Beecham-Handel Suites
The conductor Sir Thomas Beecham made several orchestral suites from neglected music by George Frideric Handel, mostly from the composer's 42 surviving operas. The best known of the suites are ''The Gods Go a'Begging'' (1928), ''The Origin of Design'' (1932), ''The Faithful Shepherd'' (1940), ''Amaryllis'' (1944) and ''The Great Elopement'' (1945, later expanded as '' Love in Bath'', 1956). Some of the suites were written as ballet scores; others were intended for concert use. Beecham made no attempt to emulate Handel's original instrumentation, and employed the full resources of the modern symphony orchestra, introducing such instruments as trombones, cymbals, triangles and harps into the orchestration. He made recordings of parts or the whole of all the above suites with the two orchestras with which he was principally associated, the London Philharmonic between 1932 and 1945 and the Royal Philharmonic thereafter. Both at the time and in the present day, Beecham's arrangements o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Il Pastor Fido (Handel)
''Il pastor fido'' ("The Faithful Shepherd") ( HWV 8) is an opera seria in three acts by George Frideric Handel. It was set to a libretto by Giacomo Rossi based on the famed and widely familiar pastoral poem of the ' Il pastor fido' by Giovanni Battista Guarini. It had its first performance on 22 November 1712 at the Queen's Theatre in the Haymarket, London. Performance history It was composed in 1712 and first performed on 22 November of the same year under the composer. The opera opened to a largely hostile reception, probably due to disappointment after the success of ''Rinaldo'': one diarist noted critically that "the scene represented only the Country of Arcadia; the Habits ostumeswere old – the Opera short". The roles of Mirtillo and Silvio were originally sung by the castratos Valeriano Pellegrini and Valentino Urbani. The overture is in six movements and is long for its time: it is thought that it may have been originally composed as an unrelated orchestral suite. T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Organ Concertos, Op
Organ may refer to: Biology * Organ (biology), a part of an organism Musical instruments * Organ (music), a family of keyboard musical instruments characterized by sustained tone ** Electronic organ, an electronic keyboard instrument ** Hammond organ, an electro-mechanical keyboard instrument ** Pipe organ, a musical instrument that produces sound when pressurized air is driven through a series of pipes ** Street organ, a mobile, automatic mechanical pneumatic organ played by an organ grinder ** Theatre organ, a pipe organ originally designed specifically for imitation of an orchestra Films * ''Organ'' (film), a 1996 Japanese film about organ thieves * ''The Organ'' (film), a 1965 Slovak film Periodicals * Organ, any official periodical (i.e., magazine, newsletter, or similar publication) of an organization * ''Organ'' (magazine), a UK music magazine founded in 1986 * ''The Organ'' (magazine), a quarterly publication for organ enthusiasts, founded in 1921 * ''The Organ'' ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tatiana Riabouchinska And Roman Jasinsky In Les Dieux Mendiants (The Gods Go A-begging), Between Nov 1938-Aug 1940 - Photograph By Max Dupain (4051611764)
Tatiana (or Tatianna, also romanized as Tatyana, Tatjana, Tatijana, etc.) is a female name of Sabine-Roman origin that became widespread in Eastern Europe. Variations * be, Тацця́на, Tatsiana * bg, Татяна, Tatyana * german: Tatjana * el, Τατιάνα, Tatiána * pl, Tacjana * russian: Татья́на, Tat'yána, Tatiana * sr, Татјана, Tatjana * uk, Тетя́на, Tetyána Origin Tatiana is a feminine, diminutive derivative of the Sabine —and later Latin— name Tatius. King Titus Tatius was the name of a legendary ruler of the Sabines, an Italic tribe living near Rome around the 8th century BC. After the Romans absorbed the Sabines, the name Tatius remained in use in the Roman world, into the first centuries of Christianity, as well as the masculine diminutive Tatianus and its feminine counterpart, Tatiana. While the name later disappeared from Western Europe including Italy, it remained prevalent in the Hellenic world of Eastern ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fête Champêtre
A fête champêtre was a form of entertainment in the 18th century, taking the form of a garden party. This form of entertainment was particularly practised by the French court, where in the Gardens of Versailles and elsewhere areas of the park were landscaped with follies, pavilions and temples to accommodate such festivities. The term is a French expression, very literally translating as "party in the fields", meaning a "pastoral festival" or "country feast" and in theory was a simple form of entertainment, perhaps little more than a picnic or informal open air dancing. In practice, especially in the 18th century, the simplicity of the event was often contrived. A fête champêtre was often a very elegant form of entertainment involving on occasions whole orchestras hidden in trees, with guests sometimes in fancy dress. Such events became a popular subject in French 18th-century painting, representing a glamourized aristocratic form of pastoral, with "scenes of well ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Boris Kochno
