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Bernd And Hilla Becher
Bernhard "Bernd" Becher (; 20 August 1931 – 22 June 2007), and Hilla Becher, née Wobeser (2 September 1934 – 10 October 2015), were German conceptual artists and photographers working as a collaborative duo. They are best known for their extensive series of photographic images, or Typology (urban planning and architecture), typologies, of industrial buildings and structures, often organised in grids. As the founders of what has come to be known as the 'Becher school' or the Düsseldorf School of Photography, they influenced generations of documentary photographers and artists in Germany and abroad. They were awarded the Erasmus Prize and the Hasselblad Award. Biography Bernd Becher was born in Siegen. He studied painting at the Staatliche Akademie der Bildenden Künste Stuttgart from 1953 to 1956, then typography under Karl Rössing at the Kunstakademie Düsseldorf from 1959 to 1961. Hilla Becher was born in Potsdam. Prior to Hilla's time studying photography at the Kunstak ...
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Ruhr
The Ruhr ( ; , also ''Ruhrpott'' ), also referred to as the Ruhr Area, sometimes Ruhr District, Ruhr Region, or Ruhr Valley, is a polycentric urban area in North Rhine-Westphalia, Germany. With a population density of 1,160/km2 and a population of over 5 million (2017), it is the largest urban area in Germany and the third of the European Union. It consists of several large cities bordered by the rivers Ruhr to the south, Rhine to the west, and Lippe to the north. In the southwest it borders the Bergisches Land. It is considered part of the larger Rhine-Ruhr metropolitan region of more than 10 million people, which is the third largest in Western Europe, behind only London and Paris. The Ruhr cities are, from west to east: Duisburg, Oberhausen, Bottrop, Mülheim an der Ruhr, Essen, Gelsenkirchen, Bochum, Herne, Hagen, Dortmund, Hamm and the districts of Wesel, Recklinghausen, Unna and Ennepe-Ruhr-Kreis. The most populous cities are Dortmund (with a population of app ...
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Barn
A barn is an agricultural building usually on farms and used for various purposes. In North America, a barn refers to structures that house livestock, including cattle and horses, as well as equipment and fodder, and often grain.Allen G. Noble, ''Traditional Buildings: A Global Survey of Structural Forms and Cultural Functions'' (New York: Tauris, 2007), 30. As a result, the term barn is often qualified e.g. tobacco barn, dairy barn, cow house, sheep barn, potato barn. In the British Isles, the term barn is restricted mainly to storage structures for unthreshed cereals and fodder, the terms byre or shippon being applied to cow shelters, whereas horses are kept in buildings known as stables. In mainland Europe, however, barns were often part of integrated structures known as byre-dwellings (or housebarns in US literature). In addition, barns may be used for equipment storage, as a covered workplace, and for activities such as threshing. Etymology The word ''barn'' c ...
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Timber Framing
Timber framing () and "post-and-beam" construction are traditional methods of building with heavy Beam (structure), timbers, creating structures using squared-off and carefully fitted and Woodworking joints, joined timbers with joints secured by large wooden pegs. If the Structural system, structural frame of Load-bearing wall, load-bearing timber is left exposed on the exterior of the building it may be referred to as half-timbered, and in many cases the infill between timbers will be used for decorative effect. The country most known for this kind of architecture is Germany, where timber-framed houses are spread all over the country. The method comes from working directly from logs and trees rather than pre-cut Lumber#Dimensional lumber, dimensional lumber. Artisans or framers would gradually assemble a building by hewing logs or trees with broadaxes, adzes, and draw knife, draw knives and by using woodworking tools, such as hand-powered Brace (tool), braces and Auger (dril ...
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Sheet Film
Sheet film is large format and Medium format (film), medium format photographic film supplied on individual sheets of acetate or polyester film base rather than rolls. Sheet film was initially supplied as an alternative to Photographic_plate, glass plates. The most popular size measures ; smaller and larger sizes including the gigantic have been made and many are still available today. Using sheet film To use sheet film, the photographer places a sheet of film, emulsion side out, into a film holder in the dark, and closes the dark slide over the loaded film. Next, the holder is inserted into a large-format camera, and the dark slide is removed from the holder. The exposure is made, the dark slide is replaced, and the film holder is removed from the camera. Notches Sheet films have notches cut into one short side. This makes it simple to determine which side is the emulsion, when the film is hidden from sight (in the darkroom, or inside a changing bag). When holding the ...
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Film Speed
Film speed is the measure of a photographic film's sensitivity to light, determined by sensitometry and measured on various numerical scales, the most recent being the ISO system introduced in 1974. A closely related system, also known as ISO, is used to describe the relationship between exposure and output image lightness in digital cameras. Prior to ISO, the most common systems were ASA in the United States and DIN in Europe. The term ''speed'' comes from the early days of photography. Photographic emulsions that were more sensitive to light needed less time to generate an acceptable image and thus a complete exposure could be finished faster, with the subjects having to hold still for a shorter length of time. Emulsions that were less sensitive were deemed "slower" as the time to complete an exposure was much longer and often usable only for still life photography. Exposure times for photographic emulsions shortened from hours to fractions of a second by the late 19th ...
