealed, delivered, I'm yours." The song was a series of firsts for the 20-year-old Wonder: "Signed, Sealed, Delivered (I'm Yours)" was the first single Wonder produced on his own, and was also the first to feature his female backup singing group composed of Lynda Tucke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What Becomes Of The Brokenhearted
"What Becomes of the Brokenhearted" is a hit single recorded by Jimmy Ruffin and released on Motown Records' Soul label in the summer of 1966. It is a ballad, with lead singer Jimmy Ruffin recalling the pain that befalls the broken-hearted who had love that's now departed. The song essentially deals with the struggle to overcome sadness while seeking a new relationship after a breakup. The tune was written by William Weatherspoon, Paul Riser, and James Dean, and the recording was produced by Weatherspoon and William "Mickey" Stevenson. "What Becomes of the Brokenhearted" remains one of the most-revived of Motown's hits. Composers Weatherspoon and Riser and lyricist Dean had originally written "What Becomes of the Brokenhearted" with the intention of having the Spinners, then an act on Motown's V.I.P. label, record it. Jimmy Ruffin, older brother of Temptations lead singer David Ruffin, persuaded Dean to let him do the tune, as its anguished lyric about a man lost in the mise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shake, Rattle And Roll
"Shake, Rattle and Roll" is a song, written in 1954 by Jesse Stone (usually credited as Charles Calhoun, his songwriting name). The original recording by Big Joe Turner is ranked number 127 on the ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time. Background In early 1954, Ahmet Ertegun of Atlantic Records suggested to Jesse Stone that he write an up-tempo blues for Big Joe Turner, a blues shouter whose career had begun in Kansas City before World War II. Stone played around with various phrases before coming up with "shake, rattle and roll". Nick Tosches, ''Unsung Heroes of Rock 'n' Roll'' (2nd ed. 1991), page 12-21. (Stone used his real name for ASCAP songs, while using the pseudonym "Charles Calhoun" for BMI-registered songs, such as "Shake, Rattle and Roll"). However, the phrase had been used in earlier songs. In 1910, vaudeville performer "Baby" Franklin Seals published "You Got to Shake, Rattle and Roll", a ragtime tune about gambling with dice, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hold On, I'm Comin' (song)
"Hold On, I'm Comin" (officially registered as "Hold On, I'm Coming", and shown on the original single release as "Hold On! I'm Comin and "Hold On! I'm a Comin) is a 1966 single recorded by soul duo Sam & Dave, issued on the Atlantic-distributed Stax label in 1966. The song was written by the songwriting team of Isaac Hayes and David Porter, who came up with the title of the song spontaneously when Hayes was trying to get Porter to hurry out of the Stax Studios restroom and get back to songwriting. The original title was "Hold On, I'm Comin, but some radio stations objected to its "suggestive nature", and labels on most copies of the single gave the title as "Hold On! I'm A Comin. Released as Stax 189 in the spring of 1966, the single peaked at number one on the ''Billboard'' Hot R&B singles chart and at number 21 on the ''Billboard'' Hot 100 in the United States.Hogan, Ed (2006). " Review of "Hold On! I'm Comin'" ''Allmusic''. Retrieved 2008-3-30 Following the instrumental ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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