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Bernardo De' Dominici
Bernardo De Dominici or Bernardo de Dominici or Bernardo de' Dominici (1683–1759) was an Italian art historian and minor landscape and genre painter, active mainly in his native Naples. He is now best known as the author of the ''Vite dei pittori, scultori ed architetti napoletani'', a three-volume collection of biographies of Neapolitan artists, for which he is sometimes called the Giorgio Vasari, Vasari of Naples.Ferdinando Bologna, "De Dominici, Bernardo," In ''Dizionario Biografico degli Italiani,'' 33 (1987); https://www.treccani.it/enciclopedia/bernardo-de-dominici/; accessed 22 December 2023. Life Bernardo De Dominici was born in Naples on 13 December 1683 to Camilla Tartaglione and the Maltese painter, musician and collector Raimondo de' Dominici (1645-1705). He was the younger brother of the actor, musician, and composer Giampaolo De Dominici (1680-1758), and nephew of Maria de Dominici, Suor Maria de Dominici, a Maltese artist. His father had been a pupil of Mattia Pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Valletta
Francesco Valletta (1680 ''–'' 1760) was an Italian scholar, philologist and historian. Biography Born in Naples, his father Diego's brother was Giuseppe Valletta. Well-versed in languages and study of ancient monuments, Francesco joined his father in selling off Giuseppe's estates and collections to cure the family's dire financial issues. All its ancient statues were sold to an English physician for 1,100 ducats, as well as 45 Etruscan vases and the library to the Oratorians in Naples for 14,000 ducats. Castaldi 1840pag.245 Castaldi 1840pag.246 He studied law from 1698 to 1702, graduating in 1711. He became a great friend of Matteo Egizio and kept up a long correspondence with Ludovico Antonio Muratori Lodovico Antonio Muratori (21 October 1672 – 23 January 1750), commonly referred to in Latin as Muratorius, was an Italian Catholic priest, notable as historian and a leading scholar of his age, and for his discovery of the Muratorian fragmen .... He wrote many poe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Lanfranco
Giovanni Lanfranco (26 January 1582 – 30 November 1647) was an Italian Baroque painter. Biography Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti. His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.Williamson, George. "Giovanni Lanfranco." The Catholic Encyclopedia Vol. 8. New York: Robert Appleton Company, 1910. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian Baroque painter, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Francesco Albani, Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenichino
Domenico Zampieri (, ; October 21, 1581 – April 6, 1641), known by the diminutive Domenichino (, ) after his shortness, was an Italian Baroque painter of the Bolognese School of painters. Life Domenichino was born in Bologna, son of a shoemaker, and there initially studied under Denis Calvaert. After quarreling with Calvaert, he left to work in the Accademia degli Incamminati of the Carracci where, because of his small stature, he was nicknamed Domenichino, meaning "little Domenico" in Italian. He left Bologna for Rome in 1602 and became one of the most talented apprentices to emerge from Annibale Carracci's supervision. As a young artist in Rome he lived with his slightly older Bolognese colleagues Albani and Guido Reni, and worked alongside Lanfranco, who later would become a chief rival. In addition to assisting Annibale with completion of his frescoes in the Galleria Farnese, including '' A Virgin with a Unicorn'' (–05), he painted three of his own frescoes in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caravaggio
Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; 29 September 1571 – 18 July 1610), known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Kingdom of Naples, Naples, Hospitaller Malta, Malta, and Kingdom of Sicily, Sicily. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferrin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, ; ; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italians, Italian sculptor and Italian architect, architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque sculpture, Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theatre: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvator Rosa
Salvator Rosa (1615 – March 15, 1673) is best known today as an Italian Baroque painter, whose romanticized landscapes and history paintings, often set in dark and untamed nature, exerted considerable influence from the 17th century into the early 19th century. In his lifetime he was among the most famous painters,Jaffé, Hans L. C., editor. 1967. ''20,000 Years of World Painting.'' Harry N. Abrams, Inc., Publishers. New York. 418 pp. age 228/ref> known for his flamboyant personality, and regarded as an accomplished poet, satirist, actor, musician, and printmaker, as well. He was active in Naples, Rome, and Florence, where on occasion he was compelled to move between cities, as his caustic satire earned him enemies in the artistic and intellectual circles of the day. As a history painter, he often selected obscure and esoteric subjects from the Bible, mythology, and the lives of philosophers, that were seldom addressed by other artists. He rarely painted the common religiou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Ricciardi
Francesco, the Italian (and original) version of the personal name "Francis", is one of the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter *Francesco Zurolo (first half of the 15th century–1480), Italian feudal lord, baron and italian leader * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lives Of The Artists (Bellori)
''The Lives of the Modern Painters, Sculptors, and Architects'' or ''Le vite de' pittori, scultori et architetti moderni'' is a series of artist biographies written by Gian Pietro Bellori (1613–1696), whom Julius von Schlosser called "the most important historiographer of art not only of Rome, but all Italy, even of Europe, in the seventeenth century". It is one of the foundational texts of the history and criticism of European art. The first edition (1672) was published in Rome. It contained biographies of nine painters (Annibale Carracci, Annibale and Agostino Carracci, Barocci, Caravaggio, Rubens, Van Dyck, Domenichino, Lanfranco, and Poussin), two sculptors (François Duquesnoy and Alessandro Algardi), and one architect (Domenico Fontana). The book was dedicated to Jean-Baptiste Colbert and published with French financial support. Preface The preface to the ''Lives'' is an essay Bellori delivered to the Accademia di San Luca, Rome in 1664. The essay, entitled ''The Idea of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pietro Bellori
Giovanni Pietro Bellori (15 January 1613 – 19 February 1696), also known as Giovan Pietro Bellori or Gian Pietro Bellori, was an Italian art theorist, painter and antiquarian, who is best known for his work ''The Lives of the Artists (Bellori), Lives of the Artists'', considered the seventeenth-century equivalent to Giorgio Vasari, Vasari's ''Lives of the Most Excellent Painters, Sculptors, and Architects, Vite''. His ''Vite de' Pittori, Scultori et Architetti Moderni'', published in 1672, was influential in consolidating and promoting the theoretical case for classical idealism in art. As an art historical biographer, he favoured classicising artists rather than Baroque artists to the extent of omitting some of the key artistic figures of 17th-century art altogether. Biography Bellori was born in Rome on 15 January 1613, the son of Giacomo, a farmer. He was reared and educated by his maternal uncle, Francesco Angeloni, who was an antiquarian, writer of Comedy, comedies, dialogue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles III Of Spain
Charles III (; 20 January 1716 – 14 December 1788) was King of Spain in the years 1759 to 1788. He was also Duke of Parma and Piacenza, as Charles I (1731–1735); King of Naples, as Charles VII; and King of Sicily, as Charles III (or V) (1735–1759). He was the fourth son of Philip V of Spain and the eldest son of Philip's second wife, Elisabeth Farnese. He was a proponent of enlightened absolutism and regalism. In 1731, the 15-year-old Charles became Duke of Parma and Piacenza following the death of his childless grand-uncle Antonio Farnese, Duke of Parma, Antonio Farnese. In 1734, at the age of 18, he led Spanish troops in a bold and almost entirely bloodless march down Italy to seize the Kingdom of Naples and Kingdom of Sicily and enforce the Spanish claim to their thrones. In 1738, he married the Princess Maria Amalia of Saxony, daughter of Augustus III of Poland, who was an educated, cultured woman. The couple had 13 children, eight of whom reached adulthood. They resided ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