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Photographic Plates
Photographic plates preceded photographic film, film as the primary medium for capturing images in photography. These plates, made of metal or Glass, glass and coated with a light-sensitive Photographic emulsion, emulsion, were integral to early photographic processes such as heliography, daguerreotypes, and photogravure. Glass plates, thinner than standard window glass, became widely used in the late 19th century for their clarity and reliability. Although largely replaced by film during the 20th century, plates continued to be used for specialised scientific and medical purposes until the late 20th century. History Glass plates were far superior to film for research-quality imaging because they were stable and less likely to bend or distort, especially in large-format frames for wide-field imaging. Early plates used the wet collodion process. The wet plate process was replaced late in the 19th century by gelatin dry plates. A view camera nicknamed "The Mammoth" weighing wa ...
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Black And White
Black-and-white (B&W or B/W) images combine black and white to produce a range of achromatic brightnesses of grey. It is also known as greyscale in technical settings. Media The history of various visual media began with black and white, and as technology improved, altered to color. However, there are exceptions to this rule, including black-and-white fine art photography, as well as many film motion pictures and art film(s). Early photographs in the late 19th and early to mid 20th centuries were often developed in black and white, as an alternative to sepia due to limitations in film available at the time. Black and white was also prevalent in early television broadcasts, which were displayed by changing the intensity of monochrome phosphurs on the inside of the screen, before the introduction of colour from the 1950s onwards. Black and white continues to be used in certain sections of the modern arts field, either stylistically or to invoke the perception of a hi ...
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Telephoto Lens
A telephoto lens, also known as telelens, is a specific type of a long-focus lens used in photography and cinematography, in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a ''telephoto group'' that extends the light path to create a long-focus lens in a much shorter overall design. The angle of view and other effects of long-focus lenses are the same for telephoto lenses of the same specified focal length. Long-focal-length lenses are often informally referred to as ''telephoto lenses'', although this is technically incorrect: a telephoto lens specifically incorporates the telephoto group. Construction A simple photographic lens may be constructed using one lens element of a given focal length; to focus on an object at infinity, the distance from this single lens to focal plane of the camera (where the sensor or film is) has to be adjusted to the focal length of that lens. For example, g ...
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Wide-angle Lens
In photography and cinematography, a wide-angle lens is a Photographic lens, lens covering a large angle of view. Conversely, its focal length is substantially smaller than that of a normal lens for a given film plane. This type of lens allows more of the Scene (perception), scene to be included in the photograph, which is useful in architectural, interior, and landscape photography where the photographer may not be able to move farther from the scene to photograph it. Another use is where the photographer wishes to emphasize the difference in size or distance between objects in the foreground and the background; nearby objects appear very large and objects at a moderate distance appear small and far away. This exaggeration of relative size can be used to make foreground objects more prominent and striking, while capturing expansive backgrounds. A wide-angle lens is also one that projects a substantially larger image circle than would be typical for a standard design lens of the ...
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Perspective Control
Perspective control is a procedure for composing or editing photographs to better conform with the commonly accepted distortions in constructed perspective. The control would: * make all lines that are vertical in reality vertical in the image. This includes columns, vertical edges of walls and lampposts. This is a commonly accepted distortion in constructed perspective; perspective is based on the notion that more distant objects are represented as smaller on the page; however, even though the top of the cathedral tower is in reality further from the viewer than base of the tower (due to the vertical distance), constructed perspective considers only the horizontal distance and considers the top and bottom to be the same distance away; * make all parallel lines (such as four horizontal edges of a cubic room) cross in one point. Perspective distortion occurs in photographs when the film plane is not parallel to lines that are required to be parallel in the photo. A common case ...
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Monorail Camera
Monorail cameras are view cameras with lens mount, bellows, and interchangeable viewing and film backs all fitted along a rigid rail along which they can slide until locked into position. They can take sheet film in large sizes, and since the advent of digital photography can take a digital back. They are used to take very high-quality photographs of static subjects on large film, or at high digital image resolution, and capable of much enlargement with good quality. They have many camera movements for image control. The image is usually viewed on a ground-glass screen in the film plane; after the scene has been composed, the ground glass is replaced by the film, and the exposure made. Monorail cameras rarely have any other viewfinder than the ground glass. Details Virtually any lens can be fitted, and backs for sheet film, rollfilm, digital back and Polaroid backs. For some uses with long exposures, or flash lighting; a shutter is unnecessary; removing a lens cap to expose ...
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