Boris Evgenievich Kochno or Kokhno (russian: Бори́с Евге́ньевич Кохно́; 3 January 1904 – 8 December 1990) was a Russian poet, dancer and librettist. Early life Kochno was born in Moscow, Russia, on 3 January 1904. His father served as a colonel in the hussars. He studied at the Imperial Lyceum in Moscow before emigrating to Paris in 1920. Career He was close with Karol Szymanowski, who gave him as a gift a Russian translation of the chapter ''The Symposium'' from his unpublished novel ''Efebos''.Stephen Downes, "Eros and Paneuropeanism", in Harry White and Michael Murphy, eds., ''Musical Constructions of Nationalism: Essays on the History and Ideology of European Musical Cultute, 1800-1945'' (Cork University Press, 2001), 51-71, esp. 52, 66-7 Szymanowski also dedicated four poems to him. In 1920 he became Sergei Diaghilev's secretary, librettist, and eventually main collaborator. They were also briefly lovers. Kochno wrote the libretto of Stravinsky' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ballets Russes
The Ballets Russes () was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Russian Revolution, Revolution disrupted society. After its initial Paris season, the company had no formal ties there. Originally conceived by impresario Sergei Diaghilev, the Ballets Russes is widely regarded as the most influential ballet company of the 20th century, in part because it promoted ground-breaking artistic collaborations among young choreographers, composers, designers, and dancers, all at the forefront of their several fields. Diaghilev commissioned works from composers such as Igor Stravinsky, Claude Debussy, Sergei Prokofiev, Erik Satie, and Maurice Ravel, artists such as Vasily Kandinsky, Alexandre Benois, Pablo Picasso, and Henri Matisse, and costume designers Léon Bakst and Coco Chanel. The company's productions created a huge sensation, complete ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Serge Diaghilev
Sergei Pavlovich Diaghilev ( ; rus, Серге́й Па́влович Дя́гилев, , sʲɪˈrɡʲej ˈpavləvʲɪdʑ ˈdʲæɡʲɪlʲɪf; 19 August 1929), usually referred to outside Russia as Serge Diaghilev, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise. The active years of Diaghilev’s career can be divided into two periods: the one in St Petersburg (1898–1906) and the other in emigration (1906–1929). Biography Sergei Diaghilev was born in Selishchi to a noble officer . His mother died from childbed fever soon after his birth. In 1873, Pavel met and married Elena Panaeva, who loved Sergei and raised him as her own child. The in Perm was a local cultural centre, and the Diaghilevs housed a musical evening every second Thursday, Modest Mussorgsky being one of the most frequent guests. Sergei Diaghilev composed his first romance at the age of 15. When he entere ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bourrée
The bourrée ( oc, borrèia; also in England, borry or bore) is a dance of French origin and the words and music that accompany it. The bourrée resembles the gavotte in that it is in double time and often has a dactylic rhythm. However, it is somewhat quicker, and its phrase starts with a quarter-bar anacrusis or "pick-up", whereas a gavotte has a half-bar anacrusis. In the Baroque era, after the Academie de Dance was established by Louis XIV in 1661, the French court adapted the bourrée, like many such dances, for the purposes of concert dance. In this way it gave its name to a ballet step characteristic of the dance, a rapid movement of the feet while en pointe or demi-pointe, and so to the sequence of steps called . The bourrée became an optional movement in the classical suite of dances, and J. S. Bach, Handel and Chopin wrote bourrées, not necessarily intending them to be danced. History The bourrée originates in Auvergne in France. It is so ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Musette
Musette may refer to: Music * Musette de cour, or baroque musette, a musical instrument of the bagpipe family * Musette bechonnet, a type of French bagpipe * Musette bressane, a type of French bagpipe * Oboe musette, or piccolo oboe, the smallest member of the oboe family * Suona ''Suona'' (IPA: /swoʊˈnɑː/, ), also called ''dida'' (from Cantonese / '' īdá'), ''laba'' or ''haidi'', is a traditional Chinese music instrument with double-reed horn. The suona's basic design originated in ancient Iran, then called "Su ..., a type of Chinese sorna (double-reeded horn) * Bal-musette, a style of French instrumental music and dance that first became popular in the 1880s * Musette tablature, a form of musical notation Other uses * Musette (cycling), a small bag given to riders in a feed zone during a cycle race * Musette Brooks Gregory (1876–1921), African American suffragist and civil rights activist * Musette Majendie (1903–1981), owner of Hedingham Castle * , the nam ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Carnegie Hall
Carnegie Hall ( ) is a concert venue in Midtown Manhattan in New York City. It is at 881 Seventh Avenue, occupying the east side of Seventh Avenue between West 56th and 57th Streets. Designed by architect William Burnet Tuthill and built by philanthropist Andrew Carnegie, it is one of the most prestigious venues in the world for both classical music and popular music. Carnegie Hall has its own artistic programming, development, and marketing departments and presents about 250 performances each season. It is also rented out to performing groups. Carnegie Hall has 3,671 seats, divided among three auditoriums. The largest one is the Stern Auditorium, a five-story auditorium with 2,804 seats. Also part of the complex are the 599-seat Zankel Hall on Seventh Avenue, as well as the 268-seat Joan and Sanford I. Weill Recital Hall on 57th Street. Besides the auditoriums, Carnegie Hall contains offices on its top stories. Carnegie Hall, originally the Music Hall, was constructed be ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |