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Bell Tower Of The Gaeta Cathedral
The bell tower of Gaeta Cathedral is located behind the building, in Pope Gelasius Square, overlooking the Gulf of Gaeta. Built in the Romanesque architecture, Romanesque style with strong Norman–Arab–Byzantine culture, Arab-Norman influence, it is 57 meters high, was built beginning in 1148 and was completed in 1279 with the construction of the apex tower. History When, between the end of the 8th century and the 9th, the bishopric of Formia was permanently moved to Gaeta, the ancient church of Santa Maria del Parco was elevated to the rank of cathedral and, beginning in 842, housed the relics of the patron Erasmus of Formia, St. Erasmus, which until then had been at the Formian cathedral, which was demoted to the rank of a simple church. Beginning with the reign of the List of dukes of Gaeta, ''hypati'' John I of Gaeta, John I (867-933) and his son Docibilis II of Gaeta, Docibilis II (933-954), the church of Santa Maria del Parco was enlarged, and again after 978, to be fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaeta
Gaeta (; ; Southern Latian dialect, Southern Laziale: ''Gaieta'') is a seaside resort in the province of Latina in Lazio, Italy. Set on a promontory stretching towards the Gulf of Gaeta, it is from Rome and from Naples. The city has played a conspicuous part in military history; its walls date to Ancient Rome, Roman times and were extended and strengthened in the 15th century, especially throughout the history of the Kingdom of Naples (later the Kingdom of the Two Sicilies). Present-day Gaeta is a fishing port and a renowned seaside resort. NATO has a naval base here. In 2025, it received the Blue Flag beach, blue and green flags from Foundation for Environmental Education, FEE for the twelfth consecutive year. It is one of the I Borghi più belli d'Italia ("The most beautiful villages of Italy"). History Ancient times Ancient Caieta was situated on the slopes of the Torre di Orlando, a promontory overlooking the Mediterranean Sea. It was inhabited by the Oscan language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' () is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently '' buon fresco'' technology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallelepiped
In geometry, a parallelepiped is a three-dimensional figure formed by six parallelograms (the term ''rhomboid'' is also sometimes used with this meaning). By analogy, it relates to a parallelogram just as a cube relates to a square. Three equivalent definitions of ''parallelepiped'' are *a hexahedron with three pairs of parallel faces, *a polyhedron with six faces (hexahedron), each of which is a parallelogram, and *a prism (geometry), prism of which the base is a parallelogram. The rectangular cuboid (six rectangular faces), cube (six square faces), and the rhombohedron (six rhombus faces) are all special cases of parallelepiped. "Parallelepiped" is now usually pronounced or ; traditionally it was because of its etymology in Ancient Greek, Greek παραλληλεπίπεδον ''parallelepipedon'' (with short -i-), a body "having parallel planes". Parallelepipeds are a subclass of the prismatoids. Properties Any of the three pairs of parallel faces can be viewed as the bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trifora
Trifora is a type of three-light window. The trifora usually appears in towers and belfries—on the top floors, where it is necessary to lighten the structure with wider openings. Overview The trifora has three openings divided by two small columns or pilasters, on which rest three arches, round or acute. Sometimes, the whole trifora is framed by a further large arch. The space among arches is usually decorated by a coat of arms or a circular opening. Less popular than the mullioned window, the trifora was, however, widely used in the Romanesque, Gothic, and Renaissance periods. Later, the window was mostly forgotten, coming back in vogue in the nineteenth century, in the period of eclecticism and the rediscovery of ancient styles (Neo-Gothic, Neo-Renaissance, and so on). Compared to the mullioned window, the trifora was generally used for larger and more ornate openings. Gallery File:Rivalta Scrivia Abbazia Santa Maria Trifora.jpg, Abbazia di Santa Maria di Rivalta in Tortona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Revival Architecture
Romanesque Revival (or Neo-Romanesque) is a style of building employed beginning in the mid-19th century inspired by the 11th- and 12th-century Romanesque architecture. Unlike the historic Romanesque style, Romanesque Revival buildings tended to feature more simplified arches and windows than their historic counterparts. An early variety of Romanesque Revival style known as Rundbogenstil ("Round-arched style") was popular in German lands and in the German diaspora beginning in the 1830s. By far the most prominent and influential American architect working in a free "Romanesque" manner was Henry Hobson Richardson. In the United States, the style derived from examples set by him are termed Richardsonian Romanesque, of which not all are Romanesque Revival. Romanesque Revival is also sometimes referred to as the " Norman style" or " Lombard style", particularly in works published during the 19th century after variations of historic Romanesque that were developed by the Normans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bifora (architecture)
In architecture, a bifora is a type of window divided vertically into two openings by a small column or a mullion or a pilaster; the openings are topped by arches, Semicircular arch, round or Pointed arch, pointed. Sometimes the bifora is framed by a further arch; the space between the two arches may be decorated with a coat of arms or a small circular opening (Oculus (architecture), oculus). The bifora was used in Byzantine architecture, including Italian buildings such as the Basilica of Sant'Apollinare Nuovo, in Ravenna. Typical of the Romanesque architecture, Romanesque and Gothic architecture, Gothic periods, in which it became an ornamental motif for windows and Belfry (architecture), belfries, the bifora was also often used during the Renaissance architecture, Renaissance period. In Baroque architecture and Neoclassical architecture the bifora was largely forgotten, or replaced by elements like the three openings of the Venetian window. It was also copied in the Moorish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (: apses; from Latin , 'arch, vault'; from Ancient Greek , , 'arch'; sometimes written apsis; : apsides) is a semicircular recess covered with a hemispherical Vault (architecture), vault or semi-dome, also known as an ''exedra''. In Byzantine architecture, Byzantine, Romanesque architecture, Romanesque, and Gothic architecture, Gothic Architecture of cathedrals and great churches, Christian church architecture, church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east and west, liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wrought Iron
Wrought iron is an iron alloy with a very low carbon content (less than 0.05%) in contrast to that of cast iron (2.1% to 4.5%), or 0.25 for low carbon "mild" steel. Wrought iron is manufactured by heating and melting high carbon cast iron in an open charcoal or coke hearth or furnace in a process known as puddling. The high temperatures cause the excess carbon to oxidise, the iron being stirred or puddled during the process in order to achieve this. As the carbon content reduces, the melting point of the iron increases, ultimately to a level which is higher than can be achieved by the hearth, hence the wrought iron is never fully molten and many impurities remain. The primary advantage of wrought iron over cast iron is its malleability - where cast iron is too brittle to bend or shape without breaking, wrought iron is highly malleable, and much easier to bend. Wrought iron is a semi-fused mass of iron with fibrous slag inclusions (up to 2% by weight), which give it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reinforced Concrete
Reinforced concrete, also called ferroconcrete or ferro-concrete, is a composite material in which concrete's relatively low tensile strength and ductility are compensated for by the inclusion of reinforcement having higher tensile strength or ductility. The reinforcement is usually, though not necessarily, steel reinforcing bars (known as rebar) and is usually embedded passively in the concrete before the concrete sets. However, post-tensioning is also employed as a technique to reinforce the concrete. In terms of volume used annually, it is one of the most common engineering materials. In corrosion engineering terms, when designed correctly, the alkalinity of the concrete protects the steel rebar from corrosion. Description Reinforcing schemes are generally designed to resist tensile stresses in particular regions of the concrete that might cause unacceptable cracking and/or structural failure. Modern reinforced concrete can contain varied reinforcing materials made o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Antonio Vaccaro
Domenico Antonio Vaccaro (June 3, 1678 – June 13, 1745) was an Italian painter, sculptor and architect. He created many important sculptural and architectural projects in Naples. His later works are executed in an individualistic Rococo style.Alexander Kader and Antonia Boström. "Vaccaro." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 7 Jun. 2016 Life Domenico Antonio Vaccaro was born in Naples as the son of Lorenzo Vaccaro. His father Lorenzo was a pupil of Cosimo Fanzago. Domenico Antonio Vaccaro first studied under his father. He subsequently trained in the workshop of Francesco Solimena. He initially dedicated himself to painting but from around 1707 he appears to have practised almost exclusively as a sculptor and architect. In the 1730s he resumed painting. Works of interest include a statue of ''Moses'' in the church of San Ferdinando (Naples), San Ferdinando, interior work at the Chiesa di Santa Maria in Portico, and the statues of ''Peni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionisio Lazzari
Dionisio Lazzari (17 October 1617 – 9 August 1689) was an Italian sculptor and architect. He was born in Naples in 1617, the son of Jacopo Lazzari and Caterina Papini. Jacopo was born in Florence, and his and Dionisio's work shows Tuscan influences. In Dionisio, these are combined with the style of the Neapolitan baroque, as exemplified by Cosimo Fanzago. One of Lazzari's pupils was Arcangelo Guglielmelli. His characteristic work was in marble inlaid with different coloured precious stones, often in abstract designs, though he also produced naturalistic works of vases, flowers and putti. Main works Most of the works of Dionisio Lazzari are found in Naples: *1642: Firrao chapel, San Paolo Maggiore *1654 (design): Church and Convent of the Girolamini *1662: Façade of San Lorenzo Maggiore (later redone by Ferdinando Sanfelice) *1646 (onwards): Multiple chapels and decorations of Naples Cathedral The Naples Cathedral (; ), or the Cathedral of the Assumption of Mary () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